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Writing: The Process

I’m sure I’ve written about this before but right now I’m in the middle of the full-fledged process. I’m trying to get a story done for the World Horror Convention writing contest, as well as doing and online interview with the other Evolve authors on Bitten By Books. Go over there now if you have questions to ask or want to see a bit of how different authors view the process of writing or writing specifically about vampires: www.bittenbybooks.com I’ll also be at Orycon from Nov. 12-14 in Portland to talk about writing and to do a reading, maybe two. Right now I think I might read this virginal story I’m working on.

Indirectly, perhaps, it involves the picture to the left. Those are barrow mounds in Ireland, at Knowth. However, to back up to the beginning of this process is the kernel of an idea I had. Perhaps it started with Nancy Kilpatrick saying she was doing a second anthology of vampire fiction. I wrote one page and couldn’t think of a plot. I had atmosphere, a character and…that was it. Well, sure there was a thin plot showing itself but it was a cliché vampire tale and I didn’t want to write that, nor would anyone want to buy it.  So I put it aside and pondered. And pondered.

And came up with nothing. Thinking this one page still had something I finally emailed a bunch of people and said, “Is anyone willing to read one page of fiction and tell me what you think the story should be.” About five people responded. One went for humor, which this story was not, two gave suggestions not really suitable even to the first page, and two others gave me enough suggestions that I could kickstart the thinking process again. Sometime we need a mental smack upside the head to knock us out of those cliché grooves.

Often my next step in the writing process is this: ruminate. Turn the ideas over, think about this or that factor, literally sleep on it and work out a whole bunch logistics in my head before even hitting the paper. Then I start to make points, bits of conflict, images that come together. I went to Ireland a few years back and I’ve never used anything Irish as a setting for a story. Once I started thinking that my story started to come together better and the characters inhabiting it made more sense. Then those thoughts lead to the ability of my character to change or not and the depth of the conflict.

Next, I start writing. And stopping. And writing. And going to clean. And writing. And napping. Sometimes the story pours out and sometimes it creeps shyly. I wrote six pages last night after taking a day to write one page. And now I’m stopped (procrastinating writing this) as I try to work out the next stage. My character has overcome one conflict, but is that it? No. A good story usually has internal and external conflict so I need to bring up her internal conflict and whether she succumbs, fights or changes will remain to be seen but I have to make sure there are enough stakes in the game for my character (whose name is changing as I write this) to either emerge triumphant or changed by her travails.

Some stories have taken me years to finish because I can never satisfactorily work out the plot and conflict to my satisfaction. Some stories leap fully grown from my head like Athena from Zeus’s brow. And some are a bit of both worlds; parts flowing out while others turn to concrete in my head.

And now that I’ve defined my problem, the internal conflict, I guess I need to decide if in fact the theme that I often write about in my stories will be the same here. Morality. “An Ember Amongst the Fallen” was a morality tale. “Exegesis of the Insecta Apocrypha” is maybe an immorality tale and this one, well, yeah her morals are question. I’ll see what the character decides.

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