Tag Archives: workshopping

Writing: Advice on Getting Published

A little while ago someone asked me:

 I am here desirous to find a faithful publisher for my book…. What useful counsel can you give to me.

I’m not sure what is meant by faithful publisher but finding a publisher is a mixture of you wanting them and them wanting you. There are literally thousands of publishers. There are some that publish all types and genres and others that specialize. So the first thing to do is figure out if your book is a how-to, a biography, history, fantasy, romance, literary, sports, spiritual, etc.

Once you know who your reading audience is, you can then research publishers. Writer’s Digestputs out a series of books on markets. They’re specific, such as, literary markets, short story markets, romance markets, etc. These books give good information on how to write a query letter, which is the first step to what to include in your submission package. Some publishers only want a query letter. Others want a letter, a synopsis and the first three chapters. Some only want agented submissions, which means you must go through the process of querying agents first. It’s best to read up on what the publisher wants first. They received hundreds of manuscripts and someone who hasn’t bothered to research the market and sends something in the wrong format or way is likely to piss off an editor and have their manuscript tossed.

Writer’s Digest also lists publishers and markets, giving short descriptions, addresses and editor names. It’s good to read up on the advice and then to start submitting. It’s important to make sure you submit your manuscripts in the proper format, which in most cases is double spaced text, no extra space between paragraphs, regular font and size, no right justification, word count, page numbering and name. There is enough information out there that tells you what to send and what not to.

Outlines by chapter, or synopses also are often required so make sure they’re laid out well and contain what is the main action/point of each chapter. Taking courses or workshopping manuscripts as well as outlines is not a bad idea. And of course, making sure your manuscript is polished and free of as many grammatical and spelling errors as possible does improve your chances.

Besides researching the right publisher for your manuscript, it’s not a bad idea to check the legitimacy and publishing record of a publisher. Find out what they’ve published and do internet searches both on the publisher name and the book titles they’ve put out. There are vanity presses that charge you to put everything together. Your chances of making a profit are small. There are print on demand publishers that will work out a deal for self-publishing but depending on how they’re set up, you will need to figure out how to advertise and distribute your book. Unless you know what you’re doing, you could have some very expensive doorstops and going with established well known publishers with marketing departments and established distribution is worth it’s weight in gold.

I once edited a book for a friend who was writing a guide on places to walk your dog. He did his own layout and found a printer. Then he found a local book rep who would market it to the bookstores and see to distribution through a local book distributor. That worked well but the book was locally focused. In most cases you’re going to want national distribution if you hope to make any money or sell your book.

Then all you have to do is keep submitting your book to publishers until they bite. Sometimes they’ll ask to see a few chapters, and then they may ask to see a full manuscript. This process can take months. Expect the average of three months before seeing a reply to even a query. It’s best to send out query letters to many publishers at once. Persevere. Like writing it takes work to get published and some is just the persistence of sending out your manuscript until you hit the right publisher at the right time.

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Fourth of July for Writers

Somehow I missed posting this on the 4th. Probably because I fell asleep half way through writing it.

Today was Independence Day for the writers, and overall we did what we’ve been doing all week. We went for dinner but spent longer than usual, then returned to the dorms to write and discuss. When the fireworks went off, a couple of people went outside to watch but they were far away. The KU campus sits on a hill, but the rest of Lawrence is flattish.

I’m now quite excited about my novel and listening to a few others, they were starting to feel this “it’s right” feeling. Of course, everything will change with the critiques next week, where most of us have to rewrite our outlines.

I’ve had to get rid of a viewpoint character that Rhea was calling my Duncan Idaho and completely downplay my gods. And I have to reformat the crisis/conflicts but I also have a second and possibly third novel out of this.

We’ve talked about opening lines and how they convey setting right in the first sentence and that that first sentence is the most important. We’ve looked at pacing and dialogue, overall story arcs, as well as interior and exterior motives/arcs. Much of this I knew but working out the nuances for novels is somewhat different. The pacing can be longer and needs to be, but then you have chapter arcs within story arcs.

I think some of this will settle out once I’ve had time to ruminate.

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Writing: Scenes

We’ve been workshopping our first three chapters. Kij mentioned that many of us had setting but little in the way of anchoring a scene. At least five of the nine novels take place in worlds different enough (Earth’s future, medieval Earth style, space or non-Earth planets) that we must really set the place. This holds true for everyone in the group so Kij has given us an assignment of rewriting the first scene of the book.

The scene should be around 700 words and give at least six pieces of info on the first page and no more than three on the subsequent pages. I may not be remembering this correctly but five senses have to be used, and then three per page.

It sounds easy but is not. One has to get the right amount of pacing as well as the right info in the setting. Too little and the reader is not anchored. Too much and the reader gets lost. I’ve started my scene and it’s not one I’ve written yet. In fact, it was a later scene, which is now moved right up, bringing action and my three races into the picture all at once.

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