It’s been a busy month or two. In March I drove down to the Olympic Peninsula for the Rainforest Writers Retreat, where I accomplished a lot, writing several stories, and ended the event with catching the flu, alas. I then rode the wave of the flu (haven’t had one in over 8 years) in time to go to Ottawa and work on more writing as part of my Canada Council grant. Thank you, Canada Council.
Alice Unbound: Beyond Wonderland is out on the shelves, as we speak (figuratively) and if you’re in Ottawa, check out the launch and readings at The 3 Brewers/Les 3 Brasseurs.
There is a great lineup of writers and it’s also available through Exile Editions and Amazon. I hope to have a reading in Vancouver in June. More details as they come.
I’m also editing Eye to the Telescope #29. The theme is the Dark. I want to see how one fights the dark or succumbs to it. How the dark enhances light, or obscures truth. What blooms in the darkest shadows and what is better left there. Click to go to the guidelines. I look at all forms of poems. Reprints will be a harder sell but if you think it’s stellar I might consider it. Eye to the Telescope is part of the Speculative Fiction Poetry Association (though they don’t seem to have changed the name yet on the site), which also publishes Starline. You do not have to be a member to submit, and anyone anywhere can submit as long as it’s in English, so if you think you have a poem that embraces the dark, send it in before June 15.
In publishing news, my story “Sir Tor and the River Maiden” will be out in By the Light of Camelot, published by Edge Publishing, edited by J.R. Campbell and Shannon Allen. It’s available as an ebook in July. There are 13 tales in this anthology.
And a fun little sea shanty “Washday Blues” has been published in Polar Borealis #6, a collection of Canadian poetry and fiction that’s free to read.
There are other things in the works, including a trip to the UK this fall for the launch of my dark fiction collection from Black Shuck books, A Body of Work.
Now, I have to get back to writing and editing, and getting some more poet interviews up.
Clive Owen in King Arthur
I love historical films, or period piece movies, where the setting is of a different time and especially of a different culture. Once you go pre-Industrial era you’re dealing with huge (or sometimes small) battles involving cutlasses, swords, spears, maces, arrows, catapults, boiling oil, inaccurate muskets, canons and a whole host of hand to hand combat. With the medieval era or early there is still this romanticism about the noble knight, a holdover from Victorian notions that Hollywood has embraced. Sure, war scenes have become gorier, with bodies being skewered and sliced, and blood spraying everywhere. Reality would be the reason the directors would give. But even they fall victim to romanticism, so that even if a movie looks historically accurate in terms of costume and setting, they’ll veer in actual actions and attitudes.
- The mounted fighter will leap off his horse to battle the hordes on the ground. Not in a million years. The difference between a mounted fighter and one on fought was astronomical. Horses and armor were so expensive that those who had these items were pretty much guaranteed to be knights. The term chevalier comes from the Latin caballarius meaning horseman. It was the French word for knight and a noble. Because of the expense of a horse the knight would not give up his mount easily, nor would he lose the advantage he had of literally being head and shoulders above the crowd. It meant superior mobility, better viewing of the battle and powerful blows from above. The knight would stay mounted as long as he could, until he was either pulled off his horse or his horse was killed.
- The noble knight wears no helmet in battle or tears it off in the final face-to-face with the foe. So, what is the point of wearing armor if you remove parts of it, especially when fighting the more experienced warrior? Armor, like those horses, was expensive and you didn’t want to lose your helmet amongst the gore on the field. Not to mention, leave you head bare to being sliced up? I’ll mention here too that the helmets are usually tied, buckled or clipped on to stop them from toppling off with any knock. Maybe not all were, but they would have covered the faces and necks and would not sit jauntily atop the head. I’m no armor expert but I know enough that you have to affix your armor so it stays in place. Clive Owen as Arturius (Arthur) above wore his helmet in battle but his dying comrades didn’t always.
- Armor is black, especially if you’re noble or a bad guy. Before about the 1600s black was a dye color that was extremely difficult to procure, if you could get it at all, and came from black walnut and oak galls. It was therefore very expensive. If you managed to get some of this dye,would you waste it on armor when it was going to get scuffed and hacked at? No. You’d use it on your clothing. The lower classes got the more washed out colors of blue, green, brown, yellow and pink. No one would have black armor unless the metal itself was black and that too would have been rare. Even if movies have no battles this is the biggest mistake made.
- Traveling through the snowy, cold mountains with your cloak billowing behind you, if you’re wearing one. Early armor was made of leather boiled in beeswax. Then there was chain mail and later, plate metal. Some armor could be a combination of two or three of these things. Any metal was cold so warriors always had padding beneath, for keeping the metal off the skin to stop chafing, bruising and cuts, and to insulate. If it was cold enough to wear a cloak and still need to wear your armor while traveling through hostile territory, you would have it billowing nobly behind you. What’s the point? To look like Superman? It certainly wouldn’t serve the purpose it was made for, which was warmth. Everything in those early centuries was handmade and not cheap to replace.
I’m sure there are more inconsistencies and inaccuracies in those movies that show battles. I won’t even touch on the World War movies as I don’t watch many of those. If you have any pet peeve with Hollywood’s mutilation of history, let me know.