Tag Archives: HBO

Fashion: How Movies Corrupt History

I’m not talking the thousand dollar (plus) frocks that actors wear during the Oscar ceremonies. I’m talking about historical (or pseudo-historical period pieces). There are a full range of historical movies from the earliest eras of humankind up to World War or gangster films. All of these take a fair amount of research and knowledge on the costume designer’s part to recreate the era and the feel of the time. Sometimes the director and cinematographer may want a particular atmosphere, so costumes might be brighter or subdued in color range. They might be conservative or very outre in appearance depending on that movie’s theme. A costume designer might take some leeway depending on the depth of their research, what is know about a particular period, and what the director wants (which of course can hugely frustrate the sensibilities of the costume designer).

Now I’m not a costume historian, as in I don’t have a degree of any sort in this. However I have a keen interest in historical costume with some 50 books at home. I also love period piece films and will go partly for the historicity of the movie and of course for the costumes. I can usually pinpoint a century, or a decade if in the 20th century, by the clothing alone, if not the story. It gets sketchier the earlier we go but I can still pretty much tell a Roman and Greek era film and know what should be right.

One of my big pet peeves is that should a movie make an attempt at being historically accurate in clothing, that they tend to veer wildly the more important the character, especially if the character is a woman. The earlier the film, the more likely this will be. Here are a few examples of really sad costuming in movies and TV series. Gladiator. You would think with their big movie budget and names they could have tried a bit harder and really how many women were in that film? But in fact both the crazy emperor Commodus played by Joaquin Phoenix and the love interest and only woman in the film with any major part, Lucilla tend to have some iffy contrivances. Plunging necklines and tightly wrapped robes appeared. Some of the helmets for the men became pretty fantastical and veer from what would have been worn for actual combat as opposed to ceremonial helms.

More recently I watched the HBO series Rome. The lot of the average Roman is a gritty existence. It’s mostly about common men but there are the “nobler” groups and their political machinations as well. Though I’m somewhat dubious of the manly armbraces that Vorenus and Pullo wear all the time (as they’re not going to stop more than a light nick with a knife) the men’s clothing seems okay. I’m not very interested in military outfits but given that armies like the Roman legions would have supplied some uniform, they might have asked for the weapons back but let the men keep the basic tunic. People wouldn’t have had many changes of clothing and would have worn their tunics to shreds so it’s likely that the guys left the army with the basic tunic. The show seems to have got right the robes, as well as those of citizens and senate, and who would wear the large red or white togas.

There are many major female characters in this show and the one that probably wears the most historically accurate garments is Lucius Vorenus’s wife Niobe, who must hide her earlier adultery. Her garments are the basic chiton, peplos or stola. All clothing of these early eras still followed rectangular construction. Why? Because everything was woven on looms by hand and was expensive and time-consuming to make. A person would construct their garment, never wasting even an inch. Every scrap was used and before sewing techniques and inventions developed, rectangles were easiest.

I’m more up on women’s clothing and though it’s fuzzier when it comes to Roman I can tell you that almost everything the conniving, amoral Atia wears is pseudo Roman to downright fantasy. Plunging necklines and clinging items bound and wrapped in all sorts of ways defies anything but modern convention. Let’s not even go into the fabric, which would be most commonly woven wool and linen. Cotton and silk would have been rare, imported and expensive in that era so it’s possible the richest people and the emperor would have some pieces of this. I’m more willing to allow leeway in textiles as long as they look right.

Rome tried with the men’s clothing, mostly. It tried with the background and peasant/lower classes but once it go to opulence the centuries flew by. When we followed Mark Antony in Egypt, oh my god. I could not believe the stupidly bizarre take on Egyptian clothing and wigs. What were they thinking? The stuff was ludicrous. Interestingly enough, we’re more likely to see authenticity in later period pieces because when you get to Baroque and Roccoco, the women’s clothing couldn’t have been more extravagant. Still, there are good and bad shows.

Brotherhood of the Wolf, which came out in 2001 took place in the 18th century and had very good costuming. The storyline was equally well done and it’s worth watching. There are a few costume weirdnesses here with the unkempt village folk/cult followers that kind of resemble crazed, Mad Max biker guys and I question that but am willing to accept some of it. But most of the main costuming, including the women’s, was appropriate to the period and well done.

I was going to get into the new series Spartacus: Blood and Sand but I’ll just do that as a review of the first couple of episodes. As for costuming in period movies, it would be nice if directors (and costume departments) could decide to do a piece without dressing every woman like a modern vixen. And in fact, with Roman and Greek clothing, the natural drape of a peplos could have a very low neckline and an open side right up to the waist to boot. There are few movies that would get an A+ in costuming. I’d give Gladiator a B+, Rome a B- and Brotherhood of the Wolf an A.


Filed under art, Culture, entertainment, fashion, history, movies

Movie Fallacies: Eyeglasses

The movies are notorious for giving us views of the world that don’t actually reflect reality. Granted, movies are make-believe, there are those “realistic” ones that still skew the truth. Early operatic Valkyries colored people’s views of Vikings and it is still popular to see hulking Norse berserkers with giant horns (or wings) on their helmets, when in fact, archeological evidence indicates this was never the case. There was one helm with straight conical horns and deemed ceremonial due to the decorations, rather than functional.

Now, if we look at Hollywood’s view of intelligence, it almost always involves glasses, especially for women. If a woman isn’t portrayed as a vixen or a housewife, then inevitably she wears glasses so that we know she couldn’t possibly be sexy and therefore must be intelligent (because no way can Hollywood fathom sexy and intelligent–sexy and devious yes, but not straight-on I’m-going-to-solve-this-crisis smart).

Sometimes synonymous with eyeglass intelligence is that of nerdiness. Your nerd, more often guys than not, in any movie is often connected to a computer and wears glasses; big glasses, nerdy glasses. Once in a while you may have an exception, the guy that works a computer all the time but doesn’t wear glasses but it’s rare. Tom Cruise or some other star might, in the role of his Mission Impossible character, need to use a computer but he doesn’t have to wear glasses. Even Tosh in Torchwood, when she’s at the computer puts glasses on.

And that’s what happens to most “intelligent” women, no matter their age in a movie or TV show. As soon as they’re at a computer they wear glasses. Because Hollywood thinks we won’t believe a person’s intelligence without that very noticeable symbol. Although most people don’t need reading glasses until they’re in their 40s or 50s you would think, by Hollywood standards, that everyone is going farsighted early. When I worked on Level 9  for its brief life, the show (about cybercops) was full of computer users but one young woman had to toss glasses on each time at the computer, because that’s just what computer users do. I’m sitting here right now typing without glasses and I do need reading  glasses in low light.

Hollywood’s second name is stereotype. All those old westerns had the good guys in white (or light colors for B&W) and the bad guys in black. Then The Avengers came along and sexy, competent Emma Peel wore black. Gotta give that show credit for mixing it up a bit at an early age.

Next time you’re watching a show that has an intelligent woman in it, check to see if she’s ever sexy in her glasses (also a rarity) or if she is only ever dressed to kill minus the eyewear. And look for that sign of her intelligence when she puts her glasses on, no matter how young she is. And check those nerdy scientist guys. Even if they’re good looking hunks, chances are, if they’re scientists or tied to computers, they’re going to have the eyeglasses (and maybe even the ubiquitous white lab coat).

Hollywood is certainly not into leading in the forefront and often into perpetuating stereotypes. I’m betting some of the HBO shows break those stereotypical taboos more than other stations. Maybe PBS too. It would be interesting to do a survey and see who the worst offenders are, or if it’s the formulaic movies. Signing off, without glasses, and with intelligence.


Filed under Culture, entertainment, fashion, movies, myth, people