Tag Archives: Alice in Wonderland

Alice Unbound Guidelines Update

Alice in Wonderlnand, Through the Looking Glass, fantasy, speculative

Sir John Tenniel’s famous Alice illustrations. The Griffin, the Mock Turtle and Alice.

For those writers thinking it’s too late to get something in for May 31, know that the deadline has been extended to July 15. I’m just not getting enough stories of the caliber needed for an anthology.

If you are submitting, read all of this post–to the end. People are ignoring the proper submission format and I won’t read a story until it is sent double spaced, with word count, and full contact info on it. That should be easy enough to do, you would think. And page numbers, please.

Now, I’m seeing a lot of the main Alice characters so remember, if I have five Mad Hatter stories I might have to select the best. Alice, White Rabbit, Mad Hatter, Cheshire Cat are all becoming very popular. And tea parties and rabbit holes. I’ll post the expanded guidelines at the end of this but here are a few important things to keep in mind, Stories:

  • should not be rehashings of the same old tales.
  • need to take place in the modern world or the future
  • can take place on another planet
  • can be steampunk but if you stick it in Victorial England you need to bring it forward
  • can be time travel but know I don’t like these tales much as they can get too convoluted (but I do like most Dr. Who)
  • can be combined with characters from other times/place
  • should be as original and unique as possible–the farther you veer away from rabbit holes and tea parties, the more original it will be

Remember these rules of writing:

  • do not tell me someone was upset or mad; show me
  • watch for passive action–seek out words like was, could, would and try to replace them
  • plot–you must have one, even in a poem, and conflict–either resolve it or show the fail
  • use all five senses–this helps give setting and atmosphere
  • do not put a veneer of SF or fantasy on a story that isn’t–ask yourself if the story would work without the SF/fantasy element–if yes, then it’s not spec
Lion and unicorn, Alice, Through the Looking Glass

Sir John Tenniel illustration.

What is Alice Unbound about?

Lewis Carroll (Charles Dodgson) explored childlike wonder and the bewildering realm of adult rules and status, which clashed in bizarre ways. Many characters in his tales are anthropomorphic, whether talking cards, crying mock turtles or saucy Tiger Lilies. Over 150 years later, people still recognize characters from Carroll’s works. Who doesn’t know of vorpal blades and tardy white rabbits, protagonists and antagonists that resonate in a primal part of the human psyche? They hearken to the mysticism and mystery of the ancient world, when one wondered how the rain fell, or which gods empowered madness through drink, or whether a person was separate from an animal or could become one.

Centuries passed and myth became fairy tale, evolving to resonate with each era, showing the triumphs of the common man, the humble and generous woman who outsmarts tempters, jailers, and evil stepmothers, or the trials and tribulations of seeking the unknown. Carroll’s characters jumped forward, not just following the regular metamorphosis of an age-old tale, but leaping off the cliff of the familiar into something altogether new, different and endearing. We might not truly want to live in the world of Alice or have to deal with mad queens and bandersnatches, but what if that Wonderland ceased to exist on a separate plain, and melded with our modern world? How would these characters fit in, and what would they bring or change? Are we ready to accept Alice Unbound into our hearts and let the Jabberwock in the back door?

Alice’s Adventures in Wonderland was Carroll’s most famous work but there are other stories and poems (some within the greater works) where madcap creatures abound. Alice Unbound should contain an element of the speculative and may embrace fabulist, weird, myth, SF, fantasy, steampunk, horror, etc. Other speculative elements or characters may be combined in any way. I don’t want to see rehashings of Carroll’s tales but new stories taking place in a modern or slightly futuristic world. Your tale may take place in Wonderland but only if it has connections with this world. That’s not someone thinking about having a drink at the café they miss but actually integrating modern elements. If you have a talking cat, it must be recognizable as the Cheshire Cat. You should not be copying Carroll’s style but telling a new tale in your voice. Too many stories submitted with the same character will limit chances of the story being accepted. NOTE: I am getting many Alice, falling through rabbit hole and Cheshire Cat related stories. Which means competition will be harder in these areas. You might want to look beyond these elements.

Whether the Mad Hatter, the mock turtle, or Tweedle Dee and Tweedle Dum, write a new tale. QUILTBAG or people of colour as characters are encouraged. Alice doesn’t have to be white and blonde. I will accept any characters from the following works . I have not read everything so if you want to write about another character that fits into Carroll’s fantastical tales, please write first and ask.

  •  Alice’s Adventures in Wonderland
  •  Through the Looking Glass
  •  The Hunting of the Snark
  •  Phantasmagoria

These are story examples only but not requirements:

  • The caterpillar is the owner of a medical marijuana store but turns out to be part of a moonlighting superhero team by night.
  • The Walrus and the Carpenter’s strange relationship is strained farther when they both fall for a mermaid, who crusades for the murdered oysters.
  • The Snark is as elusive as the Sasquatch, but when they vie for the same space in an endangered environment, what happens?
  • The last Jabberwock is captured and used to battle an overpopulation of vampires.
  • From space comes a delegation that looks a lot like the card soldiers. They have a concern with Earth for harbouring fugitives from their world.
  • A company has perfected an AI that emulates the Mad Hatter, something to help run parties and liven them up. What could possibly go wrong?

Writers must be Canadian citizens (living in Canada and/or paying taxes in Canada) or permanent residents of Canada. LGBQLT, POC are encouraged to submit. I will read cover letters last and will choose stories on merit first. This resource may be of use in your research: www.alice-in-wonderland.net

Payment: .05/word CDN (that’s 5 cents a word, not a half cent)

Length: 2,000-5,000 words. Poetry: minimum 1,000 words (and 2 may be submitted at the same time: submit each in a separate document and submission).

Simultaneous submissions: No; if you submit to me, please do not send it anywhere else until you receive a rejection.

Multiple submissions: You may send one story, or two poems. Please wait until I’ve sent a rejection before you send anything else. I may hold some pieces until the submission window is closed.

Acceptances: Final acceptances will go out a month after the submission window closes.

Manuscript format: Please use standard manuscript format (Google William Shunn): double-space (except for poems), no extra spaces between paragraphs, indented paragraphs, title, etc.) This also means full contact information on the first page, unless you want me to attribute your piece to someone else. Failure to follow formatting may see your piece rejected without being read. Canadian spelling would be awesome but I won’t turn down a story that comes in UK or US spelling. Submit .docx, .doc, or .rtf only.

Deadline: Extended to July 15, 2017

Publication Date: April 2018 (tentative)

Rights: First English-language rights & non-exclusive Anthology rights for one year from publication (print and eBook).
Submit here: https://exilepublishing.submittable.com/submit/77982/alice-unbound

 

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Filed under entertainment, fantasy, horror, myth, poetry, science fiction, Writing

Alice Unbound: Call for Submissions

Hello, world, and happy new year.

books, publishing, collection, reprints, ebooks, Smashwords, writing, book production

Creative Commons: Ninha Morandini

I can’t guarantee I’ll get more posts out this year but I can start with a bang. I last co-edited Playground of Lost Toys with Ursula Pflug. The anthology was nominated for an Aurora Award, as well as one author being nominated for an Arthur Ellis Award, and three longlisted for the Sunburst Award with Catharine MacLeod’s Hide and Seek winning in short fiction. Now, to hopefully repeat that sucess, I will be editing an anthology of speculative fiction, due to be published by Exile Editions in the spring of 2018. Read on for Alice Unbound guidelines.

Lewis Carroll (Charles Dodgson) explored childlike wonder and the bewildering realm of adult rules and status, which clashed in bizarre ways. Many characters in his tales are anthropomorphic, whether talking cards, crying mock turtles or saucy Tiger Lilies. Over 150 years later, people still recognize characters from Carroll’s works. Who doesn’t know of vorpal blades and tardy white rabbits, protagonists and antagonists that resonate in a primal part of the human psyche. They hearken to the mysticism and mystery of the ancient world, when one wondered how the rain fell, or which gods empowered madness through drink, or whether a person was separate from an animal or could become one.

Alice in Wonderlnand, Through the Looking Glass, fantasy, speculative

Sir John Tenniel’s famous Alice illustrations. The Griffin, the Mock Turtle and Alice.

Centuries passed and myth became fairy tale, evolving to resonate with each era, showing the triumphs of the common man, the humble and generous woman who outsmarts tempters, jailers, and evil stepmothers, or the trials and tribulations of seeking the unknown. Carroll’s characters jumped forward, not just following the regular metamorphosis of an age-old tale, but leaping off the cliff of the familiar into something altogether new, different and endearing. We might not truly want to live in the world of Alice or have to deal with mad queens and bandersnatches, but what if that Wonderland ceased to exist on a separate plain, and melded with our modern world? How would these characters fit in, and what would they bring or change? Are we ready to accept Alice Unbound into our hearts and let the Jabberwock in the back door?

Alice’s Adventures in Wonderland was Carroll’s most famous work but there are other stories and poems (some within the greater works) where madcap creatures abound. Alice Unbound should contain an element of the speculative and may embrace fabulist, weird, myth, SF, fantasy, steampunk, horror, etc. Other speculative elements or characters may be combined in any way. I don’t want to see rehashings of Carroll’s tales but stories taking place in a modern or slightly futuristic world. I’ve seen many of the Alice as well. If you have a talking cat, it must be recognizable as the Cheshire Cat. I will consider a few very select poems, but they must have a storyline and not just be an observation or an image. You should not be copying Carroll’s style but telling a new tale in your voice.  Too many stories submitted with the same character will limit chances of the story being accepted. The anthology needs to go beyond Alice in every way.

Whether the Mad Hatter, the mock turtle, or Tweedle Dee and Tweedle Dum, use Carroll’s elements and characters to write a new tale. QUILTBAG or people of colour as characters are encouraged. Alice doesn’t have to be white and blonde. I will accept any characters from the following works . I have not read everything so if you want to write about another character that fits into Carroll’s fantastical tales, please write first and ask.

  • Alice’s Adventures in Wonderland

    Lion and unicorn, Alice, Through the Looking Glass

    Sir John Tenniel illustration.

  • Through the Looking Glass
  • The Hunting of the Snark
  • Phantasmagoria

These are story examples only but not requirements:

  • The caterpillar is the owner of a medical marijuana store but turns out to be part of a moonlighting superhero team by night.
  • The Walrus and the Carpenter’s strange relationship is strained farther when they both fall for a mermaid, who crusades for the murdered oysters.
  • The Snark is as elusive as the Sasquatch, but when they vie for the same space in endangered environment, what happens?
  • The last Jabberwock is captured and used to battle an overpopulation of vampires.

Writers must be Canadian citizens (living in Canada and/or paying taxes in Canada) or permanent residents of Canada. LGBQLT, POC are encouraged to submit. I will read cover letters last and will choose stories on merit first. This resource may be of use in your research: www.alice-in-wonderland.net

Payment: .05/word

Length: 2,000-5,000 words. Poetry: minimum 1,000 words.

Submission window: Feb. 1 to May 31 at: https://exilepublishing.submittable.com/submit Please go to this site to see some expanded information.

Simultaneous submissions: No; if you submit to me, please do not send it anywhere else until you receive a rejection.

Multiple submissions: You may send one story, or two poems. Please wait until I’ve sent a rejection before you send anything else. I may hold some pieces until the submission window is closed.

Acceptances: Final acceptances will go out a month after the submission window closes. I may ask for rewrites before making a final decision.

Manuscript format: Please use standard manuscript format (Google William Shunn): CDN spelling, double-space (except for poems), no extra spaces between paragraphs, indented paragraphs, title, etc. Failure to follow formatting may see your piece rejected unread.

Now, don your Mad Hatter’s cap, clean out the teapot and start writing.

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Filed under fairy tales, fantasy, horror, myth, poetry, Publishing, science fiction, SF, Writing

Hive: What’s the Buzz?

Sometimes I live in a cultural wasteland. Not that things don’t happen here in the Shangrila of the West Coast. They do, despite the provincial government thinking that it’s good to support sports but bad to support the arts. But we all know that rant of mine.

One of the events that seems to have happened for the last two years, and this year being it’s third, is Hive 3, a performance extravaganza all under one roof.  Set up at The Centre for Digital Media (and this year part of the cultural Olympiad) it was a bit of an Alice in Wonderland quest, with 14 performances in various little cordoned off spaces and rooms. The rooms might have sliding metal doors, a normal door on hinge, a sheet, or… This event took place from March 11-20.

Each piece was no longer than 15 minutes and ran from 7-10:00 pm each night. It was set up as a bit of a quest. To get into Theatre Conspiracy/Gasheart Theatre’s NAPathy, you just had to line up. To enter “At Home With Dick and Jane” by Electric Company, you put your name in a draw and five people were drawn each hour. For Boca Del Lupo’s “The Interview” you found the man with the clipboard and answered his questions, to be given a piece of a picture as your ticket in. “Skunked” by Felix Culpa had me searching out the woman with a basket of Teddy bears. And “Ana” by November Theatre meant you needed to be holding an LP to get in.

Other venues required a person getting a keychain or a special slip of paper, or a sticker. However finding these people was a bit hard and not having done this before we weren’t sure what the cryptic messages meant for both, such as “Sugar” which said you needed an apron. There wasn’t anyone wandering around with aprons; you just lined up and the first ten received an apron.

Feasibly, if you were organized and moved fast you could do 12 venues in three hours but many of the venues were small and limited and LPs, keychains or other ticket items disappeared very early on. We managed about four in two hours. With tickets at $25, it would mean coming back again to catch everything but you have to pay again. There was a band that started at 11 pm and people could come just to that for $5 but I went on a week night and had to work the next day.

However, I did love the whole quest aspect of it, or as one friend put it, it was like a Fringe Festival under one roof. And even if you didn’t like a piece, it was only fifteen minutes so you could go on to see something else. The shows I mentioned above were the ones I managed to see except for “At Home With Dick and Jane,” which my friend’s name was drawn for but not mine. NAPathy was very intense and well acted, if a bit on the bizarro side, but the more I think about it, the more I liked it. I’m still not sure if I got the nuances of what it was really about but lets say cupcakes feature largely with a strange love and devouring in a Canadian context.

“The Interview” was interesting but I felt it was a little flat and maybe suffered from the shortness of the performance. I couldn’t get into the dram of it but it was competently done and had some interesting out of the room filming techniques. “Skunked” was a kooky little piece that slowly evolved (or devolved) through the psychosis of a 12-year-old into an ad for psychological interventions, I think. It was okay but a bit of a aha joke at the end.

“Ana” involved taking the LP as a ticket and turning it in,then entering a room, with a round carpet and a very old record player in the middle, with one woman standing there. She then talked about records and their making and lifespan and memories tied to her parents and life. She moved around the circle, talking to each of us, having one person hold the album of her parents’ anniversary and then putting the song on, dancing with another participant. Of the four I saw, it had the strongest storyline and was the most moving in its simplicity.

All in all I thought the actors were pretty good to very good. The stories/pastiches to me didn’t seem to quite his their full potential. But I wonder if I’m not used to such a short performance. The show is pricey and next year I’ll get there as soon as it starts and try to organize my venues instead of milling about trying to figure out what to do next. I’d love to see more of this kind of thing though; a quest mixed with acting, and music and audience involvement.

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Theme Parties

Here’s something light to balance out the dark thoughts about our police. It’s spring, finally, in Vancouver with rumor of our temperatures getting up to 22 (centigrade) today. The cherry trees finally burst their blooms full force. Daffodils, weeks late, are now out and tulips are on their way. Everything is late this year because of all the cold weather so we are relishing the warmth.

And thinking of parties and barbecues of course. Over the years I’ve been known for having theme parties, much to the annoyance of a few friends. These themes have nothing to do with a particular time of year but more to do with having fun. Adults should get to dress up too. Here are a few themes I had.

  1. Nothing But the Blues: everyone was required to wear something blue. Easy enough for the blue jean people, and an excuse for me to wear a vintage 50s dress in blue satin.
  2. Come as Your Favorite God: open to people’s interpretation of god. There was a football player, someone’s personal god. My landlords came as household gods; she was dressed in apron, 50’s hat and full dress, rubber gloves with lace on them. He was dressed in underwear and tool belt. Then there was a smattering of other gods, Greek, Roman, Celtic.
  3. New Year’s come formal from any century or place: Although most people opted for your traditional fancy dress I had one goth, kilted, black booted friend, one very drunken guy in a toga that ended up in the shrubbery, and three Atlanteans dressed in shimmery blue-grey with glitter everywhere.
  4. Bad Boys Bad Girls: you guessed it. There was a manga, tousled schoolgirl (with panties in hand) and a bad biker dude. And there was a priest. Anyone not dressed up got handcuffed together, including my landlords.
  5. Mad Hatter: this was by far the most elaborate and the most fun. My partner at the time and I both had a fair number of hats. We made it Alice theme. Anyone who didn’t show up was  given a hat to wear. But people went all out and the costumes were fantastic. Here is a list of a few that we had: Tweedle Dee and Tweedle Dum, the walrus and the carpenter, Charles Dodson, two caterpillars, a griffon, a card, a flingo, a male, female and child Alice, a male, female and child cheshire cat, a mad hatter of each gender, and I think a mad queen.

I haven’t always had themes nor remembered all of them. There have been some people who do themes based on paintings. They send out an invite with a picture of the painting to be recreated, find and decorate a space and then everyone comes in costumes suitable to the recreation. I would presume that if one goes to the much effort they’re going to party afterward as well, because partying before might be too chaotic for the picture. This would be fun to do and some day I’d love to do that.

Then there are murder mysteries. They’re harder to find these days but the few we had friends would come and play the part, dressed to resemble the particular character. Those tend to be limited dinner parties of about eight people but the roleplaying makes it way more fun.

My few disgruntled friends can come to my parties dressed normally but everyone, even the big kids should get a chance to have fun and dress up as a space alien or a squid. It’s great to see what imaginations can create. I’ll be interested to see what people do for the next theme party and here are just a few ideas for the summer, where gods really should be wandering.

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