Tag Archives: anthologies

Writing Update and Free Book Giveaway

More news on the writing front, which has kept me seriously busy.

erotica, books, writing, historical, Greek

Dance of the Minotaur, by T.C. Calligari

So, in reverse order: I write different types of fiction and have some late summer sizzlers now available. Until Thursday you can get a free download of two books on Amazon.com. That’s right! Absolutely free. They are Crossing the Line: Four Sultry Tales of Submission and Dance of the Minotaur. The second is historically set. Yes, these are erotic tales, so be forewarned. Go ahead and download them (click on any underlined title), spread the word, and if you are so inclined, please leave a review. The kindle app can be downloaded to your computer and you can read them that way if you have to reader device.

fantasy, myth, poetry, writing

Pantheon Magazine’s Nyx issue

New out in the last few months: “the moon: Fever Dream” has just come out in PantheonMagazine’s Nyx issue. Also available on Amazon. “Scar Tissue,” written with Rhea Rose, is coming out in Second Contacts from Bundoran Press and should be on the shelves soon. Another free to read poem is “Persephone Dreams: Awakening” in Eternal Haunted Summer’s Summer Solstice issue.

There are alas, some long delayed works that I’m still waiting to see from Nameless, Burning Maiden, Our World of Horror and OnSpec. I’m hoping those will all come out this year. Other recent works include “Asylum” in nEvermore: Tales of Mystery, Murder and the Macabre, based on stories from Edgar Allan Poe. It’s available on Amazon as an ebook and pre-order for paper, due Oct. 1. The Best of Horror Library Volumes 1-5 includes “Exegesis of the Insecta Apocrypha,” which received an honorable mention in the Year’s Best Horror is doing very well and currently #1 on Amazon in hot new releases.

Yet to come and recent sales include selling “Hold Back the Night” to Blood in the Rain. This is a vampire anthology and my story is a reprint first published in Open Space. It was shortlisted for several awards and received honorable mentions in the Year’s Best anthologies of SF and of Fantasy. I’m pleased it’s going to appear again. I’ve also sold “Buffalo Gals” to Clockwork Canada. Edited by Dominik Parisien, this collection of Canadian tales will look at alternate histories where steampunk redefines the face of Canada. I believe both of these tales will come out last year.

The Playground of Lost Toys has been completed by Ursula Pflug and I. It’s an anthology due out from Exile Editions this November and contains 22 tales about toys and games. They range from humorous to darkly disturbing and from fantasy to SF to horror. I think it’s a good collection that explores toys, games, childhood, nostalgia, loss, love and many other things very well. On top of that I completed my synopses for books 2 & 3 and have sent the whole kaboodle to an agent. I’m trying not to bite my nails. And last, but not least, I’ve written 33 new poems for a poetry book competition. They just need a few more tweaks and I’ll be submitting it.

This is why I haven’t been posting very often. I’ve just been far too busy of late. In October I’m going to the Stanley Hotel Writers Retreat in Colorado. This is the hotel that inspired Stephen King’s The Shining. I plan to start a new novel that will take place in the world of my Evolve story “An Ember Amongst the Fallen” but a few centuries before. I’m hoping I can post a bit more often, so stay tuned for more writing news and just other pieces about stuff. :)

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Writing: The Playground of Lost Toys

Hi, World. Sorry I’ve been away so long. I’ve been going non-stop since Spain in April and haven’t even had time to post. I think I already mentioned the editing, the writing, the editing and the writing, not to mention grant applications, oh, and regular work.

writing, publishing, playground of lost toys, SF, fantasy, horror

Mary Beth Griffo Rigby, Flickr

Ursula Pflug and I finished our selection and edits of the stories for The Playground of Lost Toys. We’re now discussing cover art with the publisher but none of us can agree. Still, we’re looking at a November release from Exile Editions. Initially we were worried because people did not seem to be expanding their imaginations when it came to thinking about toys or games. We wanted unusual. Too many creepy doll stories have been done to death, and we did get a few. Then there was the stuffy barrage, and oddly enough bunnies more than bears. People seemed stuck in the same old tropes and there was little that excited us. I began to worry but I should have known better. When a submission period opens, people will often pull out their trunk stories, ones that have been languishing without a home, and send them in.

Some may be suitable and others are a stretch. We received several very good stories from authors but there was either no toy or game, or there was no speculative element and we had stipulated that both were required. The speculative element had to be integral to the piece. Otherwise, if you can remove it and the story still runs, then you have a story that is not fantasy or science fiction. I figured with the topic that we would have a majority of fantasy stories. In the end we ended up with 22 stories, 8 or 9 of them SF, depending on how you interpret that. We have 12 women and 10 men so not a bad split in gender. They are all Canadian writers, except for Rhonda Eikamp. The mandate was that 90% had to be Canadian, due to funding rules.

The tales themselves: yes, there are two doll stories and one bunny stuffy tale. There are also stories about chess, wooden games, time travel, parallel times, dragon toys, trains, compasses, daggers, puzzles, dice, rattles, nursery rhymes, hide and seek, and show and tell, transforming toys, swings, make-believe, online games and godly games. It’s a good mix, which involves everything from nanotech and police procedurals to ghosts, magic and wishful thinking. We have a range that Ursula and I are pleased with. They’re funny, thoughtful, poignant and terrifying. Over the next few months I hope to do short interviews with the authors and post them here.

Here is the table of contents:

  • FUN THING FOR AGES 8 TO 10
    • Chris Kuriata
  • THE COMPASS
    • Joe Davies
  • HIDE AND SEEK
    • Catherine MacLeod
  • SHOW AND TELL
    • Kate Story
  • THE DIE
    • Meagan Whan
  • THE FOOD OF MY PEOPLE
    • Candas Jane Dorsey
  • CHAYA AND LOONY-BOY
    • Rati Mehrota
  • THE GHOST RATTLE
    • Nathan Adler
  • THE GARDEN OF OUR DECEIT
    • Rhonda Eikamp
  • HACKER CHESS
    • Robert Runté
  • AND THEY ALL LIVED TOGETHER IN A CROOKED LITTLE HOUSE
    • Linda DeMeulemeester
  • BALERO
    • Kevin Cockle
  • LESS THAN KATHERINE
    • Claude Lalumière
  • GOODBYE IS A MOUTHFUL OF WATER
    • Dominik Parisien
  • TREASURE
    • DVS Duncan
  • OF DANDELIONS AND MAGIC
    • Christine Daigle
  • WHAT NOT TO EXPECT IN THE TODDLER YEARS
    • Melissa Yuan-Innes
  • WHEN THE TRAINS RUN ON TIME
    • Shane Simmons
  • MAKOUR
    • Lisa Carreiro
  • WITH ONE SHOE
    • Karen Abrahamson
  • WHEATIESFIELDS IN FALL
    • Geoffrey W. Cole
  • BETWEEN THE BRANCHES OF THE NINE
    • Alex C. Renwick

My next posts will be another writing update but also about the urban archeology adventure I did in April, for my birthday. Happy Reading!

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Writing Update

Okay, someone is sucking time away. I haven’t posted for a while for several reasons. I went to Spain in April and there will be pictures about that eventually but I’m also co-editing The Playground of Lost Toys with Ursula Pflug. Submissions closed on April 30 and we had 150 in all. We’re down to our last 30 subs and there will be between 16-25 stories in the final selection. Right now, we probably will have to cut four more stories from our yes list, but we’re rereading, editing the stories, weighing SF to fantasy, as well as types of toys/games. That’s taking up all of my time beyond my day job. Oh how I wish I could just edit and write all the time.

Top Pet Peeves on Submissions:

  1. Not following submission format. Some stories came without author names, addresses, word count (super annoying) and not double spaced. Editors ask for this for a reason. The next anthology I edit will have a very strict rule on this. You don’t follow–I don’t read, and reject.
  2. Sending a story that had no speculative element in it. If you don’t know what this means, google it. We even said fantasy, SF, horror, magic realism, etc. Really, people, (and some of you know better) did you think we’d just ignore this because your story was awesome?
  3. Sending a story that didn’t have a toy or a game. As above we had specific guidelines that said this must be integral to the story. A wide interpretation was allowed but some people took it down to a thin thread.
  4. Not proofreading stories. I’ll allow some grammatical issues, especially in newer writers who are still learning their craft, but everyone can run a spellcheck. Rereading your piece helps, and it can save aggravating your editors. :)
  5. Both too many stories of stuffies and dolls, when there are worlds of possibility. We were worried at first that people were just not using their imagination to think beyond the box. There were some very good stuffy and doll stories; and there may be one or two in the anthology, but remember this whenever you’re submitting to any themed anthology: there are popular tropes and you have a better chance if you go for something unique.

Besides the editing for the anthology, I had a rewrite to do, and planned to get my novel manuscript off to an agent before I left for Spain. I did that! But! Turns out the agent wants old school, which means printing the massive tome (folks, make sure you use proper manuscript format if you ever submit to an editor or an agent). But the agent also wanted an outline for books 2 & 3. When I emailed everything I was told, that they should be synopses, not outlines. So…I still have to do that. When I’m done editing. I’m also working on 50 new poems by September. I have the roughs but next will be researching and refining, after the editing, after the synopses.

poetry, myth, fantasy, fairy tales

Walter Crane

Now, I do have a few things that have come out recently or are due up in the next couple of weeks. You can read my poems “I Dreamed a World” up at Polu Texni, and “Morrigan’s Song” up at Heroic Fantasy Quarterly. Both are free to read. The story “Shaping Destiny” is available at Black Treacle and there is a free Smashwords version. The site should also have it in the next couple of weeks. And out of Scotland is the new ezine, Shoreline of InfinityMy flash fiction piece “Symbiosis” will also be up by June. You’ll have to pay for this one but you will get other stories as well.

Recent stories that have been published are my erotic noir story “Pearls and Swine” in New Canadian Noir, available through Exile Editions, and “Exegesis of the Insecta Apocrypha” republished in The Best of Horror Library, Vol. 1-5. This story originally received an honorable mention in the Year’s Best Horror, and I was recently contacted by an agent. But I have no horror novels, so guess what is on my list as well?

There are other poems and stories coming out later this year but for now, this is my holdover until I can blog about more.

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Publishing News

horror, dark fiction, short stories, fantasy

Issue #71, only the third all-fiction issue in 25 years.

Okay, this is really sad, and I’m not talking about all the annoying changes WordPress is making. I’m talking about tooting my own horn. Sigh.  The following paragraphs in italics are what I started writing 8 months ago. Good God!

I’ve been so remiss on my updates here that I’ve neglected to mention the pieces that have come out this year and that I’ve sold. In May, “The Collector” came out in Cemetery Dance magazine. From submission to publication, this story took 6 years. That’s a record but it was worth the wait.

Last fall, “Gingerbread People” was published by EDGE Publishing in Chilling Tales 2: In Words Alas Drown I. Unfortunately many magazines and anthologies never get reviewed but there is a short one up at Bitten by Books and Tangent. However, be forewarned that Tangent reviews tend to give summations of the stories as well.

So, continuing on from there, just a note that “The Collector” is eligible for a Nebula, Hugo or World Fantasy nomination. Not that that will happen much as I’m still a fairly unknown pea in a pod. I actually had very little published last year. It sometimes happens like that, with sales happening one year and the publication in the next. I did also sell the poem “Family Tree” to They have to Take You in, a book published in Ontario and edited by Ursula Pflug.

fantasy, horror, speculative fiction, writing

Imaginarium: Best of Canadian Spec Writing

Now, for this year, there is a ton of news! “The Book With No End,” first published in Bibliotheca Fantastica, was reprinted in the current Imaginarium 3: The Best of Canadian Speculative Writing, from CZP. It came out in February, and this month “Pearls and Swine” came out in The Exile Book of New Canadian Noir, editied by David Nickle and Claude Lalumière. Polu Texni has also published another one of my poems, “I Dreamed a World,”  which is up and can be read for free.

Later this month (I hope) Burning Maiden will be published and I’ll be the feature poet with three poems. It’s from Evil Eye Press. “Sins of the Father” was sold to Our World of Horror, (Eldritch Press) and “Symbiosis” to Shoreline of Infinity, a new online mag out of Scotland. And “Our Lady of Redemption” should be out in Nameless Magazine sometime soon. There are also a couple of articles on monsters.

Rhea Rose and I sold “Scar Tissue” to Bundoran Press’s Second Contact anthology, about aliens after the initial introduction. “The Hedge Witch” will be published in OnSpec this summer and there are rumors of an interview. And “Persephone Dreams” will be published this summer in the online magazine Eternal Haunted Summer. Also, Horror Library is being resurrected and “Exegesis of the Insecta Apocrypha,” which received an honorable mention in the Year’s Best, will be reprinted in The Best of Horror Library, sometime later this year. There is one other story sold to a dark fiction anthology but more on that later when I’m allowed to mention it. :)

noir, erotica, fantasy, anthologies, SF

Cover for the Exile Noir book. Available now and a collection of all noir genres.

So yes, I’ve been rather busy. And I’m co-editing The Playground of Lost Toys as mentioned a couple of posts ago. On top of that, I’m trying to write 50 new and dark poems by Sept. That’s a lot so I am working on them now. I’m about to send a manuscript and outlines off to an agent to see what will happen there. And in the meantime I’m also working on a few stories. I’ll be taking a good old fashioned blank book with me to Spain to do some old fashioned writing, as well as a tablet. It will be a vacation but writing will be involved.

I’m off to my best year for published works so I’ll see what the rest of the year brings.

 

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Tesseracts 17 Interview: Dwain Campbell

Dwain Campbell, Tesseracts 17, child protagonist, aliens, Roswell, Hermione

Dwain Campbell writes a home invasion story with a mix of madcap adventure and genius.

I have only a few more interviews to do with the authors of Tesseracts 17: Speculating Canada from Coast to Coast to Coast, available through EDGE. Today, I bring you Dwain Campbell, from St. John’s, Newfoundland, whose wild tale gallops through the pages of the anthology.

CA: “Hermione and Me” is a madcap adventure.  Wherever did you come up with this idea?

Having been a school teacher and guidance counselor for thirty years, I have worked with many a child who struggled with his or her uniqueness. Not surprisingly then, coming of age stories have a certain appeal for me.  Of course, in this story the protagonist Meredith is more unique than people can possibility imagine, and her adjustment, her growth as a result of one evening’s adventure, is central. Madcap? It sure is, but anything less than “out of this world” would not challenge two powerhouses like Meredith and Hermione Granger. And as for the home invaders, what can I say, I’m a Roswell conspiracy nut.

CA: In your tale you link genius, imagination and creations of magic.  Do you feel that science and magic may be closer together than we imagine?

Definitely. In quantum physics alone theorists are generating pretty scary stuff. Computer chips three atoms wide, where two bits of information can be housed on one sub-atomic thingamajig because it can exist in two states at once, are being actively explored.  That will look like magic to all intents and purposes. The psycho-physics interface between brain and mind is getting serious attention too. Perhaps one day the mind can materialize imagined people (as Meredith does) even as computers now do with 3D printing.

But to answer the question more directly, I do believe certain minds can negotiate corners oftime and space that is beyond 99% of us. Magic, or a so far unknown psychological phenomenon that transcends space-time, who is to say?

anthology, speculative fiction, SF, fantasy, Canadian authors

Tesseracts 17 is now out with tales from Canadian writers that span all times and places.

CA: Some paintings are for beauty, others for messages. It’s the same for fiction. Which would you say you story is?

Hermione and Me is likely more satisfying on the message level.  Growing up is hard to do; it’s no walk in the park. Fears and insecurities abound.  Meredith has them in spades, but she is capable of moving beyond them. It all gets sorted out in the end. That is a message of hope most young people would welcome.

CA: If you could, would you rather meet an alien, or conjure up your own special and real companion?

Alien. In my mind they do exist, and I suspect they are a lot more fascinating, in physical form and sentience, than your basic Klingon or Romulan. The nature of alien cognition and culture is to me an endless source of speculation. I like the David Brin Uplift novels which handle these questions with imagination and intelligence.

CA: What other works do you have on the go or what ideas are you exploring?

I’m writing a series of stories called The Crazy Eights ( nickname of the Princess Louise’s 8th New Brunswick Hussars regiment) following the supernatural adventures of Sergeant Cecil (Plug) Danfield and Captain Tallingate during World War Two. The stories should appeal to Canadian military buffs and those fond of fantasy-realism. I have a few stories of Meredith from “Hermione and Me” as a high school teenager. And, I submit stand alone fantasy stories here and there.

Dwain Campbell is originally from Sussex, New Brunswick. After his university years in Halifax, he journeyed further east to begin a teaching career in Newfoundland. Twenty-nine years later, he is a retired teacher in St. John’s. He hopes to devote more time to his first love, storytelling. Contemporary fantasy is his genre of choice, and Atlantic Canada is a rich source of inspiration. Neil Gaiman is his hero of the moment, though he will reluctantly admit to a lifelong fascination with Stephen King.

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Tesseracts 17 Interview: Catherine MacLeod

anthology, speculative fiction, SF, fantasy, Canadian authors

Tesseracts 17 is now out with tales from Canadian writers that span all times and places.

Today I interview Catherine MacLeod, who lives in Nova Scotia. Tesseracts 17 is available in bookstores and through the internet.

CA: Pique Assiette deals with a secret and a fear, and how they twine together. Yet your character does not succumb to the darkest parts of either of these. Why did you choose not to go down that path?

Mostly because it would’ve been too easy. Myself, I’ve taken the easy way out too many times. I wish I could say I’m better than that, but I’m not. But it makes me feel better if my characters are.

CA: The technique of pique assiette was fascinating to read about and it parallels the mosaic aspect of your character’s life as she pieces together her destiny. Where did you first come across the craft and the idea for this story?

I first read about it in an old “Martha Stewart’s Living” at the Laundromat. The photo accompanying the article showed a patio table topped with pieces of smashed pottery. Beautiful. I wasn’t interested in trying it, but I liked the idea of it enough to keep researching.

CA: Do you think most peoples’ lives are mosaics, where some pieces take longer to assemble, like a puzzle before they’re truly understood?

Absolutely. Most of them never get finished. I use this theme a lot in my stories. Every choice, idea, stroke of luck, is a piece of the big picture.

CA: Your story could have been a tale of redemption or revenge, yet it is one of acceptance. Is this what you set out to accomplish or was it a

horror, fantasy, speculative fiction, mosaics, Tesseracts 17

Catherine MacLeod writes of mosaics and murder in Pique Assiette.

natural evolution?

It felt natural to me. I’m come to an age where I’ve realized that the best thing about banging your head on a brick wall is stopping–if you can’t fight something, you have to find a way to live with it. But I think this is a revenge story, too–things aren’t likely to end well for Diane’s latest customer.

CA: What other pieces are you working on that you care to share with us?

My story “The Attic” will be in Ellen Datlow’s anthology Fearful Symmetries, coming out next spring from CZP. That sale meant I could cross quite a few things off my bucket list.

Nova Scotian writer Catherine MacLeod’s short fiction can be found in On Spec, Solaris, Black Static, TaleBones, and several anthologies, including Horror Library #4, Tesseracts Six, Tesseracts Fourteen, and The Living Dead 2. She is haunted by Astor Piazzola’s music, Andrew Davidson’s prose, and Derek Jacobi’s voice.

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Tesseracts 17 Interview: J.J. Steinfeld

poetry, satire, horror, dread, fantasy, Canadian writers

J.J. Steinfeld harkens from PEI, where he chases his muse. Photo by Brenda Whiteway

Happy New Year’s, everyone. The year, as is every day, full of promise and possibility. I fell behind in finishing all the Tesseracts 17 interviews before the old year ended. But the good thing about books and stories is that they don’t go bad. Without further ado, I bring you J.J. Steinfeld.

CA: “Unwilling to Turn Around” speaks to that dread that horror movies build on. It’s a very human feeling. Why do you think it is we sometimes don’t want to see what’s following us?

Whether it is in the dark of night or in the darkness of an wavering mind, when we are going through unfamiliar or unchartered terrain, physical or psychological, vulnerability of one’s body and senses became amplified, more apparent,  and perhaps we are frightened to confront something following us that might  be strange and out-of-place, and potentially dangerous. In a frightened state, seeing something we may not be able to thwart or cope with, makes confronting our fears all the more potent.

CA: Your piece speaks to a very human part of us, yet is also as a sly, light note, make it more satirical than horrific. Why did you choose this angle?

There is a fascinating world just outside our everyday reality and comprehensible definitions, and that world is often mired in the absurd and the incomprehensible. Attempting to confront or chart that absurd reality pulls me strongly to the satirical as to the horrific.  In the attempt to either deal with or break free from the absurd and the incomprehensible, the satirical somehow becomes a little more muscular than the horrific.

CA: Would you rather know what lies ahead, no matter how wonderful or terrible, or you would prefer the surprise, no matter the outcome?

I would prefer to be wandering in the cinematic land of surprise and infinite possibilities,

anthology, speculative fiction, SF, fantasy, Canadian authors

Tesseracts 17 is now out with tales from Canadian writers that span all times and places.

rather than see the film’s ending beforehand, especially if the special effects tamper with my sense of the absurd and wonder and baffling existence.

CA: What do you think is your most effective tool, or technique, when it comes to writing poetry?

 I don’t know if I have any effective tools or techniques for writing poetry, unless you want to count lively synapses and a curious psyche as creative tools.  Actually, it’s more a strategy of speed, that is, going outside and walking quickly after my sometimes elusive and too often mischievous and cantankerous Muse. The attempt to grab hold of that fleeing Muse, whether the attempt is successful or not, often leads to new ideas and the start of a poem, which will be developed and written when I get back to my hidden-away writing room.

CA: What other projects do you have in the works?

I’m always working on something creative, whether it’s poetry or fiction or plays… My imagination tends to bounce from one creative “project” to another and after a period of time, I start to gather together creative pieces that adhere to my synapses and psyche and put them together into a collection or then attempt to find someone who might want to put on one of my plays. Currently I have two short story collections and a poetry collection, products of my bouncing imagination, that are looking for publishers, and several scripts in search of a theatrical home. As I wait to hear from publishers or theater companies, I polish up and tinker with the contents of these hoping-to-see-the light-of-literary-day manuscripts and stage plays.

 Fiction writer, poet, and playwright J. J. Steinfeld lives on Prince Edward Island, where he is patiently waiting for Godot’s arrival and a phone call from Kafka. While waiting, he has published fourteen books, along with five chapbooks, including Forms of Captivity and Escape (Stories, Thistledown Press), Disturbing Identities (Stories, Ekstasis Editions), Anton Chekhov Was Never in Charlottetown (Stories, Gaspereau Press), Should the Word Hell Be Capitalized? (Stories, Gaspereau Press), Curiosity to Satisfy and Fear to Placate (Short-Fiction Chapbook, Mercutio Press),  Would You Hide Me? (Stories, Gaspereau Press), An Affection for Precipices (Poetry, Serengeti Press), Where War Finds You (Poetry Chapbook, HMS Press), Misshapenness (Poetry, Ekstasis Editions), A Fanciful Geography (Poetry Chapbook, erbacce-press), and A Glass Shard and Memory (Stories, Recliner Books). His short stories and poems have appeared in numerous periodicals and anthologies, in every Canadian province and internationally in fifteen countries, including in Tesseracts Fifteen, Sixteen, and Seventeen, and over forty of his one-act plays and a handful of full-length plays have been performed in Canada and the United States.

 

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Tesseracts 17 Interview: Ben Godby

anthology, speculative fiction, SF, fantasy, Canadian authors

Tesseracts 17 is now out with tales from Canadian writers that span all times and places.

Ben Godby’s tale takes us to the farthest reaches of the universe and a man with a dark mission.

CA: “Star Severer” was one of the bleaker stories in Tesseracts 17. In one sense it signals the end of everything. Stories like this can be depressing, yet you presented more depth. What were the important elements you were exploring in this piece?

I think I’ve benefited from living in a peaceful time in a peaceful place. I can’t remember who wrote it, but a sentence which recently struck me with its veracity and import was, “Make no mistake, we are living in a golden age.” Not surprisingly, it’s always been hard for me to understand war—or, more generally, the very idea of having “enemies.” On the other hand, I’ve grown up with video games, board games, role-playing games, books, movies, and all other sorts of media that make me—on a visceral level—love war, and love killing, and love having some brute-obvious object of ethically appropriate hatred.

SF, speculative fiction, Tesseracts 17, science, deadly machines

Ben Godby loves games and fantasy, but Star Severer is science fiction with a dark vein.

This tension has caused me to write a lot of stories that explore violence and its necessary ambiguity. In “Star-Severer,” I needed that footchase scene, and I needed Odashi and his soldiers to violently board Mueller’s vessel, because in a lot of ways, violence is what makes stories worth telling and hearing for my narrative consciousness. But intellectually, I abhor violence and don’t understand it—which is why my protagonists are usually unwilling, unwitting, or unhappy soldiers.

CA: This story literally takes us to the far reaches of the universe. Do you write in this universe or these worlds often?

It’s hard for me to write anything that’s anything but fantastic. I have three distinct universes I like to write in, although two of them—one which is decidedly fantasy, and another which is a sort of fantasy-cyberpunk fusion—have begun a sort of mental meld over the last six months. I like reading contemporary, modern, and realistic fiction, but I get bored writing about the mundane world.

This universe, by the way, is the “Children of the Earth” universe, which is marked by conflict between the Children of the Earth, who believe in Terran orthodoxy (Earth’s universal primacy), and “Terretics,” usually colonists of far-flung worlds who have ceased to care for Earth and its imperial ways. “Children of the Earth,” published online in Kaleidotrope, also takes place in this universe. http://www.kaleidotrope.net/archives/summer-2012/children-of-the-earth-by-ben-godby/

CA: The story  harkens some to our human condition; that of being a violent species sometimes determined to commit genocide. Do you think we will every move beyond this flaw?

I think humanity is slowly become “gooder,” if I may be permitted such a silly word. At least, the developed nations of the world are becoming less and less willing to kill each other. But, there are still horrible wars committed across the globe every day, and whenever the nuclear stalemate is resolved, large, powerful countries will almost inevitably go to war once again. I hope we move beyond the need to fight each other, but I think this will require the elimination of acquisitive ideologies like capitalism, competitive ideologies like free market economics, and a lot of great science to solve the environmental problems that are creeping up on us and creating more cause for conflict.

CA: Science fiction isn’t as popular as fantasy fiction these days. Do you think it’s too realistic and we wish to escape any sense of reality?

I’ve heard this before, but I actually find that SF is really popular. What’s interesting to me is that SF has evolved a lot more than fantasy. There’s a lot of people who are upset that SF has become really dark and pessimistic, but at least it reflects evolving trends in the psychology of writers and readers. I can’t believe how many fantasy books are, for all intents and purposes, identical to each other minus a few special details: magic works this unique way in such-and-such a world, but it is still a romantic 13th century medieval world with kings and emperors, subjected women, racism, some kind of orc or goblin analogue (e.g. sranc [R. Scott Bakker’s fantasy series] or the shanka [Joe Abercrombie]), and a hero quest. I like fantasy, but I want to see it do more, and outside of China Miéville, Jeff VanderMeer, Steph Swainston, and a clutch of other New Weird writers, I don’t see much “evolved” fantasy getting very popular.

CA: What else are you working on now?

An MBA and a rather successful Dwarf Fortress. http://www.bay12games.com/dwarves/ I hate to say it, but with my studies, work, and volunteerism as they’ve been the last year and a half, I’ve barely written anything. I’m hoping to start a new AD&D campaign (which I consider to be a sort of creative writing) in the new year, and once I graduate in August 2014, hopefully I’ll get back on the writing horse. The plan, though, is to write novels rather than short stories. Writing short fiction was always meant to be “practice” for writing novels, although I kind of fell into loving it.

Ben Godby writes mysteriously thrilling pseudo-scientific weird western adventure fantasy tales. He lives in Ottawa, Ontario with a girl, two dogs and a cat. Ben is part of the Codex Writers’ Group and his book reviews have been published in Strange Horizons. He is a business communications specialist, a videogame addict, and a heavy metal enthusiast. He holds a B.A. in Philosophy from McGill University and is a part-time student in the University of Ottawa’s French MBA program.

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Tesseracts 17 Interview: Costi Gurgu

alien worlds, world building, speculative fiction, science fiction, Tesseracts 17

Costi Gurgu’s “Secret Recipes” is both alien and sensual.

Today, I interview the last Ontario author in Tesseracts 17, but not the last author by far.

CA: Of all the tales in Tesseracts 17, “Secret Recipes” was perhaps the most alien. You use the senses in such a unique way that makes the story poetic. How did this idea come about?

A few years back I had a conversation with my Romanian agent about an article he just read, concerning the North American Science Fiction rules—One cannot write a story that happens in an alien world, having only a cast of alien characters. So, not having at least one human character to give the readers the human perspective on the alien world.

I told my agent I can break that rule and make it work. And so it started.

I wrote that year a short story that did just that. I sold it immediately to Anticipatia Magazine (major SF magazine at the time).  It has been awarded and reprinted four times.

After its success, I wrote my first novel, Recipearium, breaking the same rule. I sold it several years later; critics and reviewers wrote about it in numerous genre and literary magazines, and it brought me three awards.

The story in Tesseracts17, “Secret Recipes,” takes place in the same universe as the novel, breaking the same rule. In fact it is a prequel to the novel, introducing the main character and his quest.

CA: The story is quite complex, dealing with betrayal, familial honor, and individual accomplishment. Was there one strong ingredient in this recipe or was it a gradual blending that was a natural evolution?

anthology, speculative fiction, SF, fantasy, Canadian authors

Tesseracts 17 is now out with tales from Canadian writers that span all times and places.

I thought that no matter how “alien” the world and the characters, there have to be some things that are common to our civilization. That’s what should make the story work in the end—the fact that we can identify some of our values with some of their values and eventually understand and empathize with their struggles.

Family is one of those values. And yes, in their world the notion is quite different from here, but in the end that sense of belonging to a certain group of people and a certain place, to a certain system of values that one is exposed to within that group, the mutual feelings that grow inside the relationships of a family, all these are and have been for most of our history intrinsic to our way of living and shaping the reality around us.

So, it all starts with where my main character comes from. Who is he and why does he make the choices he makes?

CA: Do you think that if we ever met an alien species, even as diverse as the ones in David Brin’s Uplift universe, that we would be able to emotionally relate to them?

 To be honest, no. At least not in the beginning. And when I say in the beginning, I don’t mean the first year or so, I mean probably the first century or so.

Although when one says “emotionally” we think of this non-rational, spontaneous instinctive reaction, it is not completely so. That “instinctive” reaction is given to us by our system of beliefs, by the way we are educated to react to different stimulus.

“Alienness” is one of the toughest tests we always had in order to pass as civilized people. There are still humans who cannot emotionally relate to other humans of a different religion or ethnicity, which in a way goes back to a certain definition of alienness.

So imagine relating to beings anatomically different from us. Who have completely “alien” and questionable physiological needs. And that means only scratching the surface. Because then we’d have to cope with their spiritual and intellectual needs. And as we struggle to accomplish that, we’d encounter their philosophical and legal system. Their moral code and cultural code.

So, I think the answer is no. We’d need centuries of contact before some of us could really emotionally relate to them.

CA: What would you consider  as being your most difficult story to write in terms of worldbuilding and/or alien perspectives and perceptions.

You know when “they” say that one of the biggest problems of Science Fiction stories is that their characters don’t seem to have common human needs? They do not need to eat, use the washroom, make love, drink a coffee or do the laundry?

Noticed that I said make love and not have sex? It sounds nicer somehow. But truth to be told, sex is one essential component of human life and why not presume of any intelligent organic life out there in the universe. And most SF writers have really avoided the subject either by completely ignoring it, or by starting with a kiss and ending with “and after that they made sweet, sweet love.” But that’s a subject for another day.

Well, you could do all that in terms of worldbuilding and it would be fun, especially if there are aliens involved. But now imagine writing an alien love scene and I’m not talking about one of those poetic scenes that have nothing to do with sex. Like oh, the aliens were these giant butterflies and they loved each other flying majestically through a night sky full of spectacular moons.

No, love making that involves real sex organs and secretions and orgasm and the eventual transfer of fluids. All in the name of love… and procreation, hopefully.

It is hard enough to write a human love scene that avoids all that detail and gives the sense of emotional connection as well as physical pleasure. Then, what do you do when your aliens are not humanoids and not even cute little animals or plants, or birds for that matter. When they are really alien and seriously constructed creatures.

An alien love scene could be really difficult to write from any perspective or perception, without alienating your readers. So I could say…Recipearium, my alien only novel.

CA: What other stories are you cooking up?

New beginnings for me this year.

I’m in the middle of a Science Fiction comedy.

Now, this is also difficult to write as humor is so different depending on so many factors, that sometime one would think this should be the true test of emotionally relating to alienness.

I’ve been also trying my hand at screenwriting. Right now I’m working on a short Sci-Fi drama and a long Sci-Fi thriller.

So all things new to me and therefore so exciting that I feel this year was one of the best I had in a long time.

Costi Gurgu is an art director, illustrator and writer living in Toronto with his wife. He worked as the art director of Playboy Magazine, the French fashion magazine—Madame Figaro, and the women’s life-style magazine—Tabu. Costi was also the art director and illustrator of ProLogos Imprint, where he designed their visual identity and illustrated some of the book covers.

As a writer, Costi has published three books and over fifty short stories in Romania, Poland, Hungary, Denmark, England, United States and Canada. He has won twenty-four awards for his fiction. His latest sales include the Danish anthology Creatures of Glass and Light, the DAW Books anthology Ages of Wonder, the Wildside Press anthology The Third Science Fiction Megapack, The Millennium Books anthology Steampunk—The Second Revolution, and Tesseracts 17.

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Come to Bitten By Books for Chilling Tales

horror, dark fiction, specualtvie authors, Canadian writers, EDGE Science Fiction and Fantasy

Chilling Tales 2, edited by Michael Kelly, is out this month from EDGE.

Hi everyone, I was traveling in Europe and didn’t have time to do more blog posts. I’ll be posting more Tesseracts interviews in the next few weeks and the book is now available. Coming up next week on Wednesday, November 13, however, is an interview with the authors of  Chilling Tales 2 at Bitten By Books. My story “Gingerbread People” is one of the selections and I would love to hear what people think of this, as I worked very long and hard at it.

The interview session is a 24-hour real time interview so you can check it out at any time. The event runs from noon central standard time November 13, 2013 through to noon November 14, 2013. If you go to http://bittenbybooks.com/?p=66049 and RSVP before the event you will get an additional 25 entries into the contest for a $50 Amazon gift card, which you can then use to get a copy of Tesseracts 17 and Chlling Tales 2, both from EDGE. :)

You can ask questions of the authors and as they come online they will answer. This is a chance to get a little more depth into the stories, the authors or the writing process and philosophies. It’s free to do, so stop by. Here are the list of authors and stories, and for once I know every author:

  • In Libitina’s House by Camille Alexa
  • Gingerbread People by Colleen Anderson
  • Meteor Lake by Kevin Cockle
  • Homebody by Gemma Files
  • Snowglobes by Lisa L Hannett
  • The Hairdress by Sandra Kasturi
  • The Dog’s Paw by Derek Künsken
  • The Flowers of Katrina by Claude Lalumière
  • Goldmine by Daniel LeMoal
  • The Salamander’s Waltz by Catherine MacLeod
  • The Slipway Grey by Helen Marshall
  • Weary, Bone Deep by Michael Matheson
  • Black Hen A La Ford by David Nickle
  • Day Pass by Ian Rogers
  • Fiddleheads by Douglas Smith
  • Dwelling on the Past by Simon Strantzas
  • Heart of Darkness by Edo van Belkom
  • Fishfly Season by Halli Villegas
  • Road Rage by Bev Vincent
  • Crossroads Blues by Robert J. Wiersema
  • Honesty by Rio Youers

    demons, anthologies, horror, fantasy, Demonologia Biblica

    Available through Amazon. This is my favorite cover of all three.

Other books in which I have stories, that you can find online are Demonologia Biblica, Bibliotheca Fantastica, Artifacts and Relics, Deep Cuts and ReadShortFiction.com, which is free online. The holiday season is coming up so what better way to expand the mind than with reading.

writing, fantasy, horror, speculative fiction, anthologies

The Book With No End, is in this anthology just out from Dagan Books.

Deep Cuts, horror, editing, dark fantasy

Deep Cuts is published by Evil Jester Press

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