Tag Archives: Richard Matheson

Women in Horror: Liz Strange

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Liz Strange likes to explore the vampire myth.

February is Women in Horror Month, sponsored by the Viscera Organization. Its purpose is to highlight women who are under-represented in the artistic field. Today’s Canadian woman in horror is Liz Strange.  What a great name for writing speculative fiction, don’t you think? Liz has published the following novels: Love Eternal, A Second Chance at Forever, and Born of Blood and Retribution (The Dark Kiss Trilogy), a paranormal/horror series. She also has the following short stories: “Night of Stolen Dreams” (Bonded By Blood II: A Romance in Red), “The Memory Thief” (Unspeakable), and forthcoming,  “Riel’s Last Stand” (Dark  Harvest). www.twitter.com/LizStrangeVamp

1. Why do you write dark fiction/horror? Some people consider it only a sensationalistic tableau. Why this genre over others or do you span the literary landscape?

I am fascinated with world mythology, folklore, urban legends, all of it, and the idea that all people contain some level of “darkness.” The medium can be sensational and even exploitative, but it can also be a beautiful, gut-wrenching metaphor about human nature, fate, and triumph. In particular I am drawn to the vampire legend, in its many guises throughout history and cultural presentations.

I also write in fantasy and mystery genres, with a dash of romance/eroticism, but I find that all my works have a darker edge to them. I enjoy the freedom to let my mind take the story where it will, and to push the envelope a bit, make people react and think.

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Women in Horror Month, sponsored by the Viscera Organization

2. What dark themes do you explore in your fiction?

I like to explore what it is that draws people to darkness, madness and violence, what are the triggers that make people step over the line. I think there is a “breaking point” in all of us, it just takes the right circumstances or even just the right combinations of personalities to bring our hidden monsters to  light.

I’m also interested in the shared fascination with dying, death, the afterlife and the chance of immortality. Folklore and religion have delved into and speculated about this since the dawn of humanity.

3. Do you feel horror/dark fiction is an important genre and why; what does it bring to the table or allow you to explore? Who inspired you?

I do feel it’s an important genre, and one that is often overlooked and/or de-valued over other genres, as though horror writers are somehow less talented or legitimate. I think it gives writers the opportunity to get right to the core of what makes us human, or inhuman as the case may be. There is an opportunity to delve into our baser instincts: fear, lust, rage.

Authors that have inspires me are: Stephen King, Dean Koontz, Anne Rice, H.P. Lovecraft, Michael Slade, Clive Barker, Richard Matheson and many others!

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Born of Blood and Retribution, by Liz Strange

4. Do you feel women are under-represented in any way in the speculative arena or do you think there is more focus on them than on men? (or examples of how there is a balance).

Like many of the creative/artistic mediums I do feel woman are under-represented. Whether the focus is on men, or simply that not as many woman write/work in darker genres I can’t say, but suspect it’s a bit of both. Maybe it’s a bit of a hold on the traditional view that women are the “fairer sex,” and therefore not of the capacity to write stories to scare, repulse, and titillate?

I also dabble in screenwriting and see an even bigger discrepancy there.

5. Abuse against women is worldwide: the gang rape of the Indian woman, women assaulted in various terrorist attacks or protests against regimes (Egypt, Syria, etc. throughout time), domestic violence and murder at the hands of boyfriends, fathers, families and husbands, sexist representation, being treated as second class citizens or possessions and made to dress in a particular way, etc. With all that’s going on, what do you want to say about where women are what we can do to stem the tide?

I would like to see women own their place in society, be proud and true to themselves. Don’t accept second-class status, or abuse, speak up for yourself.

And most importantly, never be afraid to try.

6. Lastly, this is your space to add anything else you would want to say.

I’d just like to say thank-you for including me in such great company, and for taking the time to highlight the many wonderful, talented Canadian ladies we have writing in the horror genre.

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Writing Update: The Collection Progresses

I have actually been too busy to write here but I thought I’d toss in an update on what’s been transpiring.

Deadline for voting in the Aurora Awards closes on Monday, July 23 so if you’re Canadian and would like to vote you can go here. There is also a voters package that contains the works being nominated. Since you pay $10 to vote (unless you already paid to nominate), then you can consider it a purchase of several novels, short, stories, art works and poems. My poem “A Good Catch” is nominated in the poetry category and the awards will be given in Calgary at the When Words Collide convention, which I will be at.

I have a week left to finish my story for Masked Mosaic. It’s been a bit of a struggle so I’m not sure how successful I’ll be. But mostly my time has been taken with formatting and getting my collection of stories ready for putting on Smashwords, for ereaders and then for print. If you’re interested in a print copy, send me a message and I’ll let you know when it’s ready and the cost.

The collection will be called “Embers Amongst the Fallen” and will include sixteen stories, two of them new. Wayne Allen Sallee has written a lovely blurb:

“Anderson is an enigma. Many of her stories evoke the tense subtleties of Shirley Jackson, but then I go on to another story and it breathes of Richard Matheson or the late Ray Bradbury. Few people can pull off the whipsaw of terror to wonder and back, but Colleen makes it way past easy.”

Wayne is a “5 time finalist-Stoker Award-First Novel, Collection, Novella, Novelette, Short Story.” East Coast, dark fiction writer Steve Vernon is writing an introduction for the collection as well so I feel very honored that these people, along with Sandra Kasturi of CZP who proofread it, have agreed to be part of it.

Polu Texni has bought another poem, “Mermaid,” which is written in the style of a villanelle. I’m not sure when it will be up on the site. Now, on to the process of self-producing a book.

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Creative Commons: Ninha Morandini

Smashwords is for ereaders and once you have your book formatted they will make it readable for different readers and send out a catalog. You have to meet their formatting guidelines and produce a cover. I have a friend working on one right now. There is a giant book that can be downloaded for free that is the Smashwords style guide. Interestingly enough, it has formatting issues in rtf, but is okay in PDF. It’s written for those who are not even that familiar with using Word. I’m pretty much an expert (though the stupid Office/Word 2007 sucks big time and annoys the hell out of me) so I’m finding the book a bit tedious in some sections. I have to glean through though because some information is buried and some not so clear.

I have got rid of most of the marks and spaces that they require but I also have one story with footnotes and I still have to determine how to make sure those show correctly. I’m presuming once I get to the submission part that I’ll get to review before it goes to the vetters (they send it back if  there are formatting errors). It’s that part that could slow down my release date of Aug. 1.  I’m more than half way through the formatting and just waiting for the intro (and to complete my acknowledgements) so I hope by this weekend I’ll only be dealing with getting the cover art finalized.

It’s been an interesting process and I’ve been working on a few erotic stories to put up as well. Formatting one story is much easier than the book but I’m learning some things when doing this. Stay tuned for the release of my first collection.


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