Tag Archives: writing horror

Women in Horror: Kala Godin

WiHMX-horizontal-WhiteCanadian author, Kala Godin talks about research and horror tropes today in Women in Horror.

I actually write in multiple genres, though I’m currently published in paranormal horror, and most recently, poetry.

Paranormal horror is definitely the genre that I can produce the fastest. I only ever write short stories because I’m fairly strong with short fiction. When it comes to horror, my process is quite a bit different than my process for another genre as I believe horror needs a little research.

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Not Just a Pretty Face, published by Deadlight publishing.

That’s not so say, “research everything and have no originality.” Just in my experience I’ve noticed that there are some stereotypes/tropes that are helpful and others that will seriously hurt your reviews later on. Especially if you aren’t careful with their execution. That’s the kind of stuff you want to research. Are you wanting to write more traditional horror? Then try to find some popular stereotypes/tropes specific to your writing. Make sure you are picking ones that you actually like. If you aren’t interested and passionate, the reader can tell.

When you are writing in your chosen tropes, see if you can expand on their ideas. Grow them. Even though you’re using something old or seemingly unoriginal, you still need to make it yours. What makes your horror different? I’ve learned that completely new ideas are rare. You’ll find yourself asking, “Why does my book sound kind of like book X,Y, and Z?” And unless you are outright stealing someone else’s work, then it is not really a problem. Putting your spin on old ideas is a great way to write horror. Or anything really. One thing that’s really popular right now is retellings!

Don’t assume that horror is written to offend people. It’s not. Horror is meant to spark fear. Being scared and being offended are two very different things. You need to know the difference. Now, not everyone is going to like your work. That’s just how it is. Someone is likely going to be offended. But if you are purposely attacking a group of people, brace yourself for the whirlwind of bad reviews that is coming your way.

Specifically attacking groups of people is a cheap trick that is used in a few genres but it’s in horror quite often. It’s used as shock value, thrown in to make the audience cringe and gasp. But is it used for the right reasons? Not really. If it’s not moving your plot or your characters, then it has no use.

These are really just basic tips that help me. As with all things related to writing, one authors’ process may not always work for another. But nonetheless try them, if you dare.

GodinKala Godin is an author living in Alberta, Canada. She lives with a physical disability and is confined to a wheelchair. She’s also an occasional artist, and Halloween is her favorite holiday. She likes tattoos and chocolate, and most movies directed by Tim Burton. Her story A Girl’s Gotta Eat” will be published in Deadlight publishing‘s Not Just A Pretty Face. She is also part of a multi-author story, “Teeth” her poetry collection can be found on Amazon.

https://www.facebook.com/KalaGwrites/
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Twitter @Kala_g_writes

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Women in Horror: Penny Jones

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Today, from the UK, author Penny Jones talks about why she loves horror and how it might just be normal.

Women in Horror month is a strange concept for me; on one hand, as a fairly new female writer I love it (any exposure is good exposure), and I get to learn about what some of my favourite writers are up to, and read some work from other writers who are new to me. But on the other hand, I’ve always read female horror writers. At my first ever convention I was a giggling mess when I met John Connolly and Simon Bestwick, but I was equally in awe of meeting Cate Gardner and Thana Niveau at the same convention. My bookshelves have always been pretty 50/50 when it comes to male or female authors. So I wonder if the issue isn’t around women in horror, but around people’s perception of what horror is.

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Penny Jones indicates her part in Great British Horror

Now I’ve always been lucky (though I didn’t realise this until I met other horror writers). My family and friends have always been big readers, and they’ve also been big horror fans. So, when I first went to a convention it was a shock to hear other authors saying it was nice to be around people who understood you, and who didn’t ask, “Why don’t you write something nice?” Because I’ve never been in that situation (see told you I was lucky).

As a child I was more likely to be watching a Hammer Horror than I was a Disney film, and my parents happily bought me Mary Danby’s ghost stories, as well as a Rupert the Bear annual at Christmas. Horror has never been a dirty word in my life. Also, horror wasn’t introduced to me as being all about excess gore and shock value. In fact, I don’t really like what I term “Tits and Torture” (I’ve been trying to gear myself up to watch Saw for years now. I love the concept behind the story, but I really am too scared to watch it). But most of the “Tits and Torture” that I’m too squeamish to watch isn’t actually sold as horror anyway; it’s sold as mainstream TV such as Game of Thrones or Vikings. That’s not to say I won’t read the more extreme side of horror. One of my favourite writers is Alex White who wrote several stories for the Pan Book of Horror, including my favourite of the entire series The Clinic and, you guessed it, Alex White is a female author (though I only found that out a couple of years ago). It is something I see time and time again−female horror authors who people think are male, either that or female horror authors who aren’t described as horror writers.

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Penny shares her poetry in a unique fashion

If you walk into your local bookstore and look at your meagre one shelf of horror books, it is a pretty sure bet that the only authors you will see there will be Stephen King, Dean Koontz, with the occasional Herbert, Barker or Neville thrown into the mix. But if you look elsewhere in the book store and take a peek at the crime, the classics, and the literary shelves, you’ll find plenty of amazing female horror writers. There’s a joke that if you want a horror book to sell you call it a literary book and put a picture of a tree on the front, but I think what’s equally true is that if you want a female horror writer to be commercially viable you don’t put their work on the horror shelf. Look at Shirley Jackson’s Haunting of Hill House; it is quite clearly a horror book. It has the word “Haunting” in the title for God’s sake, but still you will usually find it snuggled next to James Joyce on the literary shelves in the store.

If you weren’t as lucky as me, and your only concept of horror is the trailer for the latest slasher flick or seeing the latest Stephen King bestseller on the shelves at WHSmiths, then here are some of my favourite female horror writers for you to get your teeth into:

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Dark Voices includes one of Penny’s tales.

Priya Sharma−All the Fabulous Beasts

Tracy Fahey−New Music for Old Rituals

Alex White−The Clinic (Which can be found in: Back from the dead: The Legacy of the Pan Book of Horror Stories)

Shirley Jackson−The Haunting of Hill House

Daphne du Maurier−Don’t Look Now and Other Stories

Susan Hill−The Woman in Black

Alison Littlewood−A Cold Season

Laura Mauro−Naming the Bones

Cate Gardner−Theatre of Curious Acts

Thana Niveau−Unquiet Waters

Georgina Bruce−This House of Wounds (Out later this year by Undertow Publications)

Charlotte Brontë−Jane Eyre

Mary Shelley−Frankenstein

Marie O’Regan−Times of Want

A.K. Benedict−Jonathan Dark or The Evidence of Ghosts

Sarah Pinborough−The Death House

Jones 4Penny Jones knew she was a writer when she started to talk about herself in the third person (her family knew, when Santa bought her a typewriter for Christmas). She loves reading and will read pretty much anything you put in front of her, but her favourite authors are Stephen King, Shirley Jackson and John Wyndham. In fact Penny only got into writing to buy books, when she realised that there wasn’t that much money in writing she stayed for the cake.

Penny’s horror has been published in: Great British Horror 2: Dark Satanic Mills, Dark Voices, Black Room Manuscripts IV, and Along the Long Road. You can find out more at www.penny-jones.com

 

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