Tag Archives: drabbles

Writing, Pandemics & All That Jazz

bookWell, I don’t think there is much point in singing the pandemic song. This might be the only time in recent world history, or ever, where the world is experiencing the same event at the same time, and we’re all in the same boat. Isolation, depression, sadness, frustration, anger, fear: it’s affecting all of us in different ways. We don’t know if our world will ever go back to what it was and maybe all of it shouldn’t.

I live alone, so I’ve been suffering loneliness on a grander scale than I already did. And I’m lucky; I still have a job that I can do from home. Though I would never have any issue in filling my days if I weren’t working–that is, if I could go out. These days, the big excitement amounts to going to buy food. Like most writers who need some alone time to write, I have that but, like many people, we haven’t seen our production go up as the unpredictable future weighs on us.

The quarantines have cut into everyone’s lives. I didn’t get to be guest of honor at the Creative Ink Festival. Maybe that will happen again in the future, if we have events anymore. I didn’t get to go to Europe or to Stokercon, or bond with friends and writers. So, yes, I too am suffering a malaise.

I have continued to sell various pieces so this will be a catch up post. Back in February, for Women in Horror Month, I had guest poets for every day of the month. I also wrote a guest post for Horror Tree, called “Writing Horror is a Nightmare.” It’s a short piece looking at the hard part of writing horror. Horror Tree for those that don’t know is both a zine that posts on markets as well as has blogs and articles to do with horror. However, all the markets they highlight are not all just horror. I subscribe to the newsletter for market tips.

I have had friends ask me where I find my markets, and I’m a search maven. So I thought PoetryShowcaseCoverI’d add this into the post, also for my friend Vie. Besides Horror Tree, I also check out Ralan.com.  Ralan has been running his site for a very long time and it lists specifically speculative markets. He breaks them into pro, semi-pro, pay and token categories, plus a few others. You can run down the list and see who is open and briefly what and when they accept.

A year ago, I started to use Submission Grinder as both a market search engine and to record my writing and sales. I have a hybrid system where I still use index cards for listing each story and poem and where I’ve sent them, plus I put them in the Grinder. I know I could switch to a spreadsheet (which I also use for taxes to list my sales) but I like the 3D aspect of searching for pieces by going through the cards. If you click on the Grinder logo it will show you tabs for Recent Activity, Recently Added Markets, and My Market Response List (the last for places where I have submissions). I check the Recently Added Markets to find new listings. I’d say it’s 50/50 on response since some “new” markets seem to be dead or unresponsive. The Grinder also lets you search for markets by genre and for poetry or fiction.

While those three are my mainstays, there are many others I use. Submittable lets you subscribe to their newsletter and they list callouts for submissions. You cannot tell if they’re paying or nonpaying unless you click on the market. Dark Markets is another one though I don’t find it that easily searchable. There is Publishing, and Other Forms of Insanity, which updates calls by month. Winning Writers is another one that lists markets, as well as contests and which ones are free. Some of these I get as newsletters, such as Funds for Writers and Pamelyn Castro’s Flash Fiction Flash Newsletter. I don’t always intensely study all of these but sometimes I do. And sometimes, I just google search to see if there is anything new. There are more market report sites out there but some of them are dated and therefore list markets no longer in existence. The ones I’ve listed here are the best and I’ve done a lot of searching. There is Duotrope, which is not free but is also recommended by other writers.

Pulp Horror Phobias 2Onto other news. I was awarded a BC Arts Council Grant in March. Oddly it was for an application from last year but I’m not saying no to funds for my writing trips. Engen Books in eastern Canada sponsors the Kit Sora flash fiction–flash photography monthly contest. I’ve used the short 250 word entries as a way to continue writing while grieving my bother’s death last year. In Dec. I came third place with “Accidentally, He Gives Her Dreams.” “Dinner Plans,” a drabble was part of the Quarantine Quanta contest in the humor category, and “A Taste of Eden” was podcast on Starship Sofa #625 in Feb.

There have been too many sales to list so, for poetry, I’m posting the ones that have been published:

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Fall Update & the Environment

steampunk, cogs, clockwork, Buffalo Gals, fantasy

Clockwork Canada is available on Amazon and through Exile Editions. Steampunk stories about Canada’s revisioned history.

Fall is definitely falling here in Vancouver, with days on end of rain, rain and more rain. Twenty-eight out of thirty-one days, so what’s a drenched soul to do? Many things have happened, including trips and busy busyness. I’ve been lax with this blog so I’ll do an update on fiction and poetry. I’ll mention briefly that I went to the UK in Sept./Oct. and to British Fantasycon by the Sea in Scarborough. Adventures with writers and others, but that will be a post that I hope will happen soon. In the meantime…

The World Wildlife Fun just mentioned this last week that many species are in rapid decline. This is happening to birds, fish, mammals, amphibians and reptiles and by 2020 they estimate we’ll have lost two-thirds of all species. This is catastrophic and heartbreaking. The only species that won’t be in decline are humans and insects. Many of these other species control the insect populations and with even  just a few being out of balance we’ll be overrun in a short time. When I wrote “Exegesis of the Insecta Apocrypha” I researched this buggy phenomenon and it was frightening in its own right. That story was reprinted last year in the Best of Horror Library Vol. 1-5. In relation to this topic is m story “Freedom’s Just Another Word” about the last elephant on Earth. It can be read for free at Agnes and True and came out earlier this year. I hope that we’ll wake up before it’s too late and realize that by saving these species we will save ourselves.

horror, dark fantasy, death, speculative fiction, Season's End.

The Beauty of Death, edited by Alessandro Manzetti.

“Buffalo Gals” came out in Clockwork Canada in the spring and is an alternate history steampunk tale about BC’s early history. I touch on the murdered and missing women which has been part of BC’s and really, the whole country’s news for quite a few years. I have a feeling that if other countries started looking at their stats we would see a lot of the same; more women murdered or missing, as seems to always be the case. As well, “Seasons End” came out in the massive Beauty of Death. This story too touches on the decline of the environment but from a more mythical aspect, with hope woven in. On a lighter note, there were two drabbles (100 words exactly) up at SpeckLit but they are no longer drabbling so these are in the archives.

Stories sold and yet to come out include “Love in the Vapors” in Futuristica Vol. 2, “Awaking Pandora” in the Goethe Glass anthology about climate change (yep, another environmental tale), “Shoes” to be reprinted in Polar Borealis 4, “Changes” in Deep Waters #2, and “Sins of the Father” (a fungal horror story) in OnSpec. These will probably all be out next year. There are a few others in the works but I can’t announce those yet. I should also mention that Playground of Lost Toys, edited by Ursula Pflug and I, was nominated for an Aurora Award but didn’t win. Several of the authors were nominated for various awards and Catherine MacLeod won the Sunburst Award for short fiction with her tale, “Hide and Seek.”

toys, childhood, nostalgia, fantasy, SF, fiction, short stories

Playground of Lost Toys is available through Amazon published by Exile Writers

There have been many poems this year so I’ll just list these: “The Hedge Witch” in OnSpec #101 (plus and interview), “Book of Shadows” in Devolution Z #8, “Patchwork Girl” in Future Fire #37, “Pilot Flight” and “Short Sighted” in Polar Borealis #2, “Triptych (Amsterdam)” in Wax Poetry #11 (4th place), “Come and Go,” “Oh You!”, “Cuntipotent,” “Cremating Love” in Maple Tree Literary Supplement #21, and “The Persuaders” in Heroic Fantasy Quarterly #29. About to be published are: “A Good Catch” in Tailfins and Sealskins (UK), “Garuda’s Gamble” in Heroic Fantasy Quarterly #30, “Mermaid” in Spirits Tincture #2, “Wolf Skin” in Myths and Fables, “This Song” in Deadlights, “Spirit Bottle” and “Geomystica” in the summer solstice 2017 edition of Eternal Haunted Summer. Many of these are free to read online so Google away.

I hope to post again next week with the first part of m UK trip, which involves writers and editors, and saving someone’s life. I’m also hoping to revamp this blog in the next few months and there will be some book give-aways. So stay tuned to my sporadic posts.

 

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Filed under Culture, environment, fairy tales, fantasy, horror, myth, poetry, Publishing, science fiction, Writing