Category Archives: poetry

Poet Interview: John Reinhart

SFPA, poetry, SF, fantasy, humor, writers

Poet John Reinhart lives in Denver, Colorado and has several collections out.

In an attempt to write more frequently in my blog, I’ve decided to do some interviews with poets who write speculative verse. That’s fantasy, SF, horror and the subgenres. My first interviewee is with John Reinhart, who recently edited an issue of the Science Fiction and Fantasy Poetry Association’s (SFPA) Eye to the Telescope #25, the “garbage” issue. Following, italics are me, with John’s responses.

Let’s start with you telling me when you first found a love for poetry and what were you reading?

My first pen was dipped in the pain of puberty, followed closely by a 50-pound IBM Selectric that wrote in smoke. Writing in flailing and fits, I continued to drivel through high school, even submitting for publication. Then, mercifully, I put my words to other use. My next foray into verse came 15 years later, coinciding with the birth of my daughter. I quickly realized that the development of the internet and online submissions had changed the face of publishing since my typewriter days. My earliest favorite poet was Robert Service, which says little about my subsequent writing except my love of quirky humor. 

poetry, humor, writing

John Reinhart’s collection screaming, available at Amazon.

So you’re saying you dipped your pen into the pain of puberty? That does sound painful. Did Robert Service inspire you to write or were you already writing and he inspired you to greater heights? On that point, which authors in your formative years caused you stretch your poetic wings? And what was your first published poem?

Actually, I was inspired to do my earliest writing (short stories) after reading Jay Williams’s “Danny Dunn” books. My sci-fi interest continued to develop with Robert Heinlein, Andre Norton, Ursula K. LeGuin, Arthur C. Clarke. Mostly I wrote rhymed garbage those early years, including a poem about pipe smokers that was published in the Pipe Smokers Ephemeris. Twenty years later, I learned of the SFPA (then, the Science Fiction Poetry Association).

reinhart 2As I re-entered the poetry writing and submitting scene, I read Campbell McGrath, Paul Goodman, D.H. Lawrence, Kenneth Rexroth, Russell Edson, and eventually anything else I could get my hands on at the library in an attempt to expand my poetic experience and teach myself about modern poetry. After I was awarded the 2016 Dark Poetry Scholarship from the Horror Writers Association, I actually took a poetry course, but the last poetry course I had previous to that was in high school. To date, I have published a collection about people around me, an experimental collection, a prose poetry collection, and two speculative collections. I like to think that I absorb everything I read and earthworm it into new substance to fuel new views of our technicolor world.

We grew up on the same authors. Congratulations on receiving the scholarship. You’ve reinhart 3named a lot of published collections. Have you published individual poems in magazines or anthologies where people can search them out? Oh, and where do you hail from?

I have spent most of my life in Denver, Colorado. I did achieve escape velocity once, but drifted back into orbit and found the Rocky Mountain gravitational pull too strong. I’m rebooting the engines as we speak.

My work has been featured in recent issues of Crannog, Pedestal Magazine, Liquid Imagination, Holy Shit, Grievous Angel, Quatrain.Fish, and many issues of Star*Line and Scifaikuest. I was particularly touched to land a couple poems in A Poet’s Siddur, alongside a poem by Leonard Cohen.

What would you say is the most important thing about poetry as compared to fiction?

The most important thing about poetry, as compared to fiction, is that I can compose a poem in less time and space than I can compose a short story. Black holes condense matter into meaninglessness, sucking in enough light to exhale in humorous high tones like people do at birthday parties with helium balloons. What we wheeze out of the ordinary vegetable universe ought to be blood out of turnips: poetry.

Would you say you have a particular style of poetry that you write, or topics that you explore?

I hope for my poetry to open new perceptions into our technicolor vegetable universe. Frequently, I utilize sci-fi/fantasy/horror as a means to highlight social issues, of which I think that observing and knowing our world is primary.

In terms of style, I often lean on humor in my observations and reflections on the daily mundane elevated to poetry. Though I have a fine selection of scifaiku in print, I tend to write free verse, with a special love for villanelles.

reinhart 4

Reinhart has written SF, fantasy and horror poetry.

What would be the one piece of wisdom you would pass on to any aspiring poet? And last, is there anything else about poetry that you’d like to say that I haven’t asked, or upcoming works you’d like to chirp about?

For aspiring poets – write, read, write more, read more. Submitting—and submitting frequently—is a good way to engage in the contemporary poetry scene, which should encourage you to read what appears in journals and online as well as the books you find at the local library. Find authors you love and read everything they have. Find authors you dislike or don’t understand, and read everything they have. Honestly, I love to write poetry. I like what it does to me, how it shapes my perceptions and changes my interactions with the world. That part is awesome. But it’s balanced with my thorough appreciation of walking this weird path with so many other talented and gracious artists. I leap at chances to meet up with other poets, regularly exchange emails with poets across the world, and revel in the beautiful work that shows up everywhere, if you dig below the surface.

reinhart 5
John likes to use humor as a lens through which he writes some of his poems.

I have two collections coming out shortly: dig it (Lion Tamer Press), and arson (NightBallet Press). dig it fulfills a goal at Patreon, where my patrons helped me reach a funding goal at which point I promised to self-publish a full-length collection. To date, this is my longest collection. As with my previous collection, screaming, this one veers away from much of my earlier form, though eccentricities and humor still make regular appearances. arson is a chapbook-length take on my multifaceted understanding of arson. It starts with a poem/syllabus on Arson 101.

Thanks, John. Check out John’s works through the links above and through Amazon. If you are a published speculative poet, feel free to contact me for an interview.

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Filed under entertainment, fantasy, horror, humor, poetry, Publishing, science fiction

My Year in Recap: Writing and More

2017 was an amazingly busy year. I flew three times and read for three different things, so in fact there was less writing on my part, though a number of sales.

DSC01982

Dennis Anderson, honorary doctor of law from the University of Edmonton

I first flew to Edmonton where my brother, Dennis Anderson, was honored with an honorary doctorate for his work and advocacy in mental health. This was a big deal as much of the work he does, he does for free, serving on boards, chairing committees, and being the person who created the Chimo Project (named after a dog he once had), which advocates  for pet-assisted therapy for people with mental health issues. My brother actually never finished high school, and while he did attend Rochdale College, I have a feeling that was more an adventure through the 60s & 70s than a book-based education. His stories rival those of Fear and Loathing in Las Vegas and one day I hope he writes these memoirs. Still, he has done a lot of work for mental health and I was proud to see him recognized for his work.

Lynmouth, UK, seaside towns, Devonshire, high tide

Lynmouth, UK, one of the highest tides in England.

I then did a trip to Lynton, UK in July for my friend’s daughter’s wedding. The weather was a bit rainy while we were in Brighton and Lynton but did get nicer. You can see the south coast of Wales from Lynmouth, a steep, hilly seaside town, deep in bucolic Devonshire where clotted cream and numerous ciders are the specialty. I may devote one blog to this trip alone. I t was a lovely, but fast-moving week. I think I’ll have to go back one day to explore more of Devonshire and the ciders, where one pub alone had more than 80 types.

funicular, Lynton, Devonshire coast

Lynmouth’s water-powered funicular. You can also walk on a long switchback path

In between all of this, I was reading for Alice Unbound: Beyond Wonderland, an anthology based on the characters and magic of Lewis Carroll. The anthology is due to be released in April and I hope to have a cover and list to show soon. I was also on the collections jury for the British Fantasy Awards, where Adam Neville won with Some Will Not Sleep. I was also on a jury for the Stoker Awards.

Klatovy, apothecary, Czech Republic, historic, medicine

The Baroque apothecary of Klatovy, in use from the 1600s up until about 1950.

My last big trip was to the Czech Republic in late September, where I stayed in Prague for a week. Fellow writer and friend Nancy Kilpatrick joined me for the second week, where we rented a car and drove around to various towns viewing ossuaries, bone chapels, mummies and some cathedrals. There was also one very amazing Baroque apothecary, complete with a unicorn’s horn (Narwhal tusk), and was called the White Unicorn. This trip will definitely be a separate blog post or two but I’m so very behind on blogging about my trips.

ossuary, bone chapel, Brno, Czech Republic, bones
Brno’s crypt of skulls. Many of the cemeteries were filled to overflowing by the Hussite wars as well as other wars and illnesses.

While on my trip I found out I had received a Canada Council Grant. These grants are given out for all of the arts but you must apply for them. It takes a fair amount of work and I’ve never been successful until now. I was ecstatic. I’m not a writer who’s satisfied where I’m at but always trying to improve my writing. Until I can sell every story and poem I write it means there is room for improvement. I request to receive a grant for being mentored in writing. I would love to do a masters program in writing but I cannot afford the outlay in costs. Maybe some day. In the meantime, the Canada Council has given me the opportunity to move my writing to the next stage.

I first had a short SF story “Changes” come out in Deep Waters #2, from Golden Fleece Press. Then “Love in the Vapors” came out in Futuristica Vol. 2 through Metasagas Press, and it’s one of my few happy ending stories. “Sins of the Father,” a tale of fungal horror, came out in OnSpec #105. You can order the magazine, if there are any left, through their website, but here is a review of my story on Speculating Canada.

I also had numerous poems published, and links are provided as most are  online and free to read. “This Song” came out in DeadLights Magazine, “Voodoo Doll” in Grievous Angel, and “Bone People” and “Evidence” in Transition Magazine, put out by the Saskatchewan branch of the Canadian Mental Health Association. “Spirit Bottle” and “Geomystica” came out in Eternal Haunted Summer, and “Blood Thirst” and “Last Evening” came out in Polar Borealis #4.

SF, science fiction, writing, short fiction, speculative fiction

OnSpec is a multiple award-winning Canadian magazine

poetry, SF, fantasy, horror,dark

HWA Poetry Showcase available at Amazon

I was pleased to finally end up in Eye to the Telescope #25, to which I had rarely submitted. “Tooth Fairy’s Pouch” was included in the “garbage” issue.  “Wings” ended up in the HWA Poetry Showcase Vol. IV (Horror Writers Association), and “Rapunzel and Medusa” was published in Polu Texni where quite a few of my poems have shown up. The Future Fire #42 published “Witch Moon” and The Quilliad in Ontario published “you cannot close as cat’s eyes,” though I’ve yet to see a copy and I hope they come out of hiding to send me mine. My poem “Ode to Andrew Brechin” placed third in the Angela poetry contest put on by Wax Poetry and it should be published this year. This poem had a special place in my heart as it was indeed an ode to a friend who died suddenly several years ago.

There were other sales but as those pieces haven’t come out yet, I’m saving them for another post. As an attempt to be more active with my blog, I’ll be doing poetry interviews over the next few months. I hope to post the first next week. And if you happen to be a member of the Science Fiction & Fantasy Poetry Association, these poems are eligible for the Rhyslings and for the Aurora Awards as well.

 

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Alice Unbound Guidelines Update

Alice in Wonderlnand, Through the Looking Glass, fantasy, speculative

Sir John Tenniel’s famous Alice illustrations. The Griffin, the Mock Turtle and Alice.

For those writers thinking it’s too late to get something in for May 31, know that the deadline has been extended to July 15. I’m just not getting enough stories of the caliber needed for an anthology.

If you are submitting, read all of this post–to the end. People are ignoring the proper submission format and I won’t read a story until it is sent double spaced, with word count, and full contact info on it. That should be easy enough to do, you would think. And page numbers, please.

Now, I’m seeing a lot of the main Alice characters so remember, if I have five Mad Hatter stories I might have to select the best. Alice, White Rabbit, Mad Hatter, Cheshire Cat are all becoming very popular. And tea parties and rabbit holes. I’ll post the expanded guidelines at the end of this but here are a few important things to keep in mind, Stories:

  • should not be rehashings of the same old tales.
  • need to take place in the modern world or the future
  • can take place on another planet
  • can be steampunk but if you stick it in Victorial England you need to bring it forward
  • can be time travel but know I don’t like these tales much as they can get too convoluted (but I do like most Dr. Who)
  • can be combined with characters from other times/place
  • should be as original and unique as possible–the farther you veer away from rabbit holes and tea parties, the more original it will be

Remember these rules of writing:

  • do not tell me someone was upset or mad; show me
  • watch for passive action–seek out words like was, could, would and try to replace them
  • plot–you must have one, even in a poem, and conflict–either resolve it or show the fail
  • use all five senses–this helps give setting and atmosphere
  • do not put a veneer of SF or fantasy on a story that isn’t–ask yourself if the story would work without the SF/fantasy element–if yes, then it’s not spec
Lion and unicorn, Alice, Through the Looking Glass

Sir John Tenniel illustration.

What is Alice Unbound about?

Lewis Carroll (Charles Dodgson) explored childlike wonder and the bewildering realm of adult rules and status, which clashed in bizarre ways. Many characters in his tales are anthropomorphic, whether talking cards, crying mock turtles or saucy Tiger Lilies. Over 150 years later, people still recognize characters from Carroll’s works. Who doesn’t know of vorpal blades and tardy white rabbits, protagonists and antagonists that resonate in a primal part of the human psyche? They hearken to the mysticism and mystery of the ancient world, when one wondered how the rain fell, or which gods empowered madness through drink, or whether a person was separate from an animal or could become one.

Centuries passed and myth became fairy tale, evolving to resonate with each era, showing the triumphs of the common man, the humble and generous woman who outsmarts tempters, jailers, and evil stepmothers, or the trials and tribulations of seeking the unknown. Carroll’s characters jumped forward, not just following the regular metamorphosis of an age-old tale, but leaping off the cliff of the familiar into something altogether new, different and endearing. We might not truly want to live in the world of Alice or have to deal with mad queens and bandersnatches, but what if that Wonderland ceased to exist on a separate plain, and melded with our modern world? How would these characters fit in, and what would they bring or change? Are we ready to accept Alice Unbound into our hearts and let the Jabberwock in the back door?

Alice’s Adventures in Wonderland was Carroll’s most famous work but there are other stories and poems (some within the greater works) where madcap creatures abound. Alice Unbound should contain an element of the speculative and may embrace fabulist, weird, myth, SF, fantasy, steampunk, horror, etc. Other speculative elements or characters may be combined in any way. I don’t want to see rehashings of Carroll’s tales but new stories taking place in a modern or slightly futuristic world. Your tale may take place in Wonderland but only if it has connections with this world. That’s not someone thinking about having a drink at the café they miss but actually integrating modern elements. If you have a talking cat, it must be recognizable as the Cheshire Cat. You should not be copying Carroll’s style but telling a new tale in your voice. Too many stories submitted with the same character will limit chances of the story being accepted. NOTE: I am getting many Alice, falling through rabbit hole and Cheshire Cat related stories. Which means competition will be harder in these areas. You might want to look beyond these elements.

Whether the Mad Hatter, the mock turtle, or Tweedle Dee and Tweedle Dum, write a new tale. QUILTBAG or people of colour as characters are encouraged. Alice doesn’t have to be white and blonde. I will accept any characters from the following works . I have not read everything so if you want to write about another character that fits into Carroll’s fantastical tales, please write first and ask.

  •  Alice’s Adventures in Wonderland
  •  Through the Looking Glass
  •  The Hunting of the Snark
  •  Phantasmagoria

These are story examples only but not requirements:

  • The caterpillar is the owner of a medical marijuana store but turns out to be part of a moonlighting superhero team by night.
  • The Walrus and the Carpenter’s strange relationship is strained farther when they both fall for a mermaid, who crusades for the murdered oysters.
  • The Snark is as elusive as the Sasquatch, but when they vie for the same space in an endangered environment, what happens?
  • The last Jabberwock is captured and used to battle an overpopulation of vampires.
  • From space comes a delegation that looks a lot like the card soldiers. They have a concern with Earth for harbouring fugitives from their world.
  • A company has perfected an AI that emulates the Mad Hatter, something to help run parties and liven them up. What could possibly go wrong?

Writers must be Canadian citizens (living in Canada and/or paying taxes in Canada) or permanent residents of Canada. LGBQLT, POC are encouraged to submit. I will read cover letters last and will choose stories on merit first. This resource may be of use in your research: www.alice-in-wonderland.net

Payment: .05/word CDN (that’s 5 cents a word, not a half cent)

Length: 2,000-5,000 words. Poetry: minimum 1,000 words (and 2 may be submitted at the same time: submit each in a separate document and submission).

Simultaneous submissions: No; if you submit to me, please do not send it anywhere else until you receive a rejection.

Multiple submissions: You may send one story, or two poems. Please wait until I’ve sent a rejection before you send anything else. I may hold some pieces until the submission window is closed.

Acceptances: Final acceptances will go out a month after the submission window closes.

Manuscript format: Please use standard manuscript format (Google William Shunn): double-space (except for poems), no extra spaces between paragraphs, indented paragraphs, title, etc.) This also means full contact information on the first page, unless you want me to attribute your piece to someone else. Failure to follow formatting may see your piece rejected without being read. Canadian spelling would be awesome but I won’t turn down a story that comes in UK or US spelling. Submit .docx, .doc, or .rtf only.

Deadline: Extended to July 15, 2017

Publication Date: April 2018 (tentative)

Rights: First English-language rights & non-exclusive Anthology rights for one year from publication (print and eBook).
Submit here: https://exilepublishing.submittable.com/submit/77982/alice-unbound

 

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Filed under entertainment, fantasy, horror, myth, poetry, science fiction, Writing

Writing Update

SF, fantasy, Canadian fiction, anthology

The Sum of Us, by Law Media

Hi Everyone,

I hope to receive more stories for Alice Unbound. These can be SF, horror, fantasy, or a subgenre. They should be present time or future, and involve a character or sense of Lewis Carroll’s world. They should not be in his style, but your own and I do not want retellings of stories that already exist. Put the Jabberwock in the zoo, or the Caterpillar in space. Perhaps the Mad Hatter is an ineffectual detective and the Walrus and Carpenter are facing a rebellion from the oysters who are campaigning on animal cruelty. Maybe the Duchess now has her own estate but is plagued by pigs. Go wild. Think beyond the borders and if you’re not sure, send me a query. The guidelines and submission portal are here: https://exilepublishing.submittable.com/submit/77982/alice-unbound Remember, you must be living in Canada to submit to this anthology.

In other news, Joshua Pantellersco interviewed me last month. You can listen to the podcast, where I talk about Alice and writing and other things. Check out Just Joshing here, and listen to his interviews with some other writers as well. And the Canadian Aurora nominations are nearly closed. I have numerous poems and several stories that are eligible for nomination. The poems are all almost found online, and one story. The Aurora lists have problems with listing works by authors so it makes it more difficult and you’ll have to do a search, but links are provided.

SF, women protagonists, near future, Venus

Futuristica Vol. II, by Metasagas Press

In publishing news, I received my copy of The Sum of Us, edited by Susan Forest and Lucas Law, with my story “The Healer’s Touch.” Stories are about healers and caregivers and some of the proceeds go to chairty. Release date is Sept. but you can pre-order. And I also received Futuristica Vol. II edited by Chester Hoster, with my story “Love in the Vapors.” These both came last week, during my birthday. And my poem “Voodoo Doll” is now up at Grievous Angel and free to read. “Changes” came out in Deep Waters 2 earlier this year. And a poem “This Song” is in DeadLights magazine.

I’ve been on a bit of my own hiatus, possibly reading fiction for Alice Unbound. But I’m about to start working on some new pieces. You should too. Pick up a pen, a pencil, a tablet a computer and be inspired. 🙂

 

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Alice Unbound: Call for Submissions

Hello, world, and happy new year.

books, publishing, collection, reprints, ebooks, Smashwords, writing, book production

Creative Commons: Ninha Morandini

I can’t guarantee I’ll get more posts out this year but I can start with a bang. I last co-edited Playground of Lost Toys with Ursula Pflug. The anthology was nominated for an Aurora Award, as well as one author being nominated for an Arthur Ellis Award, and three longlisted for the Sunburst Award with Catharine MacLeod’s Hide and Seek winning in short fiction. Now, to hopefully repeat that sucess, I will be editing an anthology of speculative fiction, due to be published by Exile Editions in the spring of 2018. Read on for Alice Unbound guidelines.

Lewis Carroll (Charles Dodgson) explored childlike wonder and the bewildering realm of adult rules and status, which clashed in bizarre ways. Many characters in his tales are anthropomorphic, whether talking cards, crying mock turtles or saucy Tiger Lilies. Over 150 years later, people still recognize characters from Carroll’s works. Who doesn’t know of vorpal blades and tardy white rabbits, protagonists and antagonists that resonate in a primal part of the human psyche. They hearken to the mysticism and mystery of the ancient world, when one wondered how the rain fell, or which gods empowered madness through drink, or whether a person was separate from an animal or could become one.

Alice in Wonderlnand, Through the Looking Glass, fantasy, speculative

Sir John Tenniel’s famous Alice illustrations. The Griffin, the Mock Turtle and Alice.

Centuries passed and myth became fairy tale, evolving to resonate with each era, showing the triumphs of the common man, the humble and generous woman who outsmarts tempters, jailers, and evil stepmothers, or the trials and tribulations of seeking the unknown. Carroll’s characters jumped forward, not just following the regular metamorphosis of an age-old tale, but leaping off the cliff of the familiar into something altogether new, different and endearing. We might not truly want to live in the world of Alice or have to deal with mad queens and bandersnatches, but what if that Wonderland ceased to exist on a separate plain, and melded with our modern world? How would these characters fit in, and what would they bring or change? Are we ready to accept Alice Unbound into our hearts and let the Jabberwock in the back door?

Alice’s Adventures in Wonderland was Carroll’s most famous work but there are other stories and poems (some within the greater works) where madcap creatures abound. Alice Unbound should contain an element of the speculative and may embrace fabulist, weird, myth, SF, fantasy, steampunk, horror, etc. Other speculative elements or characters may be combined in any way. I don’t want to see rehashings of Carroll’s tales but stories taking place in a modern or slightly futuristic world. I’ve seen many of the Alice as well. If you have a talking cat, it must be recognizable as the Cheshire Cat. I will consider a few very select poems, but they must have a storyline and not just be an observation or an image. You should not be copying Carroll’s style but telling a new tale in your voice.  Too many stories submitted with the same character will limit chances of the story being accepted. The anthology needs to go beyond Alice in every way.

Whether the Mad Hatter, the mock turtle, or Tweedle Dee and Tweedle Dum, use Carroll’s elements and characters to write a new tale. QUILTBAG or people of colour as characters are encouraged. Alice doesn’t have to be white and blonde. I will accept any characters from the following works . I have not read everything so if you want to write about another character that fits into Carroll’s fantastical tales, please write first and ask.

  • Alice’s Adventures in Wonderland

    Lion and unicorn, Alice, Through the Looking Glass

    Sir John Tenniel illustration.

  • Through the Looking Glass
  • The Hunting of the Snark
  • Phantasmagoria

These are story examples only but not requirements:

  • The caterpillar is the owner of a medical marijuana store but turns out to be part of a moonlighting superhero team by night.
  • The Walrus and the Carpenter’s strange relationship is strained farther when they both fall for a mermaid, who crusades for the murdered oysters.
  • The Snark is as elusive as the Sasquatch, but when they vie for the same space in endangered environment, what happens?
  • The last Jabberwock is captured and used to battle an overpopulation of vampires.

Writers must be Canadian citizens (living in Canada and/or paying taxes in Canada) or permanent residents of Canada. LGBQLT, POC are encouraged to submit. I will read cover letters last and will choose stories on merit first. This resource may be of use in your research: www.alice-in-wonderland.net

Payment: .05/word

Length: 2,000-5,000 words. Poetry: minimum 1,000 words.

Submission window: Feb. 1 to May 31 at: https://exilepublishing.submittable.com/submit Please go to this site to see some expanded information.

Simultaneous submissions: No; if you submit to me, please do not send it anywhere else until you receive a rejection.

Multiple submissions: You may send one story, or two poems. Please wait until I’ve sent a rejection before you send anything else. I may hold some pieces until the submission window is closed.

Acceptances: Final acceptances will go out a month after the submission window closes. I may ask for rewrites before making a final decision.

Manuscript format: Please use standard manuscript format (Google William Shunn): CDN spelling, double-space (except for poems), no extra spaces between paragraphs, indented paragraphs, title, etc. Failure to follow formatting may see your piece rejected unread.

Now, don your Mad Hatter’s cap, clean out the teapot and start writing.

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Filed under fairy tales, fantasy, horror, myth, poetry, Publishing, science fiction, SF, Writing

Fall Update & the Environment

steampunk, cogs, clockwork, Buffalo Gals, fantasy

Clockwork Canada is available on Amazon and through Exile Editions. Steampunk stories about Canada’s revisioned history.

Fall is definitely falling here in Vancouver, with days on end of rain, rain and more rain. Twenty-eight out of thirty-one days, so what’s a drenched soul to do? Many things have happened, including trips and busy busyness. I’ve been lax with this blog so I’ll do an update on fiction and poetry. I’ll mention briefly that I went to the UK in Sept./Oct. and to British Fantasycon by the Sea in Scarborough. Adventures with writers and others, but that will be a post that I hope will happen soon. In the meantime…

The World Wildlife Fun just mentioned this last week that many species are in rapid decline. This is happening to birds, fish, mammals, amphibians and reptiles and by 2020 they estimate we’ll have lost two-thirds of all species. This is catastrophic and heartbreaking. The only species that won’t be in decline are humans and insects. Many of these other species control the insect populations and with even  just a few being out of balance we’ll be overrun in a short time. When I wrote “Exegesis of the Insecta Apocrypha” I researched this buggy phenomenon and it was frightening in its own right. That story was reprinted last year in the Best of Horror Library Vol. 1-5. In relation to this topic is m story “Freedom’s Just Another Word” about the last elephant on Earth. It can be read for free at Agnes and True and came out earlier this year. I hope that we’ll wake up before it’s too late and realize that by saving these species we will save ourselves.

horror, dark fantasy, death, speculative fiction, Season's End.

The Beauty of Death, edited by Alessandro Manzetti.

“Buffalo Gals” came out in Clockwork Canada in the spring and is an alternate history steampunk tale about BC’s early history. I touch on the murdered and missing women which has been part of BC’s and really, the whole country’s news for quite a few years. I have a feeling that if other countries started looking at their stats we would see a lot of the same; more women murdered or missing, as seems to always be the case. As well, “Seasons End” came out in the massive Beauty of Death. This story too touches on the decline of the environment but from a more mythical aspect, with hope woven in. On a lighter note, there were two drabbles (100 words exactly) up at SpeckLit but they are no longer drabbling so these are in the archives.

Stories sold and yet to come out include “Love in the Vapors” in Futuristica Vol. 2, “Awaking Pandora” in the Goethe Glass anthology about climate change (yep, another environmental tale), “Shoes” to be reprinted in Polar Borealis 4, “Changes” in Deep Waters #2, and “Sins of the Father” (a fungal horror story) in OnSpec. These will probably all be out next year. There are a few others in the works but I can’t announce those yet. I should also mention that Playground of Lost Toys, edited by Ursula Pflug and I, was nominated for an Aurora Award but didn’t win. Several of the authors were nominated for various awards and Catherine MacLeod won the Sunburst Award for short fiction with her tale, “Hide and Seek.”

toys, childhood, nostalgia, fantasy, SF, fiction, short stories

Playground of Lost Toys is available through Amazon published by Exile Writers

There have been many poems this year so I’ll just list these: “The Hedge Witch” in OnSpec #101 (plus and interview), “Book of Shadows” in Devolution Z #8, “Patchwork Girl” in Future Fire #37, “Pilot Flight” and “Short Sighted” in Polar Borealis #2, “Triptych (Amsterdam)” in Wax Poetry #11 (4th place), “Come and Go,” “Oh You!”, “Cuntipotent,” “Cremating Love” in Maple Tree Literary Supplement #21, and “The Persuaders” in Heroic Fantasy Quarterly #29. About to be published are: “A Good Catch” in Tailfins and Sealskins (UK), “Garuda’s Gamble” in Heroic Fantasy Quarterly #30, “Mermaid” in Spirits Tincture #2, “Wolf Skin” in Myths and Fables, “This Song” in Deadlights, “Spirit Bottle” and “Geomystica” in the summer solstice 2017 edition of Eternal Haunted Summer. Many of these are free to read online so Google away.

I hope to post again next week with the first part of m UK trip, which involves writers and editors, and saving someone’s life. I’m also hoping to revamp this blog in the next few months and there will be some book give-aways. So stay tuned to my sporadic posts.

 

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Convention Update

I’m at When Words Collide, an ever expanding convention in Calgary. While it has a heavy focus on speculative fiction there are romance and mystery writers here as well. Yesterday I was on a panel about writing and making a living at it. The four of us on the panel agreed that you can’t make a living but talked about the money you can make, some innovative ways to market poetry and some of the reasons we write poetry, as well as what is a poem.

I was then on a panel with Nancy Kilpatrick, Pat Flewwelling and Brandy Ackerley on why we need dark fiction and horror. We discussed how it dark fiction/’fantasy has evolved, marketing and genre names (weird fiction, dark fiction, horror, etc.) and why we need it. Why are people repelled, why are they drawn to it and what are our monsters and fears.

I also sat on the panel for one of the live action slush groups, where people turn in one page, which is read out loud. The panel of four editors put up there hand when they would stop reading. We made it through several pieces and overall the writing was good. A full house on that one.

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Playground of Lost Toys is available through Amazon published by Exile Writers

Today, I’m only on the autograph signing and of course attending the Aurora Awards, where Playground of Lost Toys is up for an award (co-edited with Ursula Pflug). I’m also in the anthologies nEvermore! and Second Contacts (cowritten with Rhea Rose), which are up for the same award. I’ve also been visiting with and getting reacquainted with many of the writers I sometimes only see virtually.  On Sunday, if you’re attending the con, I’ll be on the panel for poetry markets and approaches and doing a reading afterwards with three other poets. At 4pm I’ll be doing a blue pencil session. There is one space left and if you bring 1-2 pages I will edit and comment on it. There really isn’t time for more than one so first come first served.

I have other sales to report but that will have to wait. Though you can check out Heroic Fantasy Quarterly for my poem “The Persuaders,” and Maple Tree Literary Supplement for four poems titled “Cuntipotent,” “Cremating Love,” “Oh You!” and “Come and Go.” These are hard hitting poems about sex and sexuality. Now, back to the con. 🙂

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Writing Update

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Playground of Lost Toys is available through Amazon published by Exile Writers

My busy year has been full of many things, writing or other. Playground of Lost Toys, co-edited by Ursula Pflug and me, is up for an Aurora Award. The winners will be announced in August at When Words Collide in Calgary. I’ll be there, on several panels, a reading I think, and a blue pencil session where you can sign up and have a few pages edited by me. And kudos to authors in the anthology who have been nominated for other awards. Karen Abrahamson’s story “With One Shoe” was shortlisted for an Arthur Ellis Award, and has been longlisted for a Sunburst Award in short fiction. Catherine A. MacLeod’s “Hide and Seek” and Dominik Parisien’s “Goodbye is a Mouthful of Water” are also longlisted for the Sunburst.

And mentioning Dominik Parisien, editor of Clockwork Canada also published by Exile Editions, my story “Buffalo Gals” is in the anthology. Airship Ambassador has done a four-part interview with me about the story (and with other authors as well). The first part is here and you can click in the right column of the site to get the other parts as well.

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Clockwork Canada is available on Amazon and through Exile Editions. Steampunk stories about Canada’s revisioned history.

Other fiction that has been published this year includes “Freedom’s Just Another Word” free to read at Agnes and True, “Mermaid’s Curse” and “Paul Bunyan’s Toils” at SpeckLit. These two are drabbles, which means they’re 100 words exactly. They were fun to write and good practice for having the purest essence of a story. And just hitting the shelves for pre-order now is Alessandro Manzetti’s anthology Beauty of Death, which includes my story “Season’s End.” It’s chock full of stories and I quite like the cover.

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The Beauty of Death, edited by Alessandro Manzetti.

Earlier this year saw my poem “The Hedge Witch” come out in OnSpec along with an interview (that’s two interviews in a year), and “Book of Shadows” in Devolution Z #8. More recent, “Beltane Fires” came out in Eternal Haunted Summer’s Spring issue, and “Patchwork Girl” has just been released at The Future Fire. And two more poems “Short Sighted” and “Pilot Flight” have been released in Polar Borealis #2. Most of these poems and stories are free to read on the net so go and read great fiction and poetry and discover some new authors.

I have many more irons in fires, with more poetry and stories coming out this year but I’ll leave that for another post. I can say I’ve received approval to edit another anthology but it will be another year until you see info on that. In the meantime, I’m working on a poetry collection, and a fiction novel, and was honored to be one of the judges for Exile’s Carter V. Cooper short fiction prize. The longlist can be seen here. Gloria Vanderbilt will now choose from that list.

I’m diving back in to more fiction as well, so away I go. And if you’re a writer, don’t stop, never give up. Every skill takes practice and practice. I’m still practicing my craft and getting better all the time.

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Writing: 2015’s Year in Review

I’m a bit late with this, so imagine where I’m going to be with my taxes this year. I’m recapping last year’s writing accomplishments. I managed to complete a novel that’s taken far too many years and it’s off making the rounds.

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From left to right: Burning Maiden, nEvermore! Tales of Murder, Mystery and the Macabre, Playground of Lost Toys, Second Contacts, New Canadian Noir, (front) On Spec Summer, Best of Horror Library, Imaginarium: Best of Canadian Speculative Fiction, and Blood in the Rain

Last year was very busy. How busy? What do all the books in the picture above have in common? Why, I’m in them all. The biggest project was Playground of Lost Toys and I’m pleased to say that Ursula Pflug and I (co-editors) are nominated for an Aurora Award in Best Related Works for the anthology, published by Exile Editions.The books to the left and right are nEvermore! Tales of Murder, Mystery and the Macabre, and Second Contacts are also nominated. My story “Asylum” is in the first and “Scar Tissue,” written with Rhea Rose in the second.

Burning Maiden Vol. 2 published three of my poems, “As I Sleep,” “Medusa” and “Tea Party,” and On Spec published my poem “The Hedge Witch” along with an interview of me, which actually came out in January though it says summer 2015. Those weren’t the only poems: “Visitation: Leda’s Lament” was in the HWA Poetry Showcase, “the moon: Fever Dream” was in Pantheon magazines Nyx issue, “Morrigan’s Song” was in Heroic Fantasy Quarterly #24, “Persephone Dreams: Awakening” was in Eternal Haunted Summer’s summer issue, and “I Dreamed A World” was published at Polu Texni. This last poem is also nominated for a Rhysling Award (SF Poetry Association) in the long form category. (Clicking on any story or poem title will take you to the actual piece.)

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Playground of Lost Toys is available through Amazon published by Exile Writers

 

Other stories included three reprints: “The Book With No End” (which made it to the Stoker award longlist in 2014) was reprinted in CZP’s Imaginarium 2014: The Best Canadian Speculative Writing. And “Exegesis of the Insecta Apocrypha” (honorable mention in the Year’s Best Horror) was republished in Best of Horror Library I-V. In Blood in the Rain, a collection of erotic vampire fiction, my story “Hold Back the Night” was reprinted. This story had also been shortlisted for several awards and received two honorable mentions in the Year’s Best anthologies.

A couple of online stories appeared in Black Treacle with “Shaping Destiny,” and “Symbiosis” in the Scottish Shoreline of Infinity #1. “Pears and Swine” an erotic noir story appeared in The Exile Book of New Canadian Noir.

So, yes, it was a very busy year. On top of that I wrote 33 new poems for a collection contest, only to find the publisher had been sucked into a vortex and disappeared. Now I’m shopping that around as well.

This year has started out busy and successful and I have several more projects brewing but I’ll save these for another post.

 

 

 

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Writing Update

Okay, someone is sucking time away. I haven’t posted for a while for several reasons. I went to Spain in April and there will be pictures about that eventually but I’m also co-editing The Playground of Lost Toys with Ursula Pflug. Submissions closed on April 30 and we had 150 in all. We’re down to our last 30 subs and there will be between 16-25 stories in the final selection. Right now, we probably will have to cut four more stories from our yes list, but we’re rereading, editing the stories, weighing SF to fantasy, as well as types of toys/games. That’s taking up all of my time beyond my day job. Oh how I wish I could just edit and write all the time.

Top Pet Peeves on Submissions:

  1. Not following submission format. Some stories came without author names, addresses, word count (super annoying) and not double spaced. Editors ask for this for a reason. The next anthology I edit will have a very strict rule on this. You don’t follow–I don’t read, and reject.
  2. Sending a story that had no speculative element in it. If you don’t know what this means, google it. We even said fantasy, SF, horror, magic realism, etc. Really, people, (and some of you know better) did you think we’d just ignore this because your story was awesome?
  3. Sending a story that didn’t have a toy or a game. As above we had specific guidelines that said this must be integral to the story. A wide interpretation was allowed but some people took it down to a thin thread.
  4. Not proofreading stories. I’ll allow some grammatical issues, especially in newer writers who are still learning their craft, but everyone can run a spellcheck. Rereading your piece helps, and it can save aggravating your editors. 🙂
  5. Both too many stories of stuffies and dolls, when there are worlds of possibility. We were worried at first that people were just not using their imagination to think beyond the box. There were some very good stuffy and doll stories; and there may be one or two in the anthology, but remember this whenever you’re submitting to any themed anthology: there are popular tropes and you have a better chance if you go for something unique.

Besides the editing for the anthology, I had a rewrite to do, and planned to get my novel manuscript off to an agent before I left for Spain. I did that! But! Turns out the agent wants old school, which means printing the massive tome (folks, make sure you use proper manuscript format if you ever submit to an editor or an agent). But the agent also wanted an outline for books 2 & 3. When I emailed everything I was told, that they should be synopses, not outlines. So…I still have to do that. When I’m done editing. I’m also working on 50 new poems by September. I have the roughs but next will be researching and refining, after the editing, after the synopses.

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Walter Crane

Now, I do have a few things that have come out recently or are due up in the next couple of weeks. You can read my poems “I Dreamed a World” up at Polu Texni, and “Morrigan’s Song” up at Heroic Fantasy Quarterly. Both are free to read. The story “Shaping Destiny” is available at Black Treacle and there is a free Smashwords version. The site should also have it in the next couple of weeks. And out of Scotland is the new ezine, Shoreline of InfinityMy flash fiction piece “Symbiosis” will also be up by June. You’ll have to pay for this one but you will get other stories as well.

Recent stories that have been published are my erotic noir story “Pearls and Swine” in New Canadian Noir, available through Exile Editions, and “Exegesis of the Insecta Apocrypha” republished in The Best of Horror Library, Vol. 1-5. This story originally received an honorable mention in the Year’s Best Horror, and I was recently contacted by an agent. But I have no horror novels, so guess what is on my list as well?

There are other poems and stories coming out later this year but for now, this is my holdover until I can blog about more.

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