Tag Archives: The Fathomless World

Writing: British Fantasy Awards & Stuff

I’m listing the recent announcement of shortlisted works for the British Fantasy Awards. I am not nominated but the anthology Cone Zero that my story “The Fathomless World” is in, has been. But then, none of the stories from the anthology have been nominated so I wonder if that bodes ill for the anthology winning the award.

Of course, for me it would have been better if my story was nominate but that’s okay. And it’s too bad that some of the reviews really just recapped the book and my story didn’t make much of a splash. Pooh. I liked it but perhaps the most informative review was a very late, after the fact one, where the reviewer decided to leave his notes as haiku, partly because it was so late. The one which I’m sure was for “The Fathomless World” said something like, “more style than substance.”  That would be the middle line of the haiku if you count “style as a two-syllable word.

So it goes. I thought it had substance but I also did it in a mythic style. I continue to send works out and work on new ones. Unfortunately the whole economic crisis has affected story markets to the point that I’m thinking I should just be working on my novel and skip the stories right now. For speculative fiction, whether horror, fantasy, science fiction or other, there are not a lot of markets to submit to right now. Some have gone the way of the dodo, while the majority of the pro markets (those that pay five cents a word or more) are closed to submissions or on hiatus. A sad state indeed.

And it’s always been a sad state that the pay for speculative fiction has been so low. Definitely not a make-a-living type of wage. Literary markets as a whole tend to pay somewhat better but many of them also pay the equivalent of $100 a story, which many anthologies do. Some literary markets pay anywhere from $15-40 a printed page, which again could work out to the same amount.

Why do we write then? For fame? Partly, though that’s a long hard road. Hardly for fortune. And maybe most of all, because we love words and our minds just keep filling with them and we want to tell a story and share in the mysteries of what-if. And not onto the shortlisted works for the British Fantasy Award.

BEST ANTHOLOGY

    Cone Zero(DF Lewis) Megazanthus Press
    Myth-Understandings (Ian Whates) Newcon Press
    Subtle Edens (Allen Ashley) Elastic Press
    The Mammoth Book of Best New Horror 19 (Stephen Jones) Constable & Robinson
    The Second Humdrumming Book of Horror(Ian Alexander Martin) Humdrumming
    We Fade To Grey(Gary McMahon) Pendragon Press

BEST NOVEL (THE AUGUST DERLETH FANTASY AWARD)

    Memoirs of a Master Forger(William Heaney/Graham Joyce) Gollancz
    Midnight Man (Simon Clark) Severn House
    Rain Dogs(Gary McMahon) Humdrumming
    The Graveyard Book(Neil Gaiman) Bloomsbury
    The Victoria Vanishes (Christopher Fowler) Little Brown
    Thieving Fear (Ramsey Campbell) PS Publishing

THE PS PUBLISHING BEST SMALL PRESS AWARD

    Elastic Press (Andrew Hook)
    Newcon Press (Ian Whates)
    Pendragon Press (Chris Teague)
    Screaming Dreams (Steve Upham)
    TTA Press (Andy Cox)

BEST COLLECTION

    Bull Running for Girls (Allyson Bird) Screaming Dreams
    Glyphotech(Mark Samuels) PS Publishing
    How To Make Monsters(Gary McMahon) Morrigan Books
    Islington Crocodiles(Paul Meloy) TTA Press
    Just After Sunset(Stephen King) Hodder & Stoughton

BEST NOVELLA

    “Cold Stone Calling” (Simon Clark) Tasmaniac Publications
    “Gunpowder” (Joe Hill) PS Publishing
    “Heads” (Gary McMahon) We Fade To Grey, Ed. Gary McMahon – Pendragon Press
    “The Narrows” (Simon Bestwick) We Fade To Grey, Ed. Gary McMahon – Pendragon Press
    “The Reach of Children” (Tim Lebbon) Humdrumming

BEST SHORT FICTION

    “All Mouth” (Paul Meloy) Black Static 6, Ed. Andy Cox – TTA Press
    “Do You See” (Sarah Pinborough) Myth-Understandings, Ed. Ian Whates – Newcon Press
    “N” (Stephen King) Just After Sunset – Hodder & Stoughton
    “Pinholes in Black Muslin” (Simon Strantzas) The Second Humdrumming Book of Horror, Ed. Ian Alexander Martin – Humdrumming
    “The Caul Bearer” (Allyson Bird) Bull Running For Girls – Screaming Dreams
    “The Tobacconist’s Concession” (John Travis) The Second Humdrumming Book of Horror, Ed. Ian Alexander Martin – Humdrumming
    “The Vague” (Paul Meloy) Islington Crocodiles, TTA Press
    “Winter Journey” (Joel Lane) Black Static 5, Ed. Andy Cox – TTA Press

BEST COMIC/GRAPHIC NOVEL

    30 Days of Night: Beyond Barrow(Steve Niles/Bill Sienkiewicz) IDW Publishing
    All-Star Superman(Grant Morrison/Frank Quitely) DC Comics
    Buffy Season Eight Vol. 3: Wolves at the Gate(Joss Whedon & Drew Goddard/ Georges Jeanty) Dark Horse Comics
    Comic Book Tattoo Tales Inspired by Tori Amos(Ed, Rantz A. Hoseley & Tori Amos/ Various) Image Comics
    Hellblazer: Fear Machine (Jamie Delano) Vertigo
    Hellblazer: The Laughing Magician(Andy Diggle/Leonardo Manco & Daniel Zezelj) Vertigo
    Locke and Key(Joe Hill/Gabriel Rodriguez) IDW Publishing
    The Girly Comic Book 1 (Ed, Selina Lock) Factor Fiction
    The New Avengers: Illuminati(Brian Bendis & Brian Reed/Jim Cheung) Marvel Comics

BEST ARTIST

    Dave McKean (The Graveyard Book) Bloomsbury
    Edward Miller (Vault of Deeds) PS Publishing
    Lee Thompson (The Land at the End of the Working Day) Humdrumming
    Les Edwards (Various)
    Vincent Chong (Various)

BEST NON-FICTION

    Basil Copper: A Life in Books (Basil Copper, Ed, Stephen Jones) PS Publishing
    Doctor Who: The Writer’s Tale (Russell T. Davies and Benjamin Cook) BBC Books
    journal.neilgaiman.com (Neil Gaiman)
    Mutant Popcorn(Nick Lowe) Interzone – TTA Press
    What Is It We Do When We Read Science Fiction(Paul Kincaid) Beccon Publications

BEST MAGAZINE

    Black Static(Andy Cox) TTA Press
    Interzone(Andy Cox et. al.) TTA Press
    Midnight Street(Trevor Denyer)
    Postscripts(Peter Crowther & Nick Gevers) PS Publishing
    SFX (Dave Bradley) Future Publishing Limited

BEST TELEVISON

    Battlestar Galactica (NBC)
    Dead Set(Zeppotron/Channel 4)
    Dexter (Clyde Phillips Productions)
    Doctor Who (BBC Wales)
    Supernatural (Warner Bros TV)

BEST FILM

    Cloverfield (Matt Reeves)
    Iron Man(Jon Favreau)
    The Dark Knight (Christopher Nolan)
    The Mist(Frank Darabont)
    The Orphanage(Juan Antonio Bayona)
    (With thanks to SFWA for supplying the list.)
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Writing: Reviewing Reviews

Because I write mostly short stories and poems, reviews are few and far between. A magazine is less likely to be reviewed than an anthology and an individual story even less likely. I’ve never seen a review of any of my poems and I suspect the only way one would get a review is if it was a collection of poetry in a book or chapbook format.

Reviews can be a curse in their own right, with more negative than supportive comments, and it’s a chance any artist takes when putting work into the public forum. Still, I would rather have a review than not. A review can stir up discussion or controversy and some people will decide to form their own opinions (as I often do with movies) than take a reviewer’s. The reviewer is a buffer: I know reviewer A never likes xyz, but I do so if they hate it, I will most surely like it.  A review can be used to weed out what you’re going to read or buy. And reviews do give publicity of a sort, whether negative or positive.

Under the review umbrella are a host of chameleons: those written pieces that actually don’t review a piece so much as recap it. I have read reviews that give no indication of whether a story is good or bad, written well or not. All the reviewer does is reveal some of the plot line or all of it. These are not reviews. A review should have an opinion on the storyline and writing. There are the damning with faint praise reviews: this is not very deep, a piece of fluff but was enjoyable nonetheless.

Some reviews take into account that it may be the writer’s first major work. Some discuss the style of writing but don’t go as much into plot, while others will look at the depth and intricacies of plot, the sophistication of writing style and the expertise of the writer’s knowledge in the area in which they are writing.

I know of a few writers who do not read their reviews, afraid that the comments, possibly scathing, will puncture their egos like a helium balloon. I’m happy–well, maybe not happy–to read any review. Perhaps I will learn something about my writing and what I need to fix or change the next time around. Perhaps the reviewer will like it and I’ll feel encouraged. So far, there have been very few reviews of my work, the most probably being “The Fathomless World” in Cone Zero, and those again fell into mostly recapping the stories.

It’s important to note though, that many reviewers are just like you and me. It’s their opinion. Some reviews need to be taken with a grain of salt. I always figured I could be a good art critic because I can look at/read something and personally dislike it but examine the technique and skilled unbiasedly and see if the artist knows their stuff. Still, I would get down to what I don’t or do like about a piece as part of the review.

Some people love steampunk. Some hate elf and unicorn stories. Some hate free form verse or poems about flowers. Others dislike first person stories, or plots involving government overthrows and secret spies. These likes and dislikes will always flavor a review, but the good reviewer will be able to examine the writing as a whole. Aspects that reviewers might touch on are: depth and variety of characterization, plot flow, conflict and resolution, plausibility and depth of storyline, atmosphere, description, language, voice (authorial as opposed to characters), overall readibility and whether the author’s voice insinuates itself, etc.

So, in the spirit of reviewing, if someone would like to review something I’ve already written, please let me know and I’ll send it to you. This is a limited time offer (in case there are millions out there.) I will also post the review, whether favorable or not and then probably crawl away into my hole and rethink my view that I’d rather have a review than no review at all.

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Writing: Cone Zero Authors & Reviews

Finally, the authors of the anthology/magazine Cone Zero can be revealed and I can say that I wrote “The Fathomless World.” I had hoped for more reviewing of the story but clearly it wasn’t anyone’s favorite. Still, it didn’t receive any scathing review either though all the reviewers seem to have been careful in not pointing out the ones they didn’t like. It’s one anthology that I did read through and found the quality quite high. I didn’t agree with some of the reviews and found a few stories too long, boring or clunky but that was very few.

It was a fun idea and if I get anything that rings a bell for the next one, Cern Zoo, then I’ll enter submit to the anthology for that one too. Below are the names of all the authors tagged to their stories as well as a bunch of review links. And if anyone is interested in submitting a story to Cern Zoo, here’s a link to the guidelines: http://weirdmonger.blog-city.com/cerne_zoo__guidelines.htm

“The Fathomless World” by Colleen Anderson
“The Point of Oswald Masters” by Neil James Hudson
“Cone Zero” (page 23) by Sean Parker
“Cone Zero” (page 33) by Kek-W
“Cone Zero, Sphere Zero” by David M. Fitzpatrick
“An Oddly Quiet Street” by Scott Tullis
“Always More Than You Know” by John Grant
“Cone Zero” (page 129) by Grant Wamack
“Going Back For What Got Left Behind” by Eric Schaller
“Cone Zero” (page 147) by Stephen Bacon
“The Cone Zero Ultimatum” by Bob Lock
“Angel Zero” by Dominy Clements
“How To Kill An Hour” by A.J. Kirby
“To Let” by Jeff Holland

 

http://filthycreations.proboards.com/index.cgi?board=smallpress&action=display&thread=77&page=1#812 
http://tinyurl.com/b3woac
http://tinyurl.com/5ovc8v
http://ahaunteddollshouse.blogspot.com/2009/02/cone-zero-nemonymous-8-edited-by-d-f.html
http://distanceswimmer.livejournal.com/1082.html

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