Tag Archives: Catherine MacLeod

Tesseracts 17 Interview: Catherine MacLeod

anthology, speculative fiction, SF, fantasy, Canadian authors

Tesseracts 17 is now out with tales from Canadian writers that span all times and places.

Today I interview Catherine MacLeod, who lives in Nova Scotia. Tesseracts 17 is available in bookstores and through the internet.

CA: Pique Assiette deals with a secret and a fear, and how they twine together. Yet your character does not succumb to the darkest parts of either of these. Why did you choose not to go down that path?

Mostly because it would’ve been too easy. Myself, I’ve taken the easy way out too many times. I wish I could say I’m better than that, but I’m not. But it makes me feel better if my characters are.

CA: The technique of pique assiette was fascinating to read about and it parallels the mosaic aspect of your character’s life as she pieces together her destiny. Where did you first come across the craft and the idea for this story?

I first read about it in an old “Martha Stewart’s Living” at the Laundromat. The photo accompanying the article showed a patio table topped with pieces of smashed pottery. Beautiful. I wasn’t interested in trying it, but I liked the idea of it enough to keep researching.

CA: Do you think most peoples’ lives are mosaics, where some pieces take longer to assemble, like a puzzle before they’re truly understood?

Absolutely. Most of them never get finished. I use this theme a lot in my stories. Every choice, idea, stroke of luck, is a piece of the big picture.

CA: Your story could have been a tale of redemption or revenge, yet it is one of acceptance. Is this what you set out to accomplish or was it a

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Catherine MacLeod writes of mosaics and murder in Pique Assiette.

natural evolution?

It felt natural to me. I’m come to an age where I’ve realized that the best thing about banging your head on a brick wall is stopping–if you can’t fight something, you have to find a way to live with it. But I think this is a revenge story, too–things aren’t likely to end well for Diane’s latest customer.

CA: What other pieces are you working on that you care to share with us?

My story “The Attic” will be in Ellen Datlow’s anthology Fearful Symmetries, coming out next spring from CZP. That sale meant I could cross quite a few things off my bucket list.

Nova Scotian writer Catherine MacLeod’s short fiction can be found in On Spec, Solaris, Black Static, TaleBones, and several anthologies, including Horror Library #4, Tesseracts Six, Tesseracts Fourteen, and The Living Dead 2. She is haunted by Astor Piazzola’s music, Andrew Davidson’s prose, and Derek Jacobi’s voice.

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Women in Horror: Catherine MacLeod

women's rights, equality, sexism, women in horror, fiction writing, horror

Women in Horror Month, sponsored by the Viscera Organization

Women in Horror Month is sponsored by the Viscera Organization. This group tries to highlight women in film and other arts related to horror to give equal representation. Their vision and mission statements are at the end of this article. Now, here is another Canadian woman who writes about the dark side of life: Catherine MacLeod.


My story “The Salamander’s Waltz” will be out in Chilling Tales 2 from Edge Publishing this fall. I’ve had a productive winter, working on several new stories, and finding lots of odd hours to write. I find that, generally, a nor’easter will give you all the time you need.

1. Why do you write dark fiction/ horror? Some people consider it only a sensationalistic tableau. Why this genre over others or do you span the literary landscape? 

I write horror because it’s what I like to read. I’m not good at watching it, though. Season of  The Walking Dead? Thank God for the pause button.

2. What dark themes do you explore in your fiction?

Children in peril. I can’t think of anything more horrifying. Loneliness. Betrayal.

3. Do you feel horror/ dark fiction is an important genre and why; what does it bring to the table or allow you to explore? Who inspired you?

Horror is the genre I understand best. (I tell people I’m a professional coward.) I’ll probably never solve a murder or catch a spy, and happily-ever-after isn’t even in my lexicon, but I’ve got fear down pat.

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Chilling Tales 2 is out this fall, with a story by Catherine.

My biggest inspirations were Ray Bradbury and Rod Serling, who taught me that darkness can be beautiful, and Stephen King, who taught me that it lives next door. King’s novel, Salem’s Lot, was a revelation. Up until then I’d been reading M.R. James, Saki, William Hope Hodgson. All great writers, but they wrote about people I couldn’t quite imagine, doing things I didn’t quite understand, in places I’d never seen. There was always some distance between me and the story. There was none between me and Salem’s Lot. I live in that little town; I know those people. Salem’s Lot got right in my face. In a manner of speaking, it brought horror home to me.

4.  Do you feel women are under-represented in any way in the speculative arena or do you think there is more focus on them than on men? (Or examples of how there is a balance.)

Honestly, I don’t think about it much.

5. Abuse against women is worldwide: the gang rape of the Indian woman, women assaulted in various terrorist attacks or protests against regimes (Egypt, Syria, etc. throughout time), domestic violence and murder at the hands of boyfriends, fathers, families and husbands, sexist representation, being treated as second class citizens or possessions and made to dress in a particular way, etc. With all that’s going on, what do you want to say about where women are and what we can do to stem the tide? 

Last year a man told me, “Stories like yours just bring more evil into the world.” He explained that by encouraging people to believe in evil I was making it stronger. Then he started talking about the Stephen King story he was reading. Apparently he didn’t see anything wrong with a man having that kind of power.

(For the record, I think the evil is already here, and that it gets stronger when we look away. I don’t think my stories make much difference either way.)

6. Lastly, this is your space to add anything else you would want to say.

Usually I just work in a quiet corner, hoping to write something good enough to get read. It gets lonely sometimes. I appreciate the light that Women in Horror Month shines into my corner.

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Women in Horror Recognition Month (WiHM) assists underrepresented female genre artists in gaining opportunities, exposure, and education through altruistic events, printed material, articles, interviews, and online support. WiHM seeks to expose and break down social constructs and miscommunication between female professionals while simultaneously educating the public about discrimination and how they can assist the female gender in reaching equality.


A world wherein all individuals are equally given the opportunity to create, share, and exploit their concept of life, pain, and freedom of expression.



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