Category Archives: fairy tales

Women in Horror: Chantal Noordeloos

WiHMX-horizontal-WhiteFrom the Netherlands, Chantal Noordeloos talks about the thrill of horror. What scares us and why we love it, today in Women in Horror.

Oh, the Horror…

What is it about fear that we find so incredibly enticing? Not everyone feels this way, of course. There are plenty of “sane”people in this world that stick to being drawn to less terrifying genres, but to us horror “freaks” (let’s face it, we don’t mind being called freaks, do we?) it’s an almost delicious feeling to be afraid. We look for it, and are often disappointed when a movie or a novel doesn’t succeed in scaring us.

It’s not easy to scare, (trust me, I’m a writer, I know about these things) because fear is Noorabout as personal as humor. What is scary to some might be a little dull to others. What turns me into a quivering jelly, hiding under my duvet, might be a big snooze fest to you. But we horror fans seek that which makes us cringe or shudder.

Noor2For me it started at a very young age. I would make my aunt read this story called “Ghost Ship” so often, she actually faked having lost the book to get out of reading it. I was fascinated with fairytales, which were pretty much my first step to horror. Witches were shoved in ovens and burned, wicked stepsisters cut off their own toes and heels to make a shoe fit, and one evil queen was trapped in a barrel in which someone had studded with nails, after which they rolled her down a hill. Charming stuff… and in hindsight it may explain my current psyche.

From fairytales I moved to ghost stories, and tweeny Noor3seances, where I would be accompanied by my fellow pimply faced giggly peers as we summoned spirits using a makeshift Ouija board (if you turned it around it was my mom’s scrabble game) and glass. We took ourselves completely seriously, of course. With an ominous voice we would ask the spirits to grace us with their presence, and then continue to spook each other so badly that at least one of my friends would end in tears, and I wouldn’t sleep soundly for nights after.

Some of my bolder friends had even seen horror movies, and they would tell the narratives in full detail. I was afraid of Freddie Kruger years before I ever saw A Nightmare on Elm Street. To be honest, I was much more afraid of him before I ever saw Noor4those films than I was after. After hearing the story of Bloody Mary, I avoided looking in mirrors all together for several weeks. As if I would accidentally call her by just thinking of her name whilst looking at my own reflection. It was very silly, but the mind can play nasty tricks on you, and my imagination has always been very active. Ever since I was very young, it has never been too difficult to scare me, because I am a big fat coward, and I’m utterly squeamish to boot. There, I said it.

Things haven’t changed much since I was younger. As an adult I can still utterly lose my composure after a spooky movie, and will absolutely turn on all the lights on my way to the bathroom. I am the most ironic horror writer ever, because I’m afraid of everything. And I mean EVERYTHING.

My own writing can freak me out. In fact, I am not satisfied with my (horror) writing Noor5unless it does. One of the things that’s so delicious about writing, is that it’s as immersive as reading. When I create a tale, I’m there, living it. So, there are absolutely moments that I terrify myself so much that I need to take a little break and look at cat gifs or something. Anything to think “happy thoughts.” My husband can actually tell what genre I’m writing by what mood I’m in. If I am jittery and skittish, I’m probably writing horror. There are subjects within horror that can make me gloomy and depressed. Especially if I have to do a lot of research. For example, one of my main characters was a child bride. I was in a funk for days. Or when I wrote about Aokigahara (the Japanese suicide forest) in my last novel it really messed with me.

Yet… I seem to enjoy the fear. As much as I relish being afraid, I get an equally big kick out of scaring people. Horror is such a fascinating subject to write about. There is something almost beautiful in death and even gore. Something sensual in the darkness. There is no greater compliment to me than when someone tells me they were terrified when they read my work. (Well, perhaps the only greater compliment is if I made someone cry.) I delight in creating monsters that will keep people up at night. Even if I can’t frighten everyone, I write for those people that I do scare.

Noor6So what is it about fear that we enjoy? My theory is that we like not feeling safe all the time. It gives us a nice contrast to our daily lives. There is something comforting in crawling under the covers, and telling yourself that they’re only stories, or that it was just a movie. Perhaps horror tickles our inner masochist. Perhaps it just makes us realize that we’re alive. Whatever it is, it’s a passion that connects us all, and it will keep challenging writers, artists and film makers to find new ways to scare us. I, for one, certainly enjoy that challenge.

Chantal Noordeloos always wanted to be a mermaid or bard when she was younger, and since she could be neither, writer was the closest thing. She shares her real life adventures with many of her loved ones, among which are her wacky husband and her daughter, who will one day grow up to be a charismatic supervillain (she already has the mad cackle down).

You wouldn’t expect someone who is scared of the dark and who everyone calls “Noodles” to be a horror writer, yet Chantal has written things that made people want to keep their nightlights on at bedtime. She also dabbles in other genres, but is most known for her darker work.

At heart, she will always be a storyteller; she enjoys creating new worlds for people to escape to, and creating new characters for readers to meet.

If you’re interested in finding out more about her horror novels, you can use the following links.

Angel Manor: Lucifer Falls I

US: http://tinyurl.com/nljwcvs

UK: http://tinyurl.com/lcnxhxt

Even Hell Has Standards: Pride

US: http://tinyurl.com/pl8mgmk

UK: http://tinyurl.com/qhsygjr

Even Hell Has standards Wrath:

US http://tinyurl.com/z3wk8xa

UK: http://tinyurl.com/zbluqyg

Deeply Twisted:

US: http://tinyurl.com/ouvegb8

UK: http://tinyurl.com/k49v7t2

 

Advertisements

Leave a comment

Filed under fairy tales, horror, Publishing, Writing

Women in Horror: Jennifer Kennedy

WiHMX-horizontal-White

It’s Feb. 1 and that means it’s Women in Horror Month. I will ambitiously try to feature a guest each day of this month who will speak about horror. Today I have Jennifer Kennedy who talks about storytelling and writing horror.

About twenty years ago, I joined a storytelling organization, and shortly afterward volunteered to tell a story at a local Halloween event. I found myself telling alongside Marie Anne McLean, whose hair-raising versions of urban myths, re-set in and around Edmonton, set a very high bar. I still shudder when I think of the first time I heard her tell “The Furry Collar.” We both continued to tell at this event in the years that followed, and in the process I experimented with many different stories, some of which were more successfully frightening than others. One particular story was without a doubt my most successful: “The Night Doctors.”

I came across the basis for this story in a book of African-American folk tales. The entry

Kennedy

Jennifer Kennedy likes to tell tales that scare

was quite short: just a paragraph or two. It was an urban legend from an earlier time, according to which there were certain doctors in the Southern U.S. who were famous for their experimental work during the time of slavery, and suspected of using human subjects. The story was that after emancipation, they were not willing to give up their research, and so they began snatching people at night, sneaking up on them in carriages with muffled wheels, and shooting them with drugged needles.

I imagined that these Night Doctors were still active, even in modern times, and came up with a story about a teenage boy who is captured by them. He almost escapes but is injured and foolishly goes to a hospital for help. I think that what made this story effective was not just the twist at the end, but the setting. There are few situations in our lives when we are more vulnerable than when we place ourselves under the care of medical professionals. In developing the story, I had tapped into some of my own fears, and it was clear from the reaction I got that I touched a nerve in others as well. It seemed like most of the really scary urban legends had crazed serial killers as villains, but in some ways those were easier to disassociate from than a killer who might be lurking behind a surgical mask.

More recently, I became an actor at Deadmonton haunted house. The theme in 2018 was Quarantine and I ended up playing the part of a military nurse who checks people for signs of infection before they go into the building. Once again, it was clear that I was tapping into a deep discomfort in many people. One of the characters that came to mind as inspiration for the part was Nurse Ratched from One Flew Over the Cuckoo’s Nest. I was not surprised to learn that many people rate Nurse Ratched as one of the most chilling characters in film. One of the essential traits of the character I was playing was the ability to dehumanize: to view anyone who was infected with our fictional virus as essentially written off as a human being. In a similar way, Nurse Ratched first writes off her patient as mentally unfit and then actually acts to erase the humanity he tries so hard to assert. In a similar way, the Night Doctors choose to regard their victims as less than human.

Kennedy 2

J.Y.T. Kennedy has been published in these anthologies.

Institutions, and particularly hospitals and asylums, are always dehumanizing to some extent, and that is surely a large part of why they make us feel so vulnerable. Prototypical crazed serial killers also dehumanize their victims, but they do not generally change their status in the eyes of the outside world. There is something particularly disturbing about a monster that has authority behind them, and a society that, whether blindly or with complicity, places people in their power.

I have tried a few times to come up with a written version of my Night Doctors story, but I find that for me, some stories lend themselves to telling, and others to writing, and this was definitely a story for telling. Conversely, an unsuccessful attempt at an original ghost story to tell at the same event ended up working better written down, and was published in an anthology as “The Fatality Sign.” I expect I will come back to villains with a medical bent though, whether in writing or other mediums. The details of the story may not translate, but the fear that drives it remains powerful.

Jennifer Kennedy lives in Alberta, where she writes under the byline J.Y.T. Kennedy, as well as occasionally appearing as a storyteller or in other guises. Her poem, “The King in Red” appeared in the Alice Unbound anthology in 2018. Information on some of her other work can be found on her website.

 

 

Leave a comment

Filed under entertainment, fairy tales, horror, Writing

Alice Unbound: Call for Submissions

Hello, world, and happy new year.

books, publishing, collection, reprints, ebooks, Smashwords, writing, book production

Creative Commons: Ninha Morandini

I can’t guarantee I’ll get more posts out this year but I can start with a bang. I last co-edited Playground of Lost Toys with Ursula Pflug. The anthology was nominated for an Aurora Award, as well as one author being nominated for an Arthur Ellis Award, and three longlisted for the Sunburst Award with Catharine MacLeod’s Hide and Seek winning in short fiction. Now, to hopefully repeat that sucess, I will be editing an anthology of speculative fiction, due to be published by Exile Editions in the spring of 2018. Read on for Alice Unbound guidelines.

Lewis Carroll (Charles Dodgson) explored childlike wonder and the bewildering realm of adult rules and status, which clashed in bizarre ways. Many characters in his tales are anthropomorphic, whether talking cards, crying mock turtles or saucy Tiger Lilies. Over 150 years later, people still recognize characters from Carroll’s works. Who doesn’t know of vorpal blades and tardy white rabbits, protagonists and antagonists that resonate in a primal part of the human psyche. They hearken to the mysticism and mystery of the ancient world, when one wondered how the rain fell, or which gods empowered madness through drink, or whether a person was separate from an animal or could become one.

Alice in Wonderlnand, Through the Looking Glass, fantasy, speculative

Sir John Tenniel’s famous Alice illustrations. The Griffin, the Mock Turtle and Alice.

Centuries passed and myth became fairy tale, evolving to resonate with each era, showing the triumphs of the common man, the humble and generous woman who outsmarts tempters, jailers, and evil stepmothers, or the trials and tribulations of seeking the unknown. Carroll’s characters jumped forward, not just following the regular metamorphosis of an age-old tale, but leaping off the cliff of the familiar into something altogether new, different and endearing. We might not truly want to live in the world of Alice or have to deal with mad queens and bandersnatches, but what if that Wonderland ceased to exist on a separate plain, and melded with our modern world? How would these characters fit in, and what would they bring or change? Are we ready to accept Alice Unbound into our hearts and let the Jabberwock in the back door?

Alice’s Adventures in Wonderland was Carroll’s most famous work but there are other stories and poems (some within the greater works) where madcap creatures abound. Alice Unbound should contain an element of the speculative and may embrace fabulist, weird, myth, SF, fantasy, steampunk, horror, etc. Other speculative elements or characters may be combined in any way. I don’t want to see rehashings of Carroll’s tales but stories taking place in a modern or slightly futuristic world. I’ve seen many of the Alice as well. If you have a talking cat, it must be recognizable as the Cheshire Cat. I will consider a few very select poems, but they must have a storyline and not just be an observation or an image. You should not be copying Carroll’s style but telling a new tale in your voice.  Too many stories submitted with the same character will limit chances of the story being accepted. The anthology needs to go beyond Alice in every way.

Whether the Mad Hatter, the mock turtle, or Tweedle Dee and Tweedle Dum, use Carroll’s elements and characters to write a new tale. QUILTBAG or people of colour as characters are encouraged. Alice doesn’t have to be white and blonde. I will accept any characters from the following works . I have not read everything so if you want to write about another character that fits into Carroll’s fantastical tales, please write first and ask.

  • Alice’s Adventures in Wonderland

    Lion and unicorn, Alice, Through the Looking Glass

    Sir John Tenniel illustration.

  • Through the Looking Glass
  • The Hunting of the Snark
  • Phantasmagoria

These are story examples only but not requirements:

  • The caterpillar is the owner of a medical marijuana store but turns out to be part of a moonlighting superhero team by night.
  • The Walrus and the Carpenter’s strange relationship is strained farther when they both fall for a mermaid, who crusades for the murdered oysters.
  • The Snark is as elusive as the Sasquatch, but when they vie for the same space in endangered environment, what happens?
  • The last Jabberwock is captured and used to battle an overpopulation of vampires.

Writers must be Canadian citizens (living in Canada and/or paying taxes in Canada) or permanent residents of Canada. LGBQLT, POC are encouraged to submit. I will read cover letters last and will choose stories on merit first. This resource may be of use in your research: www.alice-in-wonderland.net

Payment: .05/word

Length: 2,000-5,000 words. Poetry: minimum 1,000 words.

Submission window: Feb. 1 to May 31 at: https://exilepublishing.submittable.com/submit Please go to this site to see some expanded information.

Simultaneous submissions: No; if you submit to me, please do not send it anywhere else until you receive a rejection.

Multiple submissions: You may send one story, or two poems. Please wait until I’ve sent a rejection before you send anything else. I may hold some pieces until the submission window is closed.

Acceptances: Final acceptances will go out a month after the submission window closes. I may ask for rewrites before making a final decision.

Manuscript format: Please use standard manuscript format (Google William Shunn): CDN spelling, double-space (except for poems), no extra spaces between paragraphs, indented paragraphs, title, etc. Failure to follow formatting may see your piece rejected unread.

Now, don your Mad Hatter’s cap, clean out the teapot and start writing.

27 Comments

Filed under fairy tales, fantasy, horror, myth, poetry, Publishing, science fiction, SF, Writing

Fall Update & the Environment

steampunk, cogs, clockwork, Buffalo Gals, fantasy

Clockwork Canada is available on Amazon and through Exile Editions. Steampunk stories about Canada’s revisioned history.

Fall is definitely falling here in Vancouver, with days on end of rain, rain and more rain. Twenty-eight out of thirty-one days, so what’s a drenched soul to do? Many things have happened, including trips and busy busyness. I’ve been lax with this blog so I’ll do an update on fiction and poetry. I’ll mention briefly that I went to the UK in Sept./Oct. and to British Fantasycon by the Sea in Scarborough. Adventures with writers and others, but that will be a post that I hope will happen soon. In the meantime…

The World Wildlife Fun just mentioned this last week that many species are in rapid decline. This is happening to birds, fish, mammals, amphibians and reptiles and by 2020 they estimate we’ll have lost two-thirds of all species. This is catastrophic and heartbreaking. The only species that won’t be in decline are humans and insects. Many of these other species control the insect populations and with even  just a few being out of balance we’ll be overrun in a short time. When I wrote “Exegesis of the Insecta Apocrypha” I researched this buggy phenomenon and it was frightening in its own right. That story was reprinted last year in the Best of Horror Library Vol. 1-5. In relation to this topic is m story “Freedom’s Just Another Word” about the last elephant on Earth. It can be read for free at Agnes and True and came out earlier this year. I hope that we’ll wake up before it’s too late and realize that by saving these species we will save ourselves.

horror, dark fantasy, death, speculative fiction, Season's End.

The Beauty of Death, edited by Alessandro Manzetti.

“Buffalo Gals” came out in Clockwork Canada in the spring and is an alternate history steampunk tale about BC’s early history. I touch on the murdered and missing women which has been part of BC’s and really, the whole country’s news for quite a few years. I have a feeling that if other countries started looking at their stats we would see a lot of the same; more women murdered or missing, as seems to always be the case. As well, “Seasons End” came out in the massive Beauty of Death. This story too touches on the decline of the environment but from a more mythical aspect, with hope woven in. On a lighter note, there were two drabbles (100 words exactly) up at SpeckLit but they are no longer drabbling so these are in the archives.

Stories sold and yet to come out include “Love in the Vapors” in Futuristica Vol. 2, “Awaking Pandora” in the Goethe Glass anthology about climate change (yep, another environmental tale), “Shoes” to be reprinted in Polar Borealis 4, “Changes” in Deep Waters #2, and “Sins of the Father” (a fungal horror story) in OnSpec. These will probably all be out next year. There are a few others in the works but I can’t announce those yet. I should also mention that Playground of Lost Toys, edited by Ursula Pflug and I, was nominated for an Aurora Award but didn’t win. Several of the authors were nominated for various awards and Catherine MacLeod won the Sunburst Award for short fiction with her tale, “Hide and Seek.”

toys, childhood, nostalgia, fantasy, SF, fiction, short stories

Playground of Lost Toys is available through Amazon published by Exile Writers

There have been many poems this year so I’ll just list these: “The Hedge Witch” in OnSpec #101 (plus and interview), “Book of Shadows” in Devolution Z #8, “Patchwork Girl” in Future Fire #37, “Pilot Flight” and “Short Sighted” in Polar Borealis #2, “Triptych (Amsterdam)” in Wax Poetry #11 (4th place), “Come and Go,” “Oh You!”, “Cuntipotent,” “Cremating Love” in Maple Tree Literary Supplement #21, and “The Persuaders” in Heroic Fantasy Quarterly #29. About to be published are: “A Good Catch” in Tailfins and Sealskins (UK), “Garuda’s Gamble” in Heroic Fantasy Quarterly #30, “Mermaid” in Spirits Tincture #2, “Wolf Skin” in Myths and Fables, “This Song” in Deadlights, “Spirit Bottle” and “Geomystica” in the summer solstice 2017 edition of Eternal Haunted Summer. Many of these are free to read online so Google away.

I hope to post again next week with the first part of m UK trip, which involves writers and editors, and saving someone’s life. I’m also hoping to revamp this blog in the next few months and there will be some book give-aways. So stay tuned to my sporadic posts.

 

Leave a comment

Filed under Culture, environment, fairy tales, fantasy, horror, myth, poetry, Publishing, science fiction, Writing

Writing Update

toys, childhood, nostalgia, fantasy, SF, fiction, short stories

Playground of Lost Toys is available through Amazon published by Exile Writers

My busy year has been full of many things, writing or other. Playground of Lost Toys, co-edited by Ursula Pflug and me, is up for an Aurora Award. The winners will be announced in August at When Words Collide in Calgary. I’ll be there, on several panels, a reading I think, and a blue pencil session where you can sign up and have a few pages edited by me. And kudos to authors in the anthology who have been nominated for other awards. Karen Abrahamson’s story “With One Shoe” was shortlisted for an Arthur Ellis Award, and has been longlisted for a Sunburst Award in short fiction. Catherine A. MacLeod’s “Hide and Seek” and Dominik Parisien’s “Goodbye is a Mouthful of Water” are also longlisted for the Sunburst.

And mentioning Dominik Parisien, editor of Clockwork Canada also published by Exile Editions, my story “Buffalo Gals” is in the anthology. Airship Ambassador has done a four-part interview with me about the story (and with other authors as well). The first part is here and you can click in the right column of the site to get the other parts as well.

steampunk, cogs, clockwork, Buffalo Gals, fantasy

Clockwork Canada is available on Amazon and through Exile Editions. Steampunk stories about Canada’s revisioned history.

Other fiction that has been published this year includes “Freedom’s Just Another Word” free to read at Agnes and True, “Mermaid’s Curse” and “Paul Bunyan’s Toils” at SpeckLit. These two are drabbles, which means they’re 100 words exactly. They were fun to write and good practice for having the purest essence of a story. And just hitting the shelves for pre-order now is Alessandro Manzetti’s anthology Beauty of Death, which includes my story “Season’s End.” It’s chock full of stories and I quite like the cover.

horror, dark fantasy, death, speculative fiction, Season's End.

The Beauty of Death, edited by Alessandro Manzetti.

Earlier this year saw my poem “The Hedge Witch” come out in OnSpec along with an interview (that’s two interviews in a year), and “Book of Shadows” in Devolution Z #8. More recent, “Beltane Fires” came out in Eternal Haunted Summer’s Spring issue, and “Patchwork Girl” has just been released at The Future Fire. And two more poems “Short Sighted” and “Pilot Flight” have been released in Polar Borealis #2. Most of these poems and stories are free to read on the net so go and read great fiction and poetry and discover some new authors.

I have many more irons in fires, with more poetry and stories coming out this year but I’ll leave that for another post. I can say I’ve received approval to edit another anthology but it will be another year until you see info on that. In the meantime, I’m working on a poetry collection, and a fiction novel, and was honored to be one of the judges for Exile’s Carter V. Cooper short fiction prize. The longlist can be seen here. Gloria Vanderbilt will now choose from that list.

I’m diving back in to more fiction as well, so away I go. And if you’re a writer, don’t stop, never give up. Every skill takes practice and practice. I’m still practicing my craft and getting better all the time.

2 Comments

Filed under art, Culture, fairy tales, fantasy, horror, people, poetry, Publishing, science fiction, Writing

Writing: 2015’s Year in Review

I’m a bit late with this, so imagine where I’m going to be with my taxes this year. I’m recapping last year’s writing accomplishments. I managed to complete a novel that’s taken far too many years and it’s off making the rounds.

speculative fiction, fantasy, horror, SF, Years Best

From left to right: Burning Maiden, nEvermore! Tales of Murder, Mystery and the Macabre, Playground of Lost Toys, Second Contacts, New Canadian Noir, (front) On Spec Summer, Best of Horror Library, Imaginarium: Best of Canadian Speculative Fiction, and Blood in the Rain

Last year was very busy. How busy? What do all the books in the picture above have in common? Why, I’m in them all. The biggest project was Playground of Lost Toys and I’m pleased to say that Ursula Pflug and I (co-editors) are nominated for an Aurora Award in Best Related Works for the anthology, published by Exile Editions.The books to the left and right are nEvermore! Tales of Murder, Mystery and the Macabre, and Second Contacts are also nominated. My story “Asylum” is in the first and “Scar Tissue,” written with Rhea Rose in the second.

Burning Maiden Vol. 2 published three of my poems, “As I Sleep,” “Medusa” and “Tea Party,” and On Spec published my poem “The Hedge Witch” along with an interview of me, which actually came out in January though it says summer 2015. Those weren’t the only poems: “Visitation: Leda’s Lament” was in the HWA Poetry Showcase, “the moon: Fever Dream” was in Pantheon magazines Nyx issue, “Morrigan’s Song” was in Heroic Fantasy Quarterly #24, “Persephone Dreams: Awakening” was in Eternal Haunted Summer’s summer issue, and “I Dreamed A World” was published at Polu Texni. This last poem is also nominated for a Rhysling Award (SF Poetry Association) in the long form category. (Clicking on any story or poem title will take you to the actual piece.)

toys, childhood, nostalgia, fantasy, SF, fiction, short stories

Playground of Lost Toys is available through Amazon published by Exile Writers

 

Other stories included three reprints: “The Book With No End” (which made it to the Stoker award longlist in 2014) was reprinted in CZP’s Imaginarium 2014: The Best Canadian Speculative Writing. And “Exegesis of the Insecta Apocrypha” (honorable mention in the Year’s Best Horror) was republished in Best of Horror Library I-V. In Blood in the Rain, a collection of erotic vampire fiction, my story “Hold Back the Night” was reprinted. This story had also been shortlisted for several awards and received two honorable mentions in the Year’s Best anthologies.

A couple of online stories appeared in Black Treacle with “Shaping Destiny,” and “Symbiosis” in the Scottish Shoreline of Infinity #1. “Pears and Swine” an erotic noir story appeared in The Exile Book of New Canadian Noir.

So, yes, it was a very busy year. On top of that I wrote 33 new poems for a collection contest, only to find the publisher had been sucked into a vortex and disappeared. Now I’m shopping that around as well.

This year has started out busy and successful and I have several more projects brewing but I’ll save these for another post.

 

 

 

1 Comment

Filed under Culture, erotica, fairy tales, fantasy, horror, poetry, Publishing, science fiction, SF, Writing

Playground of Lost Toys Interviews: Kuriata & Demeulemeester

toys, childhood, nostalgia, fantasy, SF, fiction, short stories

Playground of Lost Toys is available through Amazon published by Exile Writers

After today’s authors Chris Kuriata and Linda Demeulemeester, there is one more interview left. These two authors present a darker view of games. Chris Kuriata’s story “Fun Things for Ages 8 to 10” touches on all those comics and magazines we read as kids, and the adds for X-Ray glasses and invisible ink. But it’s from a magazine that gives you instructions in the cheery “Hey, Kids!” way. It’s not all cheery though and kind of comically creepy.

  1. What was your main reason for submitting a story to Playground of Lost Toys?
comics, magazines, games for kids, nostalgia, dark fantasy

Chris Kuriata captures the childhood wonder and acceptance of everything we read.

The money and the glory played a big role, but mostly, submitting to Exile Editions appealed to me because of the unique stories they’ve published, both in their anthologies and the excellent ELQ magazine. PLAYGROUND OF LOST TOYS looked like a good place to be.

  1. Does your story relate at all to anything from your own childhood?

My story “Fun Things For Ages 8 to 10” is about audio cassettes. My sister and I spent many childhood afternoons playing with our mother’s tape recorder. This was before the proliferation of videocameras or VCRS, so the ability to record ourselves and listen back really blew our minds. We created all kinds of radio plays, which usually degenerated into arguments and insult slinging. None of these tapes survived, which is perhaps something I should be grateful for.

  1. What theme or idea were you exploring in your story?

No clue. The idea came to me in bed, was hastily roughed out in my notebook and worked over for the next couple of evenings.

  1. Is there anything else to do with your story or the theme of the anthology you want to mention?

I love short story collections, but often burn out after reading a dozen or so stories by the same author. You keep noticing repeated images or the same line of description used in two separate tales. So I love the variety of writers offered by an anthology. It’s fun when the mood switches between stories, like eating chocolate and pretzels. Anthologies are most rewarding when the different voices compliment one another like in a good mix-tape.

  1. What other projects do you have in the works, pieces people can buy, or places to find you in the coming year?

A story about the use of clowns on early 19th century whaling ships will appear in Unlikely Story’s upcoming Clowns anthology, and Pseudopod will be doing an audio version of my story about the breakdown of a family during the apocalypse called “Sack Race to the River.”

Linda Demeulemeester wins the prize for the longest title in the anthology. “And They All Lived Together in a Crooked Little House” changed from poignant to creepy when we asked Linda to clarify one line in the story. It kind of smacked us with the darker meaning of rhymes and the power of enchantment.

  1. What was your main reason for submitting a story to Playground of Lost Toys?

The title of the anthology alone had me – who wouldn’t want to think up a story to do with playgrounds of lost toys. I still feel chills.

  1. Does your story relate at all to anything from your own childhood?

    nursery rhymes, enchantment, word power, fantasy, speculative fiction

    Linda reads from her Grim Hill series. Her adult stories can be darker.

The embossed and engraved book of nursery rhymes is straight out of my childhood. I can vividly picture its old fashioned, color-plated lithographs. The beautiful illustrations took me to another world. I was only five or so… but still recognized this wasn’t a book from my time and place. Not to mention, I was only allowed to flip through the pages with supervision. I knew in my five-year-old heart that I would never ever tear a page or smudge it with grimy finger prints, so I automatically assumed there must be something oh so special that I couldn’t be left alone with it.

  1. What theme or idea were you exploring in your story?

I don’t set out with themes, more with explorations. Then themes follow. Here I was exploring at what point is working toward you heart’s desire actually working you instead.

4. What other projects do you have in the works, pieces people can buy, or places to find you in the coming year?

As for other projects, these are exciting times. My children’s middle grade Grim Hill series is being released by Heritage House under its Wandering Fox imprint – http://www.heritagehouse.ca/  The first book was on the B.C. indie booksellers top picks as well as a shout-out on 49th Shelf, the Canadian book association blog. Books 2,3 and 4 will be released in the spring.

As for appearances,  I’ll be on a panel on writing and illustrating for children at the Vancouver Public Library February 29th . I’ll also be at the Creative Ink Festival May 6-8. For my younger audiences, I will  be kicking off Richmond Library’s young writers club September 20th for their  literacy month.

 

 

www.grimhill.com

Leave a comment

Filed under Culture, entertainment, fairy tales, family, fantasy, horror, people, Publishing, SF, Writing

Playground of Lost Toys Interviews: Daigle & Carreiro

Lost ToysToday, I have Christine Daigle, whose story “Of Dandelions and Magic” speaks very well to that magic and loss we can experience as children. This is the stuffy story we chose though we had many for the anthology.

I also have Lisa Carreiro, author of “Makour.” This tale is darker and speaks of redemption as well as perseverance by tying into memories from childhood.

  1. What was your main reason for submitting a story to Playground of Lost Toys?

Exile Editions’ history of publishing diverse voices in Canadian fiction was definitely part of the motivation, but the call for submissions to this particular anthology spoke to me because it seemed to be in the vein of what I write; weird sci-fi/fantasy, often with hints of fairytales and dreams.

  1. Does your story relate at all to anything from your own childhood?

    writing, Canadian authors, rabbit stuffie, stuffed toys

    Christine Daigle is author of “Of Dandelions and Magic”

“Of Dandelions and Magic” relates more to my son’s childhood. He has a “towel duck” that’s nearly eight years old and quite ratty. On his last birthday, he wished it would turn into a real duck. Around the same time, our seven-year-old rabbit died and my son started asking me to tell him stories with the rabbit as the star. The initial idea for this story came to life as I pushed him on a swing.

I did, however, have a threadbare doggy as a child that I carried around in the crook of my elbow until stuffing started escaping through the hole I’d worn into the neck, just above the windup key for the music box.

  1. What theme or idea were you exploring in your story?

I was exploring the idea that we lose the beliefs we held as children and, as adults, it’s hard to see the world as a magical place, even if our desire to do so is strong. As we journey back in time to try to recover pieces of ourselves, it’s difficult because we’re fragmented. When we are kids, the world is a frightening place, and as adults, nothing really changes except our ability to filter what we say and to decide what thoughts we choose to listen to. We never really have all the answers, and we don’t really need to have all the answers to keep living with the wonder of a child.

  1. Is there anything else you would like to say about your story or the theme of the anthology.

Penelope Fitzgerald wrote, “The ambition of all children is to have their games taken seriously.” When I first read At Freddie’s, it struck me that Fitzgerald’s aphorism was a good one to file away for future exploration. I’m so glad to see this theme getting the anthology treatment!

  1. What other projects do you have in the works, pieces people can buy, or places to find you in the coming year?

My first co-authored novel, The Emerald Key, was published in July 2015 by Ticonderoga Publications. My most recent short fiction is forthcoming in Sci Phi Journal and the Street Magick anthology (Elder Signs Press). I’m putting the polish on another co-authored dark fiction novel steeped in Irish mythology. I’m planning to start looking for a home for that soon.

And here is Lisa Carreiro’s interview about “Makour.” Her story takes place in space, features dragons and trains. It’s one of two stories that has a train in it.

  1. What was your main reason for submitting a story to Playground of Lost Toys?

“Makour” was inspired by the theme “Lost Toys,” which immediately set my imagination in motion. I’d had the two characters, Pascal and Keirdran, rattling around in my head, but set nothing on the page because none of the escape scenarios worked for me. The word “toys” was the prompt I needed.

2. Does your story relate at all to anything from your own childhood?

As a kid, we had a toy farm set with plastic animals. The foal became my special toy: I endowed that wee bit of plastic with superpowers. He flew everywhere, he rescued the other farm animal toys from all kinds of dangers, and he had adventures throughout the house. I invented dozens of scenarios, always leaving a mess of scattered toys in my room; usually with the foal on top of the dresser watching over the others. I don’t know what happened to it; I simply outgrew it.

3.  What theme or idea were you exploring in your story?

SF, space, dragons, trains

Lisa Carreiro wrote “Makour” a story that spans the far reaches of space and the determination that keeps people going.

The lost toys theme also set me thinking about all those things we lose as we age, not just the toys we loved. Although my childhood in no way resembles Pascal’s, many adults think back on a time, a place, a person, or an object with nostalgia or affection, or perhaps grief for what’s lost. Add a measure of adventure–in this instance journeying among the stars–and possibilities for exploring the theme multiply.

4. Is there anything else you would like to say about your story or the theme of the anthology.

Like many writers, I work around a “day job” that pays the bills. I’ve written fewer shorts in recent years while concentrating on finishing a novel, which I’m about to send out. With that done, I’m focusing again on the short stories. At the present I’m finishing up and polishing a few, which are just about ready: everything from a man who finds a youth who claims to be a god who’s fallen from the sky to a woman travelling to Proxima Centauri with a crew of genetically enhanced tigers.

5.  What other projects do you have in the works, pieces people can buy, or places to find you in the coming year?

Some of my earlier short stories have appeared in Tesseracts Eleven, On Spec, and Strange Horizons.

Thanks again to Lisa and Christine. I’ll bring more interviews in a few days when next I meet the internet.

Leave a comment

Filed under Culture, entertainment, fairy tales, fantasy, memories, Publishing, science fiction, SF, Writing

Writing: The Playground of Lost Toys

Hi, World. Sorry I’ve been away so long. I’ve been going non-stop since Spain in April and haven’t even had time to post. I think I already mentioned the editing, the writing, the editing and the writing, not to mention grant applications, oh, and regular work.

writing, publishing, playground of lost toys, SF, fantasy, horror

Mary Beth Griffo Rigby, Flickr

Ursula Pflug and I finished our selection and edits of the stories for The Playground of Lost Toys. We’re now discussing cover art with the publisher but none of us can agree. Still, we’re looking at a November release from Exile Editions. Initially we were worried because people did not seem to be expanding their imaginations when it came to thinking about toys or games. We wanted unusual. Too many creepy doll stories have been done to death, and we did get a few. Then there was the stuffy barrage, and oddly enough bunnies more than bears. People seemed stuck in the same old tropes and there was little that excited us. I began to worry but I should have known better. When a submission period opens, people will often pull out their trunk stories, ones that have been languishing without a home, and send them in.

Some may be suitable and others are a stretch. We received several very good stories from authors but there was either no toy or game, or there was no speculative element and we had stipulated that both were required. The speculative element had to be integral to the piece. Otherwise, if you can remove it and the story still runs, then you have a story that is not fantasy or science fiction. I figured with the topic that we would have a majority of fantasy stories. In the end we ended up with 22 stories, 8 or 9 of them SF, depending on how you interpret that. We have 12 women and 10 men so not a bad split in gender. They are all Canadian writers, except for Rhonda Eikamp. The mandate was that 90% had to be Canadian, due to funding rules.

The tales themselves: yes, there are two doll stories and one bunny stuffy tale. There are also stories about chess, wooden games, time travel, parallel times, dragon toys, trains, compasses, daggers, puzzles, dice, rattles, nursery rhymes, hide and seek, and show and tell, transforming toys, swings, make-believe, online games and godly games. It’s a good mix, which involves everything from nanotech and police procedurals to ghosts, magic and wishful thinking. We have a range that Ursula and I are pleased with. They’re funny, thoughtful, poignant and terrifying. Over the next few months I hope to do short interviews with the authors and post them here.

Here is the table of contents:

  • FUN THING FOR AGES 8 TO 10
    • Chris Kuriata
  • THE COMPASS
    • Joe Davies
  • HIDE AND SEEK
    • Catherine MacLeod
  • SHOW AND TELL
    • Kate Story
  • THE DIE
    • Meagan Whan
  • THE FOOD OF MY PEOPLE
    • Candas Jane Dorsey
  • CHAYA AND LOONY-BOY
    • Rati Mehrota
  • THE GHOST RATTLE
    • Nathan Adler
  • THE GARDEN OF OUR DECEIT
    • Rhonda Eikamp
  • HACKER CHESS
    • Robert Runté
  • AND THEY ALL LIVED TOGETHER IN A CROOKED LITTLE HOUSE
    • Linda DeMeulemeester
  • BALERO
    • Kevin Cockle
  • LESS THAN KATHERINE
    • Claude Lalumière
  • GOODBYE IS A MOUTHFUL OF WATER
    • Dominik Parisien
  • TREASURE
    • DVS Duncan
  • OF DANDELIONS AND MAGIC
    • Christine Daigle
  • WHAT NOT TO EXPECT IN THE TODDLER YEARS
    • Melissa Yuan-Innes
  • WHEN THE TRAINS RUN ON TIME
    • Shane Simmons
  • MAKOUR
    • Lisa Carreiro
  • WITH ONE SHOE
    • Karen Abrahamson
  • WHEATIESFIELDS IN FALL
    • Geoffrey W. Cole
  • BETWEEN THE BRANCHES OF THE NINE
    • Alex C. Renwick

My next posts will be another writing update but also about the urban archeology adventure I did in April, for my birthday. Happy Reading!

3 Comments

Filed under entertainment, fairy tales, fantasy, horror, science fiction, Writing

Writing Update

Okay, someone is sucking time away. I haven’t posted for a while for several reasons. I went to Spain in April and there will be pictures about that eventually but I’m also co-editing The Playground of Lost Toys with Ursula Pflug. Submissions closed on April 30 and we had 150 in all. We’re down to our last 30 subs and there will be between 16-25 stories in the final selection. Right now, we probably will have to cut four more stories from our yes list, but we’re rereading, editing the stories, weighing SF to fantasy, as well as types of toys/games. That’s taking up all of my time beyond my day job. Oh how I wish I could just edit and write all the time.

Top Pet Peeves on Submissions:

  1. Not following submission format. Some stories came without author names, addresses, word count (super annoying) and not double spaced. Editors ask for this for a reason. The next anthology I edit will have a very strict rule on this. You don’t follow–I don’t read, and reject.
  2. Sending a story that had no speculative element in it. If you don’t know what this means, google it. We even said fantasy, SF, horror, magic realism, etc. Really, people, (and some of you know better) did you think we’d just ignore this because your story was awesome?
  3. Sending a story that didn’t have a toy or a game. As above we had specific guidelines that said this must be integral to the story. A wide interpretation was allowed but some people took it down to a thin thread.
  4. Not proofreading stories. I’ll allow some grammatical issues, especially in newer writers who are still learning their craft, but everyone can run a spellcheck. Rereading your piece helps, and it can save aggravating your editors. 🙂
  5. Both too many stories of stuffies and dolls, when there are worlds of possibility. We were worried at first that people were just not using their imagination to think beyond the box. There were some very good stuffy and doll stories; and there may be one or two in the anthology, but remember this whenever you’re submitting to any themed anthology: there are popular tropes and you have a better chance if you go for something unique.

Besides the editing for the anthology, I had a rewrite to do, and planned to get my novel manuscript off to an agent before I left for Spain. I did that! But! Turns out the agent wants old school, which means printing the massive tome (folks, make sure you use proper manuscript format if you ever submit to an editor or an agent). But the agent also wanted an outline for books 2 & 3. When I emailed everything I was told, that they should be synopses, not outlines. So…I still have to do that. When I’m done editing. I’m also working on 50 new poems by September. I have the roughs but next will be researching and refining, after the editing, after the synopses.

poetry, myth, fantasy, fairy tales

Walter Crane

Now, I do have a few things that have come out recently or are due up in the next couple of weeks. You can read my poems “I Dreamed a World” up at Polu Texni, and “Morrigan’s Song” up at Heroic Fantasy Quarterly. Both are free to read. The story “Shaping Destiny” is available at Black Treacle and there is a free Smashwords version. The site should also have it in the next couple of weeks. And out of Scotland is the new ezine, Shoreline of InfinityMy flash fiction piece “Symbiosis” will also be up by June. You’ll have to pay for this one but you will get other stories as well.

Recent stories that have been published are my erotic noir story “Pearls and Swine” in New Canadian Noir, available through Exile Editions, and “Exegesis of the Insecta Apocrypha” republished in The Best of Horror Library, Vol. 1-5. This story originally received an honorable mention in the Year’s Best Horror, and I was recently contacted by an agent. But I have no horror novels, so guess what is on my list as well?

There are other poems and stories coming out later this year but for now, this is my holdover until I can blog about more.

2 Comments

Filed under entertainment, erotica, fairy tales, fantasy, horror, poetry, Publishing, science fiction, Writing