Today I interview Catherine MacLeod, who lives in Nova Scotia. Tesseracts 17 is available in bookstores and through the internet.
CA: Pique Assiette deals with a secret and a fear, and how they twine together. Yet your character does not succumb to the darkest parts of either of these. Why did you choose not to go down that path?
Mostly because it would’ve been too easy. Myself, I’ve taken the easy way out too many times. I wish I could say I’m better than that, but I’m not. But it makes me feel better if my characters are.
CA: The technique of pique assiette was fascinating to read about and it parallels the mosaic aspect of your character’s life as she pieces together her destiny. Where did you first come across the craft and the idea for this story?
I first read about it in an old “Martha Stewart’s Living” at the Laundromat. The photo accompanying the article showed a patio table topped with pieces of smashed pottery. Beautiful. I wasn’t interested in trying it, but I liked the idea of it enough to keep researching.
CA: Do you think most peoples’ lives are mosaics, where some pieces take longer to assemble, like a puzzle before they’re truly understood?
Absolutely. Most of them never get finished. I use this theme a lot in my stories. Every choice, idea, stroke of luck, is a piece of the big picture.
CA: Your story could have been a tale of redemption or revenge, yet it is one of acceptance. Is this what you set out to accomplish or was it a
It felt natural to me. I’m come to an age where I’ve realized that the best thing about banging your head on a brick wall is stopping–if you can’t fight something, you have to find a way to live with it. But I think this is a revenge story, too–things aren’t likely to end well for Diane’s latest customer.
CA: What other pieces are you working on that you care to share with us?
My story “The Attic” will be in Ellen Datlow’s anthology Fearful Symmetries, coming out next spring from CZP. That sale meant I could cross quite a few things off my bucket list.
Nova Scotian writer Catherine MacLeod’s short fiction can be found in On Spec, Solaris, Black Static, TaleBones, and several anthologies, including Horror Library #4, Tesseracts Six, Tesseracts Fourteen, and The Living Dead 2. She is haunted by Astor Piazzola’s music, Andrew Davidson’s prose, and Derek Jacobi’s voice.