Sir John Tenniel’s famous Alice illustrations. The Griffin, the Mock Turtle and Alice.
For those writers thinking it’s too late to get something in for May 31, know that the deadline has been extended to July 15. I’m just not getting enough stories of the caliber needed for an anthology.
If you are submitting, read all of this post–to the end. People are ignoring the proper submission format and I won’t read a story until it is sent double spaced, with word count, and full contact info on it. That should be easy enough to do, you would think. And page numbers, please.
Now, I’m seeing a lot of the main Alice characters so remember, if I have five Mad Hatter stories I might have to select the best. Alice, White Rabbit, Mad Hatter, Cheshire Cat are all becoming very popular. And tea parties and rabbit holes. I’ll post the expanded guidelines at the end of this but here are a few important things to keep in mind, Stories:
- should not be rehashings of the same old tales.
- need to take place in the modern world or the future
- can take place on another planet
- can be steampunk but if you stick it in Victorial England you need to bring it forward
- can be time travel but know I don’t like these tales much as they can get too convoluted (but I do like most Dr. Who)
- can be combined with characters from other times/place
- should be as original and unique as possible–the farther you veer away from rabbit holes and tea parties, the more original it will be
Remember these rules of writing:
- do not tell me someone was upset or mad; show me
- watch for passive action–seek out words like was, could, would and try to replace them
- plot–you must have one, even in a poem, and conflict–either resolve it or show the fail
- use all five senses–this helps give setting and atmosphere
- do not put a veneer of SF or fantasy on a story that isn’t–ask yourself if the story would work without the SF/fantasy element–if yes, then it’s not spec
Sir John Tenniel illustration.
What is Alice Unbound about?
Lewis Carroll (Charles Dodgson) explored childlike wonder and the bewildering realm of adult rules and status, which clashed in bizarre ways. Many characters in his tales are anthropomorphic, whether talking cards, crying mock turtles or saucy Tiger Lilies. Over 150 years later, people still recognize characters from Carroll’s works. Who doesn’t know of vorpal blades and tardy white rabbits, protagonists and antagonists that resonate in a primal part of the human psyche? They hearken to the mysticism and mystery of the ancient world, when one wondered how the rain fell, or which gods empowered madness through drink, or whether a person was separate from an animal or could become one.
Centuries passed and myth became fairy tale, evolving to resonate with each era, showing the triumphs of the common man, the humble and generous woman who outsmarts tempters, jailers, and evil stepmothers, or the trials and tribulations of seeking the unknown. Carroll’s characters jumped forward, not just following the regular metamorphosis of an age-old tale, but leaping off the cliff of the familiar into something altogether new, different and endearing. We might not truly want to live in the world of Alice or have to deal with mad queens and bandersnatches, but what if that Wonderland ceased to exist on a separate plain, and melded with our modern world? How would these characters fit in, and what would they bring or change? Are we ready to accept Alice Unbound into our hearts and let the Jabberwock in the back door?
Alice’s Adventures in Wonderland was Carroll’s most famous work but there are other stories and poems (some within the greater works) where madcap creatures abound. Alice Unbound should contain an element of the speculative and may embrace fabulist, weird, myth, SF, fantasy, steampunk, horror, etc. Other speculative elements or characters may be combined in any way. I don’t want to see rehashings of Carroll’s tales but new stories taking place in a modern or slightly futuristic world. Your tale may take place in Wonderland but only if it has connections with this world. That’s not someone thinking about having a drink at the café they miss but actually integrating modern elements. If you have a talking cat, it must be recognizable as the Cheshire Cat. You should not be copying Carroll’s style but telling a new tale in your voice. Too many stories submitted with the same character will limit chances of the story being accepted. NOTE: I am getting many Alice, falling through rabbit hole and Cheshire Cat related stories. Which means competition will be harder in these areas. You might want to look beyond these elements.
Whether the Mad Hatter, the mock turtle, or Tweedle Dee and Tweedle Dum, write a new tale. QUILTBAG or people of colour as characters are encouraged. Alice doesn’t have to be white and blonde. I will accept any characters from the following works . I have not read everything so if you want to write about another character that fits into Carroll’s fantastical tales, please write first and ask.
- Alice’s Adventures in Wonderland
- Through the Looking Glass
- The Hunting of the Snark
- Phantasmagoria
These are story examples only but not requirements:
- The caterpillar is the owner of a medical marijuana store but turns out to be part of a moonlighting superhero team by night.
- The Walrus and the Carpenter’s strange relationship is strained farther when they both fall for a mermaid, who crusades for the murdered oysters.
- The Snark is as elusive as the Sasquatch, but when they vie for the same space in an endangered environment, what happens?
- The last Jabberwock is captured and used to battle an overpopulation of vampires.
- From space comes a delegation that looks a lot like the card soldiers. They have a concern with Earth for harbouring fugitives from their world.
- A company has perfected an AI that emulates the Mad Hatter, something to help run parties and liven them up. What could possibly go wrong?
Writers must be Canadian citizens (living in Canada and/or paying taxes in Canada) or permanent residents of Canada. LGBQLT, POC are encouraged to submit. I will read cover letters last and will choose stories on merit first. This resource may be of use in your research: www.alice-in-wonderland.net
Payment: .05/word CDN (that’s 5 cents a word, not a half cent)
Length: 2,000-5,000 words. Poetry: minimum 1,000 words (and 2 may be submitted at the same time: submit each in a separate document and submission).
Simultaneous submissions: No; if you submit to me, please do not send it anywhere else until you receive a rejection.
Multiple submissions: You may send one story, or two poems. Please wait until I’ve sent a rejection before you send anything else. I may hold some pieces until the submission window is closed.
Acceptances: Final acceptances will go out a month after the submission window closes.
Manuscript format: Please use standard manuscript format (Google William Shunn): double-space (except for poems), no extra spaces between paragraphs, indented paragraphs, title, etc.) This also means full contact information on the first page, unless you want me to attribute your piece to someone else. Failure to follow formatting may see your piece rejected without being read. Canadian spelling would be awesome but I won’t turn down a story that comes in UK or US spelling. Submit .docx, .doc, or .rtf only.
Deadline: Extended to July 15, 2017
Publication Date: April 2018 (tentative)
Rights: First English-language rights & non-exclusive Anthology rights for one year from publication (print and eBook).
Submit here: https://exilepublishing.submittable.com/submit/77982/alice-unbound
Colleen Anderson 