Category Archives: Publishing

Playground of Lost Toys Interviews: Lalumière & Parisien

Lost ToysToday’s authors from Playground of Lost Toys are Claude Lalumière and Dominik Parisien. Their tales range from terror to nostalgic, but both cover grief in very different ways and look at the strong ties of family.

Claude Lalumière has authored many stories and several books. “Less Than Katherine” is a very visceral story, and disturbing. I like stories that make me think and leave a lingering sense, whether of joy or horror.

  1. What was your main reason for submitting a story to Playground of Lost Toys?

I have an obsession to try to be on the table of contents to as many Canadian (and sometimes non-Canadian) theme anthologies as I can. I love flexing that imaginative muscle, to try to find my own stories to tell within the context of a theme I might not otherwise think of.

  1. Does your story relate at all to anything from your own childhood?

Not at all. I have no idea where “Less than Katherine” came from. From Claudesome dark recess of my imagination I don’t have full conscious access to, I suppose.

  1. What theme or idea were you exploring in your story?

That’s for the readers to discover. Whatever I put in the story, consciously or subconsciously, has little or nothing to do with what readers will bring to it, what ideas and themes they will find in it.

  1. What else would you like to say about your story or the theme of the anthology?

The deadline was nearing for Playground of Lost Toys, and I feared I might not come up with anything. Then, one morning, probably too close to the deadline, I woke up with “Less than Katherine” in my mind, completely unbidden, and I wrote it as fast as I could, in three sittings.

  1. What other projects do you have in the works, or pieces people can buy, or places to find you in the coming year?

I’m the author of Objects of Worship (2009), The Door to Lost Pages (2011), and Nocturnes and Other Nocturnes (2013). My fourth book, Venera Dreams, is coming out in 2017 from Guernica Editions. Aside from Playground of Lost Toys, other recent Canadian anthologies that feature my work include: Licence Expired: The Unauthorized James Bond, edited by Madeline Ashby & David Nickle; Fractured: Tales of the Canadian Post-Apocalypse, edited by Silvia Moreno-Garcia; Tesseracts Seventeen, edited by Colleen Anderson & Steve Vernon; Chilling Tales: In Words, Alas, Drown I, edited by Michael Kelly; Dead North: Canadian Zombie Fiction, edited by Silvia Moreno-Garcia. My website is at claudepages.info. I’m going to be at Eurocon in Barcelona on the first weekend of November 2016 (some other 2016 appearances are already scheduled, but I can’t talk about them yet).

Dominik Parisien’s story is ephemeral yet latches onto your heart and pulls. Ghosts may not be something you think of with toys and games, but the games of make believe are sometimes our most vital and imaginative.

  1. What was your main reason for submitting a story to Playground of Lost Toys? And What theme or idea were you exploring in your story?

Memory is a recurring theme in my work in general, but particularly in how it relates to children and the elderly. As Colleen mentioned in her introduction, the “playground of thoughts” is an ideal environment in which to explore memories, for individuals of all ages, so that’s what I decided to do here for Playground of Lost Toys.

2. Does your story relate at all to anything from your own childhood? 3.  What else would you like to say about your story or the theme of the anthology?

Dominik_ParisienI’ve wanted to write about a drowned village for years. My late grandfather, Alfred Joanisse, grew up in le Chenail, a village by the Ottawa River that was submerged (relocated for the most part) when the government built the Carillon dam near Hawkesbury. I grew up hearing stories about the village – he even brought me to the remaining stretch of land on several occasions and I still visit when I can–and le Chenail has haunted my imaginative landscape ever since. I tried writing about it repeatedly, but the emotional core of the story eluded me. After grandpa passed I could never quite manage to write about him, or his village. It felt too real, too close. Eventually, I decided to try my hand at the story again (it’s been five years since his death). This time everything clicked. The village here isn’t exactly le Chenail, it’s a composite of that and some of the Lost Villages of the Saint Lawrence River. The people here too are composites, drawn up from family, friends, and some of the elderly I’ve done volunteer work with over the years. It might just be my favourite thing I’ve written so far.

4. What other projects do you have in the works, or pieces people can buy, or places to find you in the coming year?

Other than “Goodbye is a Mouthful of Water,” I have several editorial projects coming up. The first is the very first anthology of Canadian steampunk, Clockwork Canada. The ToC can be found here and it includes two PLT writers: Rati Mehrotra and Kate Story–Clockwork Canada on BlackGate.com.  Clockwork Canada will also be published by Exile Editions in May 2016.

In addition, I co-edited an anthology of original fairy tale retellings with Navah Wolfe for Saga Press, an imprint of Simon & Schuster. The book features an all-star group of contributors and the ToC is available here: The Starlit Wood. It will published in October 2016.

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Playground of Lost Toys Interviews: Daigle & Carreiro

Lost ToysToday, I have Christine Daigle, whose story “Of Dandelions and Magic” speaks very well to that magic and loss we can experience as children. This is the stuffy story we chose though we had many for the anthology.

I also have Lisa Carreiro, author of “Makour.” This tale is darker and speaks of redemption as well as perseverance by tying into memories from childhood.

  1. What was your main reason for submitting a story to Playground of Lost Toys?

Exile Editions’ history of publishing diverse voices in Canadian fiction was definitely part of the motivation, but the call for submissions to this particular anthology spoke to me because it seemed to be in the vein of what I write; weird sci-fi/fantasy, often with hints of fairytales and dreams.

  1. Does your story relate at all to anything from your own childhood?

    writing, Canadian authors, rabbit stuffie, stuffed toys

    Christine Daigle is author of “Of Dandelions and Magic”

“Of Dandelions and Magic” relates more to my son’s childhood. He has a “towel duck” that’s nearly eight years old and quite ratty. On his last birthday, he wished it would turn into a real duck. Around the same time, our seven-year-old rabbit died and my son started asking me to tell him stories with the rabbit as the star. The initial idea for this story came to life as I pushed him on a swing.

I did, however, have a threadbare doggy as a child that I carried around in the crook of my elbow until stuffing started escaping through the hole I’d worn into the neck, just above the windup key for the music box.

  1. What theme or idea were you exploring in your story?

I was exploring the idea that we lose the beliefs we held as children and, as adults, it’s hard to see the world as a magical place, even if our desire to do so is strong. As we journey back in time to try to recover pieces of ourselves, it’s difficult because we’re fragmented. When we are kids, the world is a frightening place, and as adults, nothing really changes except our ability to filter what we say and to decide what thoughts we choose to listen to. We never really have all the answers, and we don’t really need to have all the answers to keep living with the wonder of a child.

  1. Is there anything else you would like to say about your story or the theme of the anthology.

Penelope Fitzgerald wrote, “The ambition of all children is to have their games taken seriously.” When I first read At Freddie’s, it struck me that Fitzgerald’s aphorism was a good one to file away for future exploration. I’m so glad to see this theme getting the anthology treatment!

  1. What other projects do you have in the works, pieces people can buy, or places to find you in the coming year?

My first co-authored novel, The Emerald Key, was published in July 2015 by Ticonderoga Publications. My most recent short fiction is forthcoming in Sci Phi Journal and the Street Magick anthology (Elder Signs Press). I’m putting the polish on another co-authored dark fiction novel steeped in Irish mythology. I’m planning to start looking for a home for that soon.

And here is Lisa Carreiro’s interview about “Makour.” Her story takes place in space, features dragons and trains. It’s one of two stories that has a train in it.

  1. What was your main reason for submitting a story to Playground of Lost Toys?

“Makour” was inspired by the theme “Lost Toys,” which immediately set my imagination in motion. I’d had the two characters, Pascal and Keirdran, rattling around in my head, but set nothing on the page because none of the escape scenarios worked for me. The word “toys” was the prompt I needed.

2. Does your story relate at all to anything from your own childhood?

As a kid, we had a toy farm set with plastic animals. The foal became my special toy: I endowed that wee bit of plastic with superpowers. He flew everywhere, he rescued the other farm animal toys from all kinds of dangers, and he had adventures throughout the house. I invented dozens of scenarios, always leaving a mess of scattered toys in my room; usually with the foal on top of the dresser watching over the others. I don’t know what happened to it; I simply outgrew it.

3.  What theme or idea were you exploring in your story?

SF, space, dragons, trains

Lisa Carreiro wrote “Makour” a story that spans the far reaches of space and the determination that keeps people going.

The lost toys theme also set me thinking about all those things we lose as we age, not just the toys we loved. Although my childhood in no way resembles Pascal’s, many adults think back on a time, a place, a person, or an object with nostalgia or affection, or perhaps grief for what’s lost. Add a measure of adventure–in this instance journeying among the stars–and possibilities for exploring the theme multiply.

4. Is there anything else you would like to say about your story or the theme of the anthology.

Like many writers, I work around a “day job” that pays the bills. I’ve written fewer shorts in recent years while concentrating on finishing a novel, which I’m about to send out. With that done, I’m focusing again on the short stories. At the present I’m finishing up and polishing a few, which are just about ready: everything from a man who finds a youth who claims to be a god who’s fallen from the sky to a woman travelling to Proxima Centauri with a crew of genetically enhanced tigers.

5.  What other projects do you have in the works, pieces people can buy, or places to find you in the coming year?

Some of my earlier short stories have appeared in Tesseracts Eleven, On Spec, and Strange Horizons.

Thanks again to Lisa and Christine. I’ll bring more interviews in a few days when next I meet the internet.

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Writing: Playground of Lost Toys Interview: Cockle

Lost Toys.jpg

Playground of Lost Toys, published by Exile Editions

Just in time for the holiday season is the release of Playground of Lost Toys, co-edited by Ursula Pflug and me. It is published by Canadian publisher Exile Editions, and available in trade paperback or as an ebook. This is a collection of stories by various authors that center around toys or games, a sense of something lost or found and that connects in some way to childhood.

With that premise we put out a call this year and gathered a wide range of stories from authors. At first we were getting worried. In any genre or style of story there are familiar and popular tropes. For stories about toys, we’ve seen some of these used over and over again in TV and movies, whether they’re creepy or nostalgic. Look at the Chucky horror movies and others that use creepy dolls come to life with a demonic intent. Teddy bears and stuffed animals also are imbued with a strange form of life in a thing that mimics like a living creature. Whether it’s scurrilous teddy bears like the movie Ted, or savior dolls like Buzz Lightyear in Toy Story (much rarer than devil dolls, by far), these childhood toys are very common in stories.

And so it seemed that we were going to end up with tales that did not vary greatly. Many were predictable. I refined the guidelines and we put out notice that we would take very few doll or stuffy stories. After all, the anthology was about all sorts of toys, even alien toys, but it wasn’t a collection of doll stories only. In the end we received a good range of stories, from science fiction to fantasy to horror. I won’t go on longer or I’ll run out of time but I asked the authors to answer a few interview questions. I’ll post these as I can but I’ll start today with Kevin Cockle.

1. What was your main reason for submitting a story to Playground of Lost Toys.

 Basically, if I’ve got an idea that fits the antho parameters, and a beginning/middle/end – I’ll submit a story.  I never leave any story I’ve written unsent.

2. Does your story relate at all to anything from your own childhood.

God, no.  At least, nothing about the dramatic situation relates.  I HAVE had a  balero since childhood, and it is difficult to play, and I am pretty good at it, but that’s about it for similarity.

balero(1)

Kevin Cockle’s balero. Photo by Kevin

 3. What theme or idea were you exploring in your story. 

In broad terms, I was exploring the role “place” plays in identity.  Since there’s a natural tension between markets and identity, I contextualized the exploration within a world where citizenship has been privatized.  You get to stay in a place if you can afford to: you’re not entitled to stay there simply because you were born there.  Cue anxiety.

4. Is there anything else to do with your story or the theme of the anthology you wish to mention?

I had already been thinking about the background concepts – and I had some pre-existing story fragments written – but the “toy” aspect initially made me think I couldn’t participate in this project.  Then I remembered the balero, and was able to make the game mechanics the frame for the story.  You could say that this story in its final form was more a case of “splicing” than writing per-se.  Worked out well – prior to PoLT – I wasn’t getting anywhere with the dramatization of these ideas.

5. What other projects do you have in the works, pieces people can buy, or places to find you in the coming year. 

My debut novel Spawning Ground will be coming out in 2016, from Tyche Books.  The background world is similar to the one I sketched in “Balero,” and once again the implications of market-norms for identity will be explored.  I also have a story coming up in Tesseracts 19, and a couple of film projects in various stages of pre-production.  The Whale – a short film I co-wrote with Mike Peterson made it into Cannes this year, so keep an eye out for that on the film-festival circuit.

Thanks to Kevin for answering the interview. The holidays are hitting but where I can I’ll post more interviews so stay tuned.

 

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Writing Update and Free Book Giveaway

More news on the writing front, which has kept me seriously busy.

erotica, books, writing, historical, Greek

Dance of the Minotaur, by T.C. Calligari

So, in reverse order: I write different types of fiction and have some late summer sizzlers now available. Until Thursday you can get a free download of two books on Amazon.com. That’s right! Absolutely free. They are Crossing the Line: Four Sultry Tales of Submission and Dance of the Minotaur. The second is historically set. Yes, these are erotic tales, so be forewarned. Go ahead and download them (click on any underlined title), spread the word, and if you are so inclined, please leave a review. The kindle app can be downloaded to your computer and you can read them that way if you have to reader device.

fantasy, myth, poetry, writing

Pantheon Magazine’s Nyx issue

New out in the last few months: “the moon: Fever Dream” has just come out in PantheonMagazine’s Nyx issue. Also available on Amazon. “Scar Tissue,” written with Rhea Rose, is coming out in Second Contacts from Bundoran Press and should be on the shelves soon. Another free to read poem is “Persephone Dreams: Awakening” in Eternal Haunted Summer’s Summer Solstice issue.

There are alas, some long delayed works that I’m still waiting to see from Nameless, Burning Maiden, Our World of Horror and OnSpec. I’m hoping those will all come out this year. Other recent works include “Asylum” in nEvermore: Tales of Mystery, Murder and the Macabre, based on stories from Edgar Allan Poe. It’s available on Amazon as an ebook and pre-order for paper, due Oct. 1. The Best of Horror Library Volumes 1-5 includes “Exegesis of the Insecta Apocrypha,” which received an honorable mention in the Year’s Best Horror is doing very well and currently #1 on Amazon in hot new releases.

Yet to come and recent sales include selling “Hold Back the Night” to Blood in the Rain. This is a vampire anthology and my story is a reprint first published in Open Space. It was shortlisted for several awards and received honorable mentions in the Year’s Best anthologies of SF and of Fantasy. I’m pleased it’s going to appear again. I’ve also sold “Buffalo Gals” to Clockwork Canada. Edited by Dominik Parisien, this collection of Canadian tales will look at alternate histories where steampunk redefines the face of Canada. I believe both of these tales will come out last year.

The Playground of Lost Toys has been completed by Ursula Pflug and I. It’s an anthology due out from Exile Editions this November and contains 22 tales about toys and games. They range from humorous to darkly disturbing and from fantasy to SF to horror. I think it’s a good collection that explores toys, games, childhood, nostalgia, loss, love and many other things very well. On top of that I completed my synopses for books 2 & 3 and have sent the whole kaboodle to an agent. I’m trying not to bite my nails. And last, but not least, I’ve written 33 new poems for a poetry book competition. They just need a few more tweaks and I’ll be submitting it.

This is why I haven’t been posting very often. I’ve just been far too busy of late. In October I’m going to the Stanley Hotel Writers Retreat in Colorado. This is the hotel that inspired Stephen King’s The Shining. I plan to start a new novel that will take place in the world of my Evolve story “An Ember Amongst the Fallen” but a few centuries before. I’m hoping I can post a bit more often, so stay tuned for more writing news and just other pieces about stuff.🙂

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Writing Update

Okay, someone is sucking time away. I haven’t posted for a while for several reasons. I went to Spain in April and there will be pictures about that eventually but I’m also co-editing The Playground of Lost Toys with Ursula Pflug. Submissions closed on April 30 and we had 150 in all. We’re down to our last 30 subs and there will be between 16-25 stories in the final selection. Right now, we probably will have to cut four more stories from our yes list, but we’re rereading, editing the stories, weighing SF to fantasy, as well as types of toys/games. That’s taking up all of my time beyond my day job. Oh how I wish I could just edit and write all the time.

Top Pet Peeves on Submissions:

  1. Not following submission format. Some stories came without author names, addresses, word count (super annoying) and not double spaced. Editors ask for this for a reason. The next anthology I edit will have a very strict rule on this. You don’t follow–I don’t read, and reject.
  2. Sending a story that had no speculative element in it. If you don’t know what this means, google it. We even said fantasy, SF, horror, magic realism, etc. Really, people, (and some of you know better) did you think we’d just ignore this because your story was awesome?
  3. Sending a story that didn’t have a toy or a game. As above we had specific guidelines that said this must be integral to the story. A wide interpretation was allowed but some people took it down to a thin thread.
  4. Not proofreading stories. I’ll allow some grammatical issues, especially in newer writers who are still learning their craft, but everyone can run a spellcheck. Rereading your piece helps, and it can save aggravating your editors.🙂
  5. Both too many stories of stuffies and dolls, when there are worlds of possibility. We were worried at first that people were just not using their imagination to think beyond the box. There were some very good stuffy and doll stories; and there may be one or two in the anthology, but remember this whenever you’re submitting to any themed anthology: there are popular tropes and you have a better chance if you go for something unique.

Besides the editing for the anthology, I had a rewrite to do, and planned to get my novel manuscript off to an agent before I left for Spain. I did that! But! Turns out the agent wants old school, which means printing the massive tome (folks, make sure you use proper manuscript format if you ever submit to an editor or an agent). But the agent also wanted an outline for books 2 & 3. When I emailed everything I was told, that they should be synopses, not outlines. So…I still have to do that. When I’m done editing. I’m also working on 50 new poems by September. I have the roughs but next will be researching and refining, after the editing, after the synopses.

poetry, myth, fantasy, fairy tales

Walter Crane

Now, I do have a few things that have come out recently or are due up in the next couple of weeks. You can read my poems “I Dreamed a World” up at Polu Texni, and “Morrigan’s Song” up at Heroic Fantasy Quarterly. Both are free to read. The story “Shaping Destiny” is available at Black Treacle and there is a free Smashwords version. The site should also have it in the next couple of weeks. And out of Scotland is the new ezine, Shoreline of InfinityMy flash fiction piece “Symbiosis” will also be up by June. You’ll have to pay for this one but you will get other stories as well.

Recent stories that have been published are my erotic noir story “Pearls and Swine” in New Canadian Noir, available through Exile Editions, and “Exegesis of the Insecta Apocrypha” republished in The Best of Horror Library, Vol. 1-5. This story originally received an honorable mention in the Year’s Best Horror, and I was recently contacted by an agent. But I have no horror novels, so guess what is on my list as well?

There are other poems and stories coming out later this year but for now, this is my holdover until I can blog about more.

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Publishing News

horror, dark fiction, short stories, fantasy

Issue #71, only the third all-fiction issue in 25 years.

Okay, this is really sad, and I’m not talking about all the annoying changes WordPress is making. I’m talking about tooting my own horn. Sigh.  The following paragraphs in italics are what I started writing 8 months ago. Good God!

I’ve been so remiss on my updates here that I’ve neglected to mention the pieces that have come out this year and that I’ve sold. In May, “The Collector” came out in Cemetery Dance magazine. From submission to publication, this story took 6 years. That’s a record but it was worth the wait.

Last fall, “Gingerbread People” was published by EDGE Publishing in Chilling Tales 2: In Words Alas Drown I. Unfortunately many magazines and anthologies never get reviewed but there is a short one up at Bitten by Books and Tangent. However, be forewarned that Tangent reviews tend to give summations of the stories as well.

So, continuing on from there, just a note that “The Collector” is eligible for a Nebula, Hugo or World Fantasy nomination. Not that that will happen much as I’m still a fairly unknown pea in a pod. I actually had very little published last year. It sometimes happens like that, with sales happening one year and the publication in the next. I did also sell the poem “Family Tree” to They have to Take You in, a book published in Ontario and edited by Ursula Pflug.

fantasy, horror, speculative fiction, writing

Imaginarium: Best of Canadian Spec Writing

Now, for this year, there is a ton of news! “The Book With No End,” first published in Bibliotheca Fantastica, was reprinted in the current Imaginarium 3: The Best of Canadian Speculative Writing, from CZP. It came out in February, and this month “Pearls and Swine” came out in The Exile Book of New Canadian Noir, editied by David Nickle and Claude Lalumière. Polu Texni has also published another one of my poems, “I Dreamed a World,”  which is up and can be read for free.

Later this month (I hope) Burning Maiden will be published and I’ll be the feature poet with three poems. It’s from Evil Eye Press. “Sins of the Father” was sold to Our World of Horror, (Eldritch Press) and “Symbiosis” to Shoreline of Infinity, a new online mag out of Scotland. And “Our Lady of Redemption” should be out in Nameless Magazine sometime soon. There are also a couple of articles on monsters.

Rhea Rose and I sold “Scar Tissue” to Bundoran Press’s Second Contact anthology, about aliens after the initial introduction. “The Hedge Witch” will be published in OnSpec this summer and there are rumors of an interview. And “Persephone Dreams” will be published this summer in the online magazine Eternal Haunted Summer. Also, Horror Library is being resurrected and “Exegesis of the Insecta Apocrypha,” which received an honorable mention in the Year’s Best, will be reprinted in The Best of Horror Library, sometime later this year. There is one other story sold to a dark fiction anthology but more on that later when I’m allowed to mention it.🙂

noir, erotica, fantasy, anthologies, SF

Cover for the Exile Noir book. Available now and a collection of all noir genres.

So yes, I’ve been rather busy. And I’m co-editing The Playground of Lost Toys as mentioned a couple of posts ago. On top of that, I’m trying to write 50 new and dark poems by Sept. That’s a lot so I am working on them now. I’m about to send a manuscript and outlines off to an agent to see what will happen there. And in the meantime I’m also working on a few stories. I’ll be taking a good old fashioned blank book with me to Spain to do some old fashioned writing, as well as a tablet. It will be a vacation but writing will be involved.

I’m off to my best year for published works so I’ll see what the rest of the year brings.

 

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Writing: The Playground of Lost Toys

books, publishing, collection, reprints, ebooks, Smashwords, writing, book production

Creative Commons: Ninha Morandini

“Usually at least once in a person’s childhood we lose an object that at the time is invaluable and irreplaceable to us, although it is worthless to others. Many people remember that lost article for the rest of their lives. Whether it was a lucky pocketknife, a transparent plastic bracelet given to you by your father, a toy you had longed for and never expected to receive, but there it was under the tree on Christmas… it makes no difference what it was. If we describe it to others and explain why it was so important, even those who love us smile indulgently because to them it sounds like a trivial thing to lose. Kid stuff. But it is not. Those who forget about this object have lost a valuable, perhaps even crucial memory. Because something central to our younger self resided in that thing. When we lost it, for whatever reason, a part of us shifted permanently.”

Jonathan Carroll

Ursula Pflug and I will be co-editing a speculative anthology titled The Playground of Lost Toys. This will be published by Exile Editions, in time for the holiday season. See below for guidelines.

Our childhood toys embodied our emotions. We just knew our favourite doll loved us, and that our toy soldier was as brave as we would be if given the chance. A child easily attributes magical powers, personality or secrets to a coloured stone or a twisted stick, but don’t we continue to do so as adults, just in different ways? Certain objects accrue power from the home or the landscape, absorbing our dreams and wishes, and the elemental energies that lie buried in a sandbox, hidden in the closet, or in the bole of a tree.

writing, Canadian anthology, Steve Vernon, Colleen Anderson, Tesseracts 17, Edge Publications

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Stories should touch on wonder, mystery, dread, awe: the delight when a strange toy appears, or loss when a cherished plaything is broken. A tale might, for example, explore the classroom ritual of show and tell, or the lost and found box in the corner of the gym in the moon colony.

Toys are often gendered so that beloved hockey stick might belong to a girl and the flying figure skates to a boy. Dolls reflect not just societal notions about gender but also about diversity; Mattel, for example didn’t issue a black Barbie till the late 60’s and then amidst controversy. These tensions can all be rich sources of speculative inspiration!

anthology, writing, submissions

Creative commons: photosteve101, flickr

What if there was a Matryoshka doll where each smaller container held mysteries to the seven wonders of the world, or a toy spaceship that entered other dimensions? Imagine a paper fan that controls the wind, a whistle that calls back the dead, a Chinese tiger hand puppet that protects. While these suggestions are fantastical, we also want stories about “normal” toys in science fictional or fantastic settings. Additionally, the toy itself needs to appear or disappear, to be “lost” or “found.” This need not be the core of the story arc, but it should be an element. Toys don’t have to be physical but could be metaphorical or allegorical as well.

Speculative subgenres from steampunk to magic realism will be considered. Excessive gore will be a hard sell. Sex is okay, if it’s integral to the story. Tales that are multi-faceted and go beyond a simple nostalgic trip down memory’s lane will have a better chance. We welcome QUILTBAG and/or People of Colour authors. At least 90% of the authors must be Canadian (or pay taxes in Canada); we can consider only a small percentage from other locales.

SUBMISSION LENGTH: Original, unpublished prose up to 5,000. Slightly longer works are okay but query for longer lengths. No reprints, no multiple submissions. Canadian spelling. Please follow standard manuscript format. If you don’t know what that is google William Shunn’s manuscript format. If we reject your story before the deadline, you’re welcome to send another.

PAYMENT: .05/word

SUBMISSION PERIOD: Feb. 1, 2015-Apr. 30, 2015 (midnight PST)

RIGHTS: English World rights, one-year exclusive print and digital, non-exclusive reprint rights, Exile Editions

PUBLICATION DATE: Nov. 2015 (tentative)

SUBMISSIONS: Through submittable. (this link might not work until Feb. 1)

NOTE: If your address is outside of Canada, please indicate whether you are Canadian expat (and paying taxes to Canada) or what your citizenship is. We have very limited space for stories from outside of Canada.

We are getting a LOT of doll stories. Please note the guidelines. While a doll story or maybe two could be accepted, we won’t be taking all that many. This is to be a diverse anthologies that covers toys that were, toys that are and toys that are yet to be.  Think about the word “toy.” What do people toy with? There are adult toys; computers are toys, people are toys, animals have toys, aliens have toys. Go wild! Make something up and think outside the sandbox!

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Edgar Allan Poe and Crowdfunding

Poe, macabre, dark fantasy, horror, Gothic fiction, Edgar Allan Poe, crowdfunding

Poe themed coffin art by AhtheMacabra. There are only four and two are claimed.

I have to mention this particular crowdfunding because I just love it. There are many projects out there from books to gadgets and many add perks that entice people to donate. Not only do you often receive the item that the crowdfunding is for but you also get extras. With publishing it’s a hard numbers game. Costs of printing and distribution are set. So you have to add those costs into a cover price but if you go too high no one will buy your book. (For the purposes of this blog, book means paper and/or ebook.)

Publishers have to pay their staff and if they’re small or independent presses that staff might include unpaid interns or no one but the editor and possibly another dedicated soul or two. Those publishers have to pay their writers and while no book would exist without the writer, we are often at the bottom of the pay pile. I do not agree with publishing “for the love” as it’s called and believe that if you’re publishing a book for the love you should still pay the authors for their labor. Because of this structure, often paying everyone hinges on selling enough of a book. The publishers must market and sell and promote in as many ways as they can and a great amount of money can get caught up in marketing alone. These days the business models include the authors also trying to market themselves. And of course, there is crowdfunding, where you get a more direct piece of the pie and can buy into projects you might never have seen otherwise.

mystery fiction, Gothic fiction, fantasy anthology, Nancy Kilpatrick, Caro Soles

The anthology nEvermore! will collect tales from authors of mystery, murder and the macabre.

So I come to nEvermore! Tales of Murder, Mystery and the Macabre. Editors Nancy Kilpatrick and Caro Soles have come up with a great idea. The anthology will contain many tales. The indiegogo campaign says:

Poe is the father of the modern detective story.  And his genius at writing dark, supernatural tales and poems is legendary.  Poe wrote at a time when genres didn’t exist.  Readers wanted a good story; how it fit on a bookstore shelf didn’t matter.  We want to recapture that sense of excitement and discovery of short fiction. 

nEvermore! will bring together mystery writers who include a slash of the supernatural and dark fantasy/horror writers who slip across the shadows and touch on the mystery genre.  This will be a  “big book,” an homage to the glorious, Gothic style of the master, Edgar Allan Poe, bringing Poe-inspired fiction into the 21st century.  A book that will revive and refresh all of us who love to read short fiction! Help us create this unusual anthology.  Be a part of it!

poetry, Gothic fiction, Edge Publishing, horror, fiction crowdfunding, fantasy anthology

Living Dead Dolls of Poe and Annabell Lee, with coffin, raven and death certificate.

As with most crowdfundings, you donate different amounts and receive different or more perks. The perks here are wonderful and unique. For writers, there is a writing contest to be included in the anthology. For $50 you get “Descent into the Maelstrom,” which includes a nEvermore ebook, a free download of The Raven by Masochistic Religion, and entry into the writing contest. Only three stories will be chosen and there are 100 spots in the campaign. For $125 you get one of the coffins pictured above (each one individual and only four were made), an ebook and the music download. These adorable Poe dolls are rare and only one set is available for $250, under “Premature Burial,” which also includes an e or print book and the music download.

For other writers, you can pay $1,000 to have a full-on critique of your manuscript and face to face time (or phone depending where you live) with Nancy or Caro. This is a fair price (plus you get the book and the download as well). As a copyeditor, I have easily charged this to copyedit a novel manuscript, though copyediting is somewhat different than critiquing. Who are Nancy Kilpatrick and Caro Soles?

Nancy Kilpatrick is an award-winning author and editor known for her dark fantasy/horror and mystery stories.  She has published 18 novels, over 200 short stories, 6 collections, 1 non-fiction book, and has edited 14 anthologies.  She has worked for major publishing houses and small presses and some of her fiction has been translated in several foreign languages.  Poe’s works have been a lifelong passion and she is thrilled to have this opportunity to create an anthology that honors this exceptional author of style and genius.
Poe, the Raven, nevermore, Caro Soles, Nancy Kilpatrick, horror

Quoth the raven, I have to have my nails done. You know you want them.

 

Caro Soles is best known for founding the Bloody Words Mystery Conference to highlight Canadian mystery writing. She received the Derrick Murdoch Award from the Crime Writers of Canada, was short-listed for the Lambda Literary Award, and inaugurated the Bloody Words Mystery Award several years ago.  She has published 11 novels and many short stories and has edited several mystery anthologies.  She writes and reads mysteries, teaches writing at George Brown College and loves a good ghost story.

Nevermore, the Raven, Poe,

nEvermore! a Poe-inspired anthology. Support the crowdfunding and get the book.

There are many other perks in this crowdfunding campaign, from Poe lunchboxes, action figures, stamps, band-aids and air freshener as well as raven books, nails, magnets and plushies. Some items are very limited so check it out now. New perks will be arriving as others sell out. So how fun is that? Support authors, get an awesome anthology and other fun items. Go here. On for two more weeks. It’s definitely a win-win.

 

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Writing: Marketing at Cons

Literaryliaison sent me this question:

cosplay, fantasy conventions, fans, SF, marketing writing

Dressing like this might get you the attention of an editor. Creative Commons: Florian Fromentin, Flickr

This year, I will be going to my first con. My sister and I will be dressing up as characters from The Hobbit, but we were wondering if a con is a good place to market fantasy. Have you had a lot of success in the past? Do you dress up as one of your characters? We thought that might be a creative idea.

I thought I’d actually write a post about cons and marketing your writing. First, there are three “world” cons. There is World Fantasy Con, World Horror Con and Worldcon. All three move from city to city and sometimes country to country. The first two are what is called a professional con. These conventions are mainly for the publishing industry. The industry is composed of writers, editors, artists, agents and publishers. Therefore your percentage of professionals to fans ratio is very different than Worldcon or any other fan cons. While fans may attend WFC or WHC, they are small in number. But yet, there are still fans but in this case those fans are writers of differing degrees, from the new writer with a first story to sell to the seasoned pros who come to mingle, be on panels, check in with their agents and publishers in person.

Professional cons tend to not have any fan tracks. There will be no gaming, no movies going on, no costume contest, etc. Therefore, there will be no costumes. What has been a somewhat snobbish view in the publishing industry is that if you show up at a pro con in costume you’re just a fan and not really a writer. I don’t agree with this and it’s my pet peeve that WFC is held around Hallowe’en every year and they don’t do costumes. Except last year, in Brighton. I’m also not all knowledgeable in this and it could be attitudes are changing. Those of us that go to the pro cons might affect weird contact lenses, flamboyant clothing and jewellery. I’ve been known to wear a pink brocade tricorn hat. It’s not a costume; it’s my clothing.😉 It’s sort of a subtle way of circumventing the costume rule.

Now I should say I’ve only attended one Worldcon and that there are other very large conventions in various cities, such as Dragon Con in Georgia or Comic Con. The last, while more comic oriented is huge, filled with media stars and people wearing cosplay. I don’t know what writing/pro tracks they have but the norm is costuming.

fantasy authors, writers, professional conventions, World Fantasy Con

Do you think George R.R. Martin cares what you’re wearing? No. But he might not buy your novel either. Creative Commons: dravecky

You could always do a combo at the cons. Definitely dress up, have fun and, if you can manage it, do go as one of your characters. While agents or editors might look askance, or be drawn to your outfit, the other fans will eventually be your reading audience and they count. Writers won’t care. Maybe editors won’t care, especially if you’re wearing one of the skintight outfits of female superheros, or the bare-chested brawny male hero version. Also if they have panels to do with writing and marketing fiction, attend them, even in costume. These panels can give you a wealth of info and you might get a chance to talk to an editor or agent and see what they want. Sometimes there are publisher parties. Another good place to chat with editors and find out what they’re looking for.

If you’re self-publishing, use every gimmick you have to spread the word. Bookmarks, free giveaways and dressing as one of your characters is a good way to make people aware. These days, there are thousands of books and authors, and not everyone who is successful writes great works. Some have good publishers, agents and marketing. Marketing matters, even for people with large publishing firms.

I’ve not dressed up as one of my characters but then I haven’t written a character that I look like at all, but it’s a great idea. If you do happen to go to World Horror or World Fantasy, you might tone down the costuming because you’ll stick out like a sore thumb but with all other cons, you’ll be part of the fun. I do hope though that a good editor or agent would not miss the opportunity to find a great writer just because of a costume. Good luck!

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Writing, Readings and Cons, Oh My!

ChiSeriesVancouverPoster-web-2014This weekend is VCon, Vancouver’s SF and fantasy convention. I haven’t gone in a few years but I will be attending this year and will be on a panel about Finding Your Muse, tomorrow at 1:00 pm. I have a reading at 7:00 pm where I will read from a story that was long listed for the Stoker Award. And on Saturday I will be on a panel about the role of religion in speculative fiction. If you’re not doing anything come on down and experience the breadth and depth of convention fun.

I should also mention that my poem “Family Tree” has come out in the collection They Have to Take You In, edited by Ursula Pflug. “The Collector” came out earlier this year in Cemetery Dance. My story “Pearls and Swine” will be coming out in the New Exile Book of Canadian Noir, and Our Lady of Redemption, plus an article “Universal Monsters” will be out in Nameless Magazine sometime in the near future. And check out this interview with me at the Reality Skimming blog, by Christel Bodenbender.

On Tuesday, Oct. 7, I host the Vancouver ChiSeries. The Chiaroscuro Reading Series started in Toronto and is held quarterly in Winnepeg, Ottawa and Vancouver. I have a great lineup of authors. You can attend for free, listen to the readings, peruses the books for sale and ask questions of the authors. The Cottage Bistro is a nice little venue at Main, near 28th St. and offers drinks and food as well Easily accessible by bus and lots of street parking. Now read below to see who is coming.

SF, free readings, Vancouver, ChiSeries, CZP

Paula Johanson is a writer, teacher and editor.

For over twenty-five years, Paula Johanson has worked as a writer, teacher and editor. Among her twenty-nine books on science, health and literature for young adult readers the most recent are Love Poetry: How Do I Love Thee? (Enslow Publishers), Fish: The Truth About The Food Supply (Rosen Publishing), and the science fiction anthology Opus 6 (Reality Skimming Press). Twice she has been shortlisted for the Prix Aurora Award. An accredited teacher, she has written and edited curriculum educational materials. Recently she completed an MA in Canadian Literature at the University of Victoria.Twitter: @ PaulaJohanson

publsihing, ediucation, SF, writing, Canadian authors

Lynda Williams teaches, writes and is starting a publishing company.

Lynda Williams is the author of the ten-novel Okal Rel Saga and publisher of Reality Skimming Press. Lynda holds two post graduate degrees, manages an e-learning team at SFU and teaches part-time for BCIT in introductory web development. She is also editor for the Collidor project to create an SF web app magazine. http://okalrel.org/reality-skimming/

Alma Alexander’s life so far has prepared her very well for her chosen career. She was born in a country which no longer exists on the maps, has lived and worked in seven countries on four continents (and in cyberspace!), has climbed mountains, dived in coral reefs, flown small planes, swum with dolphins, touched two-thousand-year-old tiles in a gate out of Babylon. She is a novelist, anthologist and short story writer who currently shares her life between the Pacific Northwest of the USA (where she lives with her husband and two cats) and the wonderful fantasy worlds of her own imagination. http://anghara.livejournal.com https://www.facebook.com/pages/Alma-Alexander/67938071280

Secrets of Jin Shei, fantasy, ChiSeries, CZP

Alma Alexander is the duchess of fantasy, or maybe a lost nation.

Come out and meet some of the writers, and chat with us. We’d like to see more of a community that appreciates SF, fantasy and dark fiction. The next ChiSeries after this one will be in January so this is the last one of 2014. Starting at 7:30 pm.

And one more thing, Nancy Kilpatrick and Caro Soles are editing an anthology called nEvermore! It’s an homage to the glorious, Gothic style of the master, Edgar Allan Poe, bringing Poe-inspired fiction into the 21st century. nEvermore! brings together mystery writers (who already include a slash of the supernatural in their writing) and dark fantasy/horror writers (who currently slip across the shadows and touch on the mystery genre).

It’s crowdfunded to support the authors and has some great perks. Some rare Poe stamps, four one-of-a-kind mini Poe coffins, steampunk Poe necklace, glass tile magnets, the book and more perks to come. And for writers who want to join this anthology, there is a contest. Only three stories will be selected to join the other authors in this anthology. Check out Descent into the Maelstrom for contest and writing rules.  Personally I would love any of the perks. It’s an awesome concept and worthy of supporting on several fronts.

About the editors: Caro Soles is best known for founding the Bloody Words Mystery Conference to highlight Canadian mystery writing. She received the Derrick Murdoch Award from the Crime Writers of Canada, was short-listed for the Lambda Literary Award, and inaugurated the Bloody Words Mystery Award several years ago.  She has published 11 novels and many short stories and has edited several mystery anthologies. 

Nancy Kilpatrick is an award-winning author and editor known for her dark fantasy/horror and mystery stories.  She has published 18 novels, over 200 short stories, 6 collections, 1 non-fiction book, and has edited 14 anthologies.  She has worked for major publishing houses and small presses and some of her fiction has been translated in several foreign languages.  Poe’s works have been a lifelong passion and she is thrilled to have this opportunity to create an anthology that honors this exceptional author of style and genius.

So check out the crowdfunding perks and sign up to get yourself some special Poe stories and items. And come out to VCon and to the ChiSeries readings. You can’t get too much of a good thing. October is the official month of bats and pumpkins and things that go bump in the night and slither quietly by day.

 

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Filed under Culture, entertainment, fantasy, horror, poetry, Publishing, science fiction, Writing