Category Archives: Writing

Alice Unbound Guidelines Update

Alice in Wonderlnand, Through the Looking Glass, fantasy, speculative

Sir John Tenniel’s famous Alice illustrations. The Griffin, the Mock Turtle and Alice.

For those writers thinking it’s too late to get something in for May 31, know that the deadline has been extended to July 15. I’m just not getting enough stories of the caliber needed for an anthology.

If you are submitting, read all of this post–to the end. People are ignoring the proper submission format and I won’t read a story until it is sent double spaced, with word count, and full contact info on it. That should be easy enough to do, you would think. And page numbers, please.

Now, I’m seeing a lot of the main Alice characters so remember, if I have five Mad Hatter stories I might have to select the best. Alice, White Rabbit, Mad Hatter, Cheshire Cat are all becoming very popular. And tea parties and rabbit holes. I’ll post the expanded guidelines at the end of this but here are a few important things to keep in mind, Stories:

  • should not be rehashings of the same old tales.
  • need to take place in the modern world or the future
  • can take place on another planet
  • can be steampunk but if you stick it in Victorial England you need to bring it forward
  • can be time travel but know I don’t like these tales much as they can get too convoluted (but I do like most Dr. Who)
  • can be combined with characters from other times/place
  • should be as original and unique as possible–the farther you veer away from rabbit holes and tea parties, the more original it will be

Remember these rules of writing:

  • do not tell me someone was upset or mad; show me
  • watch for passive action–seek out words like was, could, would and try to replace them
  • plot–you must have one, even in a poem, and conflict–either resolve it or show the fail
  • use all five senses–this helps give setting and atmosphere
  • do not put a veneer of SF or fantasy on a story that isn’t–ask yourself if the story would work without the SF/fantasy element–if yes, then it’s not spec
Lion and unicorn, Alice, Through the Looking Glass

Sir John Tenniel illustration.

What is Alice Unbound about?

Lewis Carroll (Charles Dodgson) explored childlike wonder and the bewildering realm of adult rules and status, which clashed in bizarre ways. Many characters in his tales are anthropomorphic, whether talking cards, crying mock turtles or saucy Tiger Lilies. Over 150 years later, people still recognize characters from Carroll’s works. Who doesn’t know of vorpal blades and tardy white rabbits, protagonists and antagonists that resonate in a primal part of the human psyche? They hearken to the mysticism and mystery of the ancient world, when one wondered how the rain fell, or which gods empowered madness through drink, or whether a person was separate from an animal or could become one.

Centuries passed and myth became fairy tale, evolving to resonate with each era, showing the triumphs of the common man, the humble and generous woman who outsmarts tempters, jailers, and evil stepmothers, or the trials and tribulations of seeking the unknown. Carroll’s characters jumped forward, not just following the regular metamorphosis of an age-old tale, but leaping off the cliff of the familiar into something altogether new, different and endearing. We might not truly want to live in the world of Alice or have to deal with mad queens and bandersnatches, but what if that Wonderland ceased to exist on a separate plain, and melded with our modern world? How would these characters fit in, and what would they bring or change? Are we ready to accept Alice Unbound into our hearts and let the Jabberwock in the back door?

Alice’s Adventures in Wonderland was Carroll’s most famous work but there are other stories and poems (some within the greater works) where madcap creatures abound. Alice Unbound should contain an element of the speculative and may embrace fabulist, weird, myth, SF, fantasy, steampunk, horror, etc. Other speculative elements or characters may be combined in any way. I don’t want to see rehashings of Carroll’s tales but new stories taking place in a modern or slightly futuristic world. Your tale may take place in Wonderland but only if it has connections with this world. That’s not someone thinking about having a drink at the café they miss but actually integrating modern elements. If you have a talking cat, it must be recognizable as the Cheshire Cat. You should not be copying Carroll’s style but telling a new tale in your voice. Too many stories submitted with the same character will limit chances of the story being accepted. NOTE: I am getting many Alice, falling through rabbit hole and Cheshire Cat related stories. Which means competition will be harder in these areas. You might want to look beyond these elements.

Whether the Mad Hatter, the mock turtle, or Tweedle Dee and Tweedle Dum, write a new tale. QUILTBAG or people of colour as characters are encouraged. Alice doesn’t have to be white and blonde. I will accept any characters from the following works . I have not read everything so if you want to write about another character that fits into Carroll’s fantastical tales, please write first and ask.

  •  Alice’s Adventures in Wonderland
  •  Through the Looking Glass
  •  The Hunting of the Snark
  •  Phantasmagoria

These are story examples only but not requirements:

  • The caterpillar is the owner of a medical marijuana store but turns out to be part of a moonlighting superhero team by night.
  • The Walrus and the Carpenter’s strange relationship is strained farther when they both fall for a mermaid, who crusades for the murdered oysters.
  • The Snark is as elusive as the Sasquatch, but when they vie for the same space in an endangered environment, what happens?
  • The last Jabberwock is captured and used to battle an overpopulation of vampires.
  • From space comes a delegation that looks a lot like the card soldiers. They have a concern with Earth for harbouring fugitives from their world.
  • A company has perfected an AI that emulates the Mad Hatter, something to help run parties and liven them up. What could possibly go wrong?

Writers must be Canadian citizens (living in Canada and/or paying taxes in Canada) or permanent residents of Canada. LGBQLT, POC are encouraged to submit. I will read cover letters last and will choose stories on merit first. This resource may be of use in your research: www.alice-in-wonderland.net

Payment: .05/word CDN (that’s 5 cents a word, not a half cent)

Length: 2,000-5,000 words. Poetry: minimum 1,000 words (and 2 may be submitted at the same time: submit each in a separate document and submission).

Simultaneous submissions: No; if you submit to me, please do not send it anywhere else until you receive a rejection.

Multiple submissions: You may send one story, or two poems. Please wait until I’ve sent a rejection before you send anything else. I may hold some pieces until the submission window is closed.

Acceptances: Final acceptances will go out a month after the submission window closes.

Manuscript format: Please use standard manuscript format (Google William Shunn): double-space (except for poems), no extra spaces between paragraphs, indented paragraphs, title, etc.) This also means full contact information on the first page, unless you want me to attribute your piece to someone else. Failure to follow formatting may see your piece rejected without being read. Canadian spelling would be awesome but I won’t turn down a story that comes in UK or US spelling. Submit .docx, .doc, or .rtf only.

Deadline: Extended to July 15, 2017

Publication Date: April 2018 (tentative)

Rights: First English-language rights & non-exclusive Anthology rights for one year from publication (print and eBook).
Submit here: https://exilepublishing.submittable.com/submit/77982/alice-unbound

 

Advertisements

14 Comments

Filed under entertainment, fantasy, horror, myth, poetry, science fiction, Writing

Writing Update

SF, fantasy, Canadian fiction, anthology

The Sum of Us, by Law Media

Hi Everyone,

I hope to receive more stories for Alice Unbound. These can be SF, horror, fantasy, or a subgenre. They should be present time or future, and involve a character or sense of Lewis Carroll’s world. They should not be in his style, but your own and I do not want retellings of stories that already exist. Put the Jabberwock in the zoo, or the Caterpillar in space. Perhaps the Mad Hatter is an ineffectual detective and the Walrus and Carpenter are facing a rebellion from the oysters who are campaigning on animal cruelty. Maybe the Duchess now has her own estate but is plagued by pigs. Go wild. Think beyond the borders and if you’re not sure, send me a query. The guidelines and submission portal are here: https://exilepublishing.submittable.com/submit/77982/alice-unbound Remember, you must be living in Canada to submit to this anthology.

In other news, Joshua Pantellersco interviewed me last month. You can listen to the podcast, where I talk about Alice and writing and other things. Check out Just Joshing here, and listen to his interviews with some other writers as well. And the Canadian Aurora nominations are nearly closed. I have numerous poems and several stories that are eligible for nomination. The poems are all almost found online, and one story. The Aurora lists have problems with listing works by authors so it makes it more difficult and you’ll have to do a search, but links are provided.

SF, women protagonists, near future, Venus

Futuristica Vol. II, by Metasagas Press

In publishing news, I received my copy of The Sum of Us, edited by Susan Forest and Lucas Law, with my story “The Healer’s Touch.” Stories are about healers and caregivers and some of the proceeds go to chairty. Release date is Sept. but you can pre-order. And I also received Futuristica Vol. II edited by Chester Hoster, with my story “Love in the Vapors.” These both came last week, during my birthday. And my poem “Voodoo Doll” is now up at Grievous Angel and free to read. “Changes” came out in Deep Waters 2 earlier this year. And a poem “This Song” is in DeadLights magazine.

I’ve been on a bit of my own hiatus, possibly reading fiction for Alice Unbound. But I’m about to start working on some new pieces. You should too. Pick up a pen, a pencil, a tablet a computer and be inspired. 🙂

 

Leave a comment

Filed under health care, people, poetry, Publishing, science fiction, SF, space, Writing

Scarborough, Slugs and Suicide

Scarborough, Fantasycon, writng, speculative writers, seaside resort

The short side of the Grand Hotel. To the right is the front facing the sea and going down several more stories.

I’ve been meaning to post pictures and tales from my trip to the UK last September. I traveled to the midlands, starting in Scarborough, a seaside town on the east coast. English seaside resorts were all the rage in the early 1900s. The Brits tell me that they’re falling into decline because everyone can now catch a cheap flight to a warm Mediterranean coastline. These places are happy to have some cheaper rates and conventions still help fill the towns. So it was that I went to Scarborough for the Fantasycon by the Sea, put on by the British Fantasy Society. I’ve been to the UK a few times but never to the midlands so I combined it with a vacation.

I went a day early with a Brit I met at the last con, Paul Woodward, one of many writers I’ve met on my writer journeys. We went to Whitby Abbey the day before the con, and a beautiful day it was too. I’ll post about that soon but the night before the convention there was a walk through the amusement called the Terror Towers, where supposedly part of Michael Jackson’s Killer was filmed. It’s one of those cheesy scare factories with creepy clowns and vampire girls and spooky animatronics. These things never even get me with a jump-scare and I think I creeped out the creepy clown at one point when I sneaked up behind him.

slugs, Scarborough, creepy things, slimy

Just a small sampling of the slimy congregation.

After we went through the amusement (these seaside towns are famous for arcades, candy cane, tacky souvenirs and other amusements, we wandered back to the Not So Grand Hotel. It’s a behemoth that was once a a grand dam in its heyday, stories tall and overlooks the ocean. Now it’s a bit shabby, with plastic plants, weird baby blue and pink painted walls and some weird rooms like jail cells (not all though). The side facing the water is about eight stories tall with probably 100 stairs up one side. We chose to take the ramp up around the other side to the top. There, we came across a very strange site, something like 50 slugs congregating on the sidewalk like the best lettuce was to be found. It was dark and we couldn’t see any reason for the massive oozerama, almost like a visitation from the dark side.

overpass, suicide, jumping, Scarborough

To the very left of the picture is where the girl was first standing. To the right, you can see the road far below.

Then, as we moved up toward the hotel there is a pedestrian walkway that goes about a hundred feet over the road by the sea. We passed a teenage girl on the other side of the mint colored, cast-iron railing. It was waist-high and I said, wow she’s going to have trouble getting over to the other side. I thought she was trying to climb over and that she’d come up from the incline below. But something just didn’t feel right. I looked back, then stopped and looked back again. I realized this girl was not trying to get over to the right side, but was gradually working her way out over the bridge. I walked over to her and asked what she was doing, not quite believing what I suspected.

She pulled up her hood kept working her way out over the bridge. At this point I started to realize she was serious and tried grabbing her hand. She kept pushing me off and I turned to Paul and said call the police. Things like this tend to slow down time. It felt like long minutes, a half hour but it may have been no more than ten. Two older men walked over the ramp and I called out, asking can you help or call the police. She’s trying to jump. They pretty much said, let her jump and kept walking. I was so stunned at this and told them that I hoped nobody stops for them some day when they need help.

writing convention, British Fantasycon, teenage suicide

Yes, the drop off of this picturesque bridge would have killed the girl. Taken from the ramp, where the slugs were.

I finally clamped my hands around the girl’s wrist and put my back to the railing trying to hold her on. A young guy and his littledaughter came by and I got him to call the police and then another guy who had just finished working also came by and he came over to help me hold her on. Eventually a couple came by and they helped, with the woman spelling me off. The whole time this girl never said a word.

Scarborough, bridge, overpass, design

The ornate bridge from below.

Four police officers arrived and handcuffed her to the railing. Since several were women, none had the height to lift her over the railing. Four more arrived right away and they pulled her over. At that point, our job was done. We saw a couple of women walk over and I presume they were social workers. I hope that girl got the help she needed and that her life will get better.

grand-hotel

Inside the Grand Hotel, not looking as shabby as it does in real life.

All I can say is that I’ve never stood by when I saw something bad going down. I would not have been able to live with myself had I walked away and then heard the girl had killed herself. As the saying goes, the only thing necessary for evil to triumph is for good men to do nothing, or in this case, for bad to happen is to stand by and not be involved. I got involved and at least saved someone’s life.

2 Comments

Filed under life, people, travel, Writing

Alice Unbound: Call for Submissions

Hello, world, and happy new year.

books, publishing, collection, reprints, ebooks, Smashwords, writing, book production

Creative Commons: Ninha Morandini

I can’t guarantee I’ll get more posts out this year but I can start with a bang. I last co-edited Playground of Lost Toys with Ursula Pflug. The anthology was nominated for an Aurora Award, as well as one author being nominated for an Arthur Ellis Award, and three longlisted for the Sunburst Award with Catharine MacLeod’s Hide and Seek winning in short fiction. Now, to hopefully repeat that sucess, I will be editing an anthology of speculative fiction, due to be published by Exile Editions in the spring of 2018. Read on for Alice Unbound guidelines.

Lewis Carroll (Charles Dodgson) explored childlike wonder and the bewildering realm of adult rules and status, which clashed in bizarre ways. Many characters in his tales are anthropomorphic, whether talking cards, crying mock turtles or saucy Tiger Lilies. Over 150 years later, people still recognize characters from Carroll’s works. Who doesn’t know of vorpal blades and tardy white rabbits, protagonists and antagonists that resonate in a primal part of the human psyche. They hearken to the mysticism and mystery of the ancient world, when one wondered how the rain fell, or which gods empowered madness through drink, or whether a person was separate from an animal or could become one.

Alice in Wonderlnand, Through the Looking Glass, fantasy, speculative

Sir John Tenniel’s famous Alice illustrations. The Griffin, the Mock Turtle and Alice.

Centuries passed and myth became fairy tale, evolving to resonate with each era, showing the triumphs of the common man, the humble and generous woman who outsmarts tempters, jailers, and evil stepmothers, or the trials and tribulations of seeking the unknown. Carroll’s characters jumped forward, not just following the regular metamorphosis of an age-old tale, but leaping off the cliff of the familiar into something altogether new, different and endearing. We might not truly want to live in the world of Alice or have to deal with mad queens and bandersnatches, but what if that Wonderland ceased to exist on a separate plain, and melded with our modern world? How would these characters fit in, and what would they bring or change? Are we ready to accept Alice Unbound into our hearts and let the Jabberwock in the back door?

Alice’s Adventures in Wonderland was Carroll’s most famous work but there are other stories and poems (some within the greater works) where madcap creatures abound. Alice Unbound should contain an element of the speculative and may embrace fabulist, weird, myth, SF, fantasy, steampunk, horror, etc. Other speculative elements or characters may be combined in any way. I don’t want to see rehashings of Carroll’s tales but stories taking place in a modern or slightly futuristic world. I’ve seen many of the Alice as well. If you have a talking cat, it must be recognizable as the Cheshire Cat. I will consider a few very select poems, but they must have a storyline and not just be an observation or an image. You should not be copying Carroll’s style but telling a new tale in your voice.  Too many stories submitted with the same character will limit chances of the story being accepted. The anthology needs to go beyond Alice in every way.

Whether the Mad Hatter, the mock turtle, or Tweedle Dee and Tweedle Dum, use Carroll’s elements and characters to write a new tale. QUILTBAG or people of colour as characters are encouraged. Alice doesn’t have to be white and blonde. I will accept any characters from the following works . I have not read everything so if you want to write about another character that fits into Carroll’s fantastical tales, please write first and ask.

  • Alice’s Adventures in Wonderland

    Lion and unicorn, Alice, Through the Looking Glass

    Sir John Tenniel illustration.

  • Through the Looking Glass
  • The Hunting of the Snark
  • Phantasmagoria

These are story examples only but not requirements:

  • The caterpillar is the owner of a medical marijuana store but turns out to be part of a moonlighting superhero team by night.
  • The Walrus and the Carpenter’s strange relationship is strained farther when they both fall for a mermaid, who crusades for the murdered oysters.
  • The Snark is as elusive as the Sasquatch, but when they vie for the same space in endangered environment, what happens?
  • The last Jabberwock is captured and used to battle an overpopulation of vampires.

Writers must be Canadian citizens (living in Canada and/or paying taxes in Canada) or permanent residents of Canada. LGBQLT, POC are encouraged to submit. I will read cover letters last and will choose stories on merit first. This resource may be of use in your research: www.alice-in-wonderland.net

Payment: .05/word

Length: 2,000-5,000 words. Poetry: minimum 1,000 words.

Submission window: Feb. 1 to May 31 at: https://exilepublishing.submittable.com/submit Please go to this site to see some expanded information.

Simultaneous submissions: No; if you submit to me, please do not send it anywhere else until you receive a rejection.

Multiple submissions: You may send one story, or two poems. Please wait until I’ve sent a rejection before you send anything else. I may hold some pieces until the submission window is closed.

Acceptances: Final acceptances will go out a month after the submission window closes. I may ask for rewrites before making a final decision.

Manuscript format: Please use standard manuscript format (Google William Shunn): CDN spelling, double-space (except for poems), no extra spaces between paragraphs, indented paragraphs, title, etc. Failure to follow formatting may see your piece rejected unread.

Now, don your Mad Hatter’s cap, clean out the teapot and start writing.

25 Comments

Filed under fairy tales, fantasy, horror, myth, poetry, Publishing, science fiction, SF, Writing

Fall Update & the Environment

steampunk, cogs, clockwork, Buffalo Gals, fantasy

Clockwork Canada is available on Amazon and through Exile Editions. Steampunk stories about Canada’s revisioned history.

Fall is definitely falling here in Vancouver, with days on end of rain, rain and more rain. Twenty-eight out of thirty-one days, so what’s a drenched soul to do? Many things have happened, including trips and busy busyness. I’ve been lax with this blog so I’ll do an update on fiction and poetry. I’ll mention briefly that I went to the UK in Sept./Oct. and to British Fantasycon by the Sea in Scarborough. Adventures with writers and others, but that will be a post that I hope will happen soon. In the meantime…

The World Wildlife Fun just mentioned this last week that many species are in rapid decline. This is happening to birds, fish, mammals, amphibians and reptiles and by 2020 they estimate we’ll have lost two-thirds of all species. This is catastrophic and heartbreaking. The only species that won’t be in decline are humans and insects. Many of these other species control the insect populations and with even  just a few being out of balance we’ll be overrun in a short time. When I wrote “Exegesis of the Insecta Apocrypha” I researched this buggy phenomenon and it was frightening in its own right. That story was reprinted last year in the Best of Horror Library Vol. 1-5. In relation to this topic is m story “Freedom’s Just Another Word” about the last elephant on Earth. It can be read for free at Agnes and True and came out earlier this year. I hope that we’ll wake up before it’s too late and realize that by saving these species we will save ourselves.

horror, dark fantasy, death, speculative fiction, Season's End.

The Beauty of Death, edited by Alessandro Manzetti.

“Buffalo Gals” came out in Clockwork Canada in the spring and is an alternate history steampunk tale about BC’s early history. I touch on the murdered and missing women which has been part of BC’s and really, the whole country’s news for quite a few years. I have a feeling that if other countries started looking at their stats we would see a lot of the same; more women murdered or missing, as seems to always be the case. As well, “Seasons End” came out in the massive Beauty of Death. This story too touches on the decline of the environment but from a more mythical aspect, with hope woven in. On a lighter note, there were two drabbles (100 words exactly) up at SpeckLit but they are no longer drabbling so these are in the archives.

Stories sold and yet to come out include “Love in the Vapors” in Futuristica Vol. 2, “Awaking Pandora” in the Goethe Glass anthology about climate change (yep, another environmental tale), “Shoes” to be reprinted in Polar Borealis 4, “Changes” in Deep Waters #2, and “Sins of the Father” (a fungal horror story) in OnSpec. These will probably all be out next year. There are a few others in the works but I can’t announce those yet. I should also mention that Playground of Lost Toys, edited by Ursula Pflug and I, was nominated for an Aurora Award but didn’t win. Several of the authors were nominated for various awards and Catherine MacLeod won the Sunburst Award for short fiction with her tale, “Hide and Seek.”

toys, childhood, nostalgia, fantasy, SF, fiction, short stories

Playground of Lost Toys is available through Amazon published by Exile Writers

There have been many poems this year so I’ll just list these: “The Hedge Witch” in OnSpec #101 (plus and interview), “Book of Shadows” in Devolution Z #8, “Patchwork Girl” in Future Fire #37, “Pilot Flight” and “Short Sighted” in Polar Borealis #2, “Triptych (Amsterdam)” in Wax Poetry #11 (4th place), “Come and Go,” “Oh You!”, “Cuntipotent,” “Cremating Love” in Maple Tree Literary Supplement #21, and “The Persuaders” in Heroic Fantasy Quarterly #29. About to be published are: “A Good Catch” in Tailfins and Sealskins (UK), “Garuda’s Gamble” in Heroic Fantasy Quarterly #30, “Mermaid” in Spirits Tincture #2, “Wolf Skin” in Myths and Fables, “This Song” in Deadlights, “Spirit Bottle” and “Geomystica” in the summer solstice 2017 edition of Eternal Haunted Summer. Many of these are free to read online so Google away.

I hope to post again next week with the first part of m UK trip, which involves writers and editors, and saving someone’s life. I’m also hoping to revamp this blog in the next few months and there will be some book give-aways. So stay tuned to my sporadic posts.

 

Leave a comment

Filed under Culture, environment, fairy tales, fantasy, horror, myth, poetry, Publishing, science fiction, Writing

Convention Update

I’m at When Words Collide, an ever expanding convention in Calgary. While it has a heavy focus on speculative fiction there are romance and mystery writers here as well. Yesterday I was on a panel about writing and making a living at it. The four of us on the panel agreed that you can’t make a living but talked about the money you can make, some innovative ways to market poetry and some of the reasons we write poetry, as well as what is a poem.

I was then on a panel with Nancy Kilpatrick, Pat Flewwelling and Brandy Ackerley on why we need dark fiction and horror. We discussed how it dark fiction/’fantasy has evolved, marketing and genre names (weird fiction, dark fiction, horror, etc.) and why we need it. Why are people repelled, why are they drawn to it and what are our monsters and fears.

I also sat on the panel for one of the live action slush groups, where people turn in one page, which is read out loud. The panel of four editors put up there hand when they would stop reading. We made it through several pieces and overall the writing was good. A full house on that one.

toys, childhood, nostalgia, fantasy, SF, fiction, short stories

Playground of Lost Toys is available through Amazon published by Exile Writers

Today, I’m only on the autograph signing and of course attending the Aurora Awards, where Playground of Lost Toys is up for an award (co-edited with Ursula Pflug). I’m also in the anthologies nEvermore! and Second Contacts (cowritten with Rhea Rose), which are up for the same award. I’ve also been visiting with and getting reacquainted with many of the writers I sometimes only see virtually.  On Sunday, if you’re attending the con, I’ll be on the panel for poetry markets and approaches and doing a reading afterwards with three other poets. At 4pm I’ll be doing a blue pencil session. There is one space left and if you bring 1-2 pages I will edit and comment on it. There really isn’t time for more than one so first come first served.

I have other sales to report but that will have to wait. Though you can check out Heroic Fantasy Quarterly for my poem “The Persuaders,” and Maple Tree Literary Supplement for four poems titled “Cuntipotent,” “Cremating Love,” “Oh You!” and “Come and Go.” These are hard hitting poems about sex and sexuality. Now, back to the con. 🙂

Leave a comment

Filed under Culture, entertainment, fantasy, horror, news, poetry, Publishing, science fiction, Writing

Writing Update

toys, childhood, nostalgia, fantasy, SF, fiction, short stories

Playground of Lost Toys is available through Amazon published by Exile Writers

My busy year has been full of many things, writing or other. Playground of Lost Toys, co-edited by Ursula Pflug and me, is up for an Aurora Award. The winners will be announced in August at When Words Collide in Calgary. I’ll be there, on several panels, a reading I think, and a blue pencil session where you can sign up and have a few pages edited by me. And kudos to authors in the anthology who have been nominated for other awards. Karen Abrahamson’s story “With One Shoe” was shortlisted for an Arthur Ellis Award, and has been longlisted for a Sunburst Award in short fiction. Catherine A. MacLeod’s “Hide and Seek” and Dominik Parisien’s “Goodbye is a Mouthful of Water” are also longlisted for the Sunburst.

And mentioning Dominik Parisien, editor of Clockwork Canada also published by Exile Editions, my story “Buffalo Gals” is in the anthology. Airship Ambassador has done a four-part interview with me about the story (and with other authors as well). The first part is here and you can click in the right column of the site to get the other parts as well.

steampunk, cogs, clockwork, Buffalo Gals, fantasy

Clockwork Canada is available on Amazon and through Exile Editions. Steampunk stories about Canada’s revisioned history.

Other fiction that has been published this year includes “Freedom’s Just Another Word” free to read at Agnes and True, “Mermaid’s Curse” and “Paul Bunyan’s Toils” at SpeckLit. These two are drabbles, which means they’re 100 words exactly. They were fun to write and good practice for having the purest essence of a story. And just hitting the shelves for pre-order now is Alessandro Manzetti’s anthology Beauty of Death, which includes my story “Season’s End.” It’s chock full of stories and I quite like the cover.

horror, dark fantasy, death, speculative fiction, Season's End.

The Beauty of Death, edited by Alessandro Manzetti.

Earlier this year saw my poem “The Hedge Witch” come out in OnSpec along with an interview (that’s two interviews in a year), and “Book of Shadows” in Devolution Z #8. More recent, “Beltane Fires” came out in Eternal Haunted Summer’s Spring issue, and “Patchwork Girl” has just been released at The Future Fire. And two more poems “Short Sighted” and “Pilot Flight” have been released in Polar Borealis #2. Most of these poems and stories are free to read on the net so go and read great fiction and poetry and discover some new authors.

I have many more irons in fires, with more poetry and stories coming out this year but I’ll leave that for another post. I can say I’ve received approval to edit another anthology but it will be another year until you see info on that. In the meantime, I’m working on a poetry collection, and a fiction novel, and was honored to be one of the judges for Exile’s Carter V. Cooper short fiction prize. The longlist can be seen here. Gloria Vanderbilt will now choose from that list.

I’m diving back in to more fiction as well, so away I go. And if you’re a writer, don’t stop, never give up. Every skill takes practice and practice. I’m still practicing my craft and getting better all the time.

2 Comments

Filed under art, Culture, fairy tales, fantasy, horror, people, poetry, Publishing, science fiction, Writing

Writing: 2015’s Year in Review

I’m a bit late with this, so imagine where I’m going to be with my taxes this year. I’m recapping last year’s writing accomplishments. I managed to complete a novel that’s taken far too many years and it’s off making the rounds.

speculative fiction, fantasy, horror, SF, Years Best

From left to right: Burning Maiden, nEvermore! Tales of Murder, Mystery and the Macabre, Playground of Lost Toys, Second Contacts, New Canadian Noir, (front) On Spec Summer, Best of Horror Library, Imaginarium: Best of Canadian Speculative Fiction, and Blood in the Rain

Last year was very busy. How busy? What do all the books in the picture above have in common? Why, I’m in them all. The biggest project was Playground of Lost Toys and I’m pleased to say that Ursula Pflug and I (co-editors) are nominated for an Aurora Award in Best Related Works for the anthology, published by Exile Editions.The books to the left and right are nEvermore! Tales of Murder, Mystery and the Macabre, and Second Contacts are also nominated. My story “Asylum” is in the first and “Scar Tissue,” written with Rhea Rose in the second.

Burning Maiden Vol. 2 published three of my poems, “As I Sleep,” “Medusa” and “Tea Party,” and On Spec published my poem “The Hedge Witch” along with an interview of me, which actually came out in January though it says summer 2015. Those weren’t the only poems: “Visitation: Leda’s Lament” was in the HWA Poetry Showcase, “the moon: Fever Dream” was in Pantheon magazines Nyx issue, “Morrigan’s Song” was in Heroic Fantasy Quarterly #24, “Persephone Dreams: Awakening” was in Eternal Haunted Summer’s summer issue, and “I Dreamed A World” was published at Polu Texni. This last poem is also nominated for a Rhysling Award (SF Poetry Association) in the long form category. (Clicking on any story or poem title will take you to the actual piece.)

toys, childhood, nostalgia, fantasy, SF, fiction, short stories

Playground of Lost Toys is available through Amazon published by Exile Writers

 

Other stories included three reprints: “The Book With No End” (which made it to the Stoker award longlist in 2014) was reprinted in CZP’s Imaginarium 2014: The Best Canadian Speculative Writing. And “Exegesis of the Insecta Apocrypha” (honorable mention in the Year’s Best Horror) was republished in Best of Horror Library I-V. In Blood in the Rain, a collection of erotic vampire fiction, my story “Hold Back the Night” was reprinted. This story had also been shortlisted for several awards and received two honorable mentions in the Year’s Best anthologies.

A couple of online stories appeared in Black Treacle with “Shaping Destiny,” and “Symbiosis” in the Scottish Shoreline of Infinity #1. “Pears and Swine” an erotic noir story appeared in The Exile Book of New Canadian Noir.

So, yes, it was a very busy year. On top of that I wrote 33 new poems for a collection contest, only to find the publisher had been sucked into a vortex and disappeared. Now I’m shopping that around as well.

This year has started out busy and successful and I have several more projects brewing but I’ll save these for another post.

 

 

 

1 Comment

Filed under Culture, erotica, fairy tales, fantasy, horror, poetry, Publishing, science fiction, SF, Writing

Playground of Lost Toys: The Last–Story

Today wraps up the interviews with the authors of Playground of Lost Toys. Last but not least is Kate Story, but before I get to Kate’s story, I wanted to just mention that I’m hosting the West Coast launch tomorrow night in Vancouver. If you’re not doing anything, come out to the Railway Club to hear five of the authors read. Food and drinks from the bar and books will be available for sale.

speculative fiction, anthology, Exile Editions, Canadian launches, Vancouver readigns

Playground of Lost Toys launches Feb. 10 for the West Coast

Now, Kate wrote “Show and Tell,” which ties into those many days we spent in school, where there were good times, but also bad time. Revisiting the place of old memories can stir up the past and present different possibilities. This story also involves a doll, which turns out to be the vehicle for change.

1.What was your main reason for submitting a story to Playground of Lost Toys?

Ursula sent out an eleventh-hour call for submissions. I’d managed to miss the initial call, and when I got her message, it felt like an assignment. I love assignments. The premise was very evocative for me.

2. Does your story relate at all to anything from your own childhood?

Canadian writers, speculative stories, alternate realities, fantasy, dolls

Kate Story is a writer and performance artist.

I did actually have a Saucy Doll, although I don’t think I ever brought her to Show and Tell. I was bullied as a child, although not as badly as my protagonist. But I was haunted for many years as a young adult that my life had branched off at some point, and I’d missed my boat somehow—as if I was in some parallel reality that wasn’t really mine. I was in the wrong world. It was a rather nightmarish feeling, and constant.

3. What theme or idea were you exploring in your story?

I wonder sometimes if what and how we choose to remember has more power than we think it does. In no way do I want to be victim-blaming here. I dislike the whole “The Secret” kind of thing intensely—it’s really oppressive—so, you’re a child soldier, I guess you just didn’t envision your ideal future HARD enough. No, no. But on a more subtle level the material we have to work with—our past, our present— there’s alchemy there. At least, that was the idea I was interested in looking at.

4. Is there anything else you wish to mention about your story or the theme of the anthology?

There’s something very appealing to me about the ugliness of some toys. Even as a kid we kind of know they’re ugly, yet we love them. The broken, the horrid, the unwanted—I wish we worked harder to hold onto our ability to fall in love with that.

5. What other projects do you have in the works, pieces people can buy, or places to find you in the coming year?

I just had a piece come out in Stone Skin Press’s Gods, Memes and Monsters a 21st Century Bestiary. The collection is excellent—yay, Heather Wood! And last year I had a story in Carbide Tipped Pens, a SF collection from Tor Books edited by the marvelous Ben Bova and Eric Choi. Upcoming, I have a story in Exile’s Canadian Steampunk anthology edited by the wonderful Dominik Parisien, Clockwork Canada. And next year my first young adult fantasy novel will come out with ChiZine Press. STOKED. My website is www.katestory.com

Leave a comment

Filed under Culture, fantasy, memories, Publishing, Writing

Playground of Lost Toys Interviews: Kuriata & Demeulemeester

toys, childhood, nostalgia, fantasy, SF, fiction, short stories

Playground of Lost Toys is available through Amazon published by Exile Writers

After today’s authors Chris Kuriata and Linda Demeulemeester, there is one more interview left. These two authors present a darker view of games. Chris Kuriata’s story “Fun Things for Ages 8 to 10” touches on all those comics and magazines we read as kids, and the adds for X-Ray glasses and invisible ink. But it’s from a magazine that gives you instructions in the cheery “Hey, Kids!” way. It’s not all cheery though and kind of comically creepy.

  1. What was your main reason for submitting a story to Playground of Lost Toys?
comics, magazines, games for kids, nostalgia, dark fantasy

Chris Kuriata captures the childhood wonder and acceptance of everything we read.

The money and the glory played a big role, but mostly, submitting to Exile Editions appealed to me because of the unique stories they’ve published, both in their anthologies and the excellent ELQ magazine. PLAYGROUND OF LOST TOYS looked like a good place to be.

  1. Does your story relate at all to anything from your own childhood?

My story “Fun Things For Ages 8 to 10” is about audio cassettes. My sister and I spent many childhood afternoons playing with our mother’s tape recorder. This was before the proliferation of videocameras or VCRS, so the ability to record ourselves and listen back really blew our minds. We created all kinds of radio plays, which usually degenerated into arguments and insult slinging. None of these tapes survived, which is perhaps something I should be grateful for.

  1. What theme or idea were you exploring in your story?

No clue. The idea came to me in bed, was hastily roughed out in my notebook and worked over for the next couple of evenings.

  1. Is there anything else to do with your story or the theme of the anthology you want to mention?

I love short story collections, but often burn out after reading a dozen or so stories by the same author. You keep noticing repeated images or the same line of description used in two separate tales. So I love the variety of writers offered by an anthology. It’s fun when the mood switches between stories, like eating chocolate and pretzels. Anthologies are most rewarding when the different voices compliment one another like in a good mix-tape.

  1. What other projects do you have in the works, pieces people can buy, or places to find you in the coming year?

A story about the use of clowns on early 19th century whaling ships will appear in Unlikely Story’s upcoming Clowns anthology, and Pseudopod will be doing an audio version of my story about the breakdown of a family during the apocalypse called “Sack Race to the River.”

Linda Demeulemeester wins the prize for the longest title in the anthology. “And They All Lived Together in a Crooked Little House” changed from poignant to creepy when we asked Linda to clarify one line in the story. It kind of smacked us with the darker meaning of rhymes and the power of enchantment.

  1. What was your main reason for submitting a story to Playground of Lost Toys?

The title of the anthology alone had me – who wouldn’t want to think up a story to do with playgrounds of lost toys. I still feel chills.

  1. Does your story relate at all to anything from your own childhood?

    nursery rhymes, enchantment, word power, fantasy, speculative fiction

    Linda reads from her Grim Hill series. Her adult stories can be darker.

The embossed and engraved book of nursery rhymes is straight out of my childhood. I can vividly picture its old fashioned, color-plated lithographs. The beautiful illustrations took me to another world. I was only five or so… but still recognized this wasn’t a book from my time and place. Not to mention, I was only allowed to flip through the pages with supervision. I knew in my five-year-old heart that I would never ever tear a page or smudge it with grimy finger prints, so I automatically assumed there must be something oh so special that I couldn’t be left alone with it.

  1. What theme or idea were you exploring in your story?

I don’t set out with themes, more with explorations. Then themes follow. Here I was exploring at what point is working toward you heart’s desire actually working you instead.

4. What other projects do you have in the works, pieces people can buy, or places to find you in the coming year?

As for other projects, these are exciting times. My children’s middle grade Grim Hill series is being released by Heritage House under its Wandering Fox imprint – http://www.heritagehouse.ca/  The first book was on the B.C. indie booksellers top picks as well as a shout-out on 49th Shelf, the Canadian book association blog. Books 2,3 and 4 will be released in the spring.

As for appearances,  I’ll be on a panel on writing and illustrating for children at the Vancouver Public Library February 29th . I’ll also be at the Creative Ink Festival May 6-8. For my younger audiences, I will  be kicking off Richmond Library’s young writers club September 20th for their  literacy month.

 

 

www.grimhill.com

Leave a comment

Filed under Culture, entertainment, fairy tales, family, fantasy, horror, people, Publishing, SF, Writing