This is a low-budget, independent film from 2010, written, produced and starring Linas Phillips. It was shown at the Sundance Film Festival.
This was on a disk I borrowed from a neighbor and would never have asked for it. Because of this I almost didn’t watch it. It starts out slow and seems a depressing tale of a guy who is lost, drifting, doesn’t know what to do with his life, lives on people’s couches and generally is failing at trying to have a relationship with a woman who is married. From what I can tell he never gets farther than chatting with her and playing cards. Up until this point I was pretty bored with the meandering, going nowhere life. Then the woman’s husband/boyfriend follows her and tries to beat up Linas. It’s ineffectual, involving two guys who aren’t very physical or macho, rolling about and batting at each other. Linas doesn’t even know why the guy is after him.
After he goes to work on a farm, where he finds some old VW bus that’s been shortened. Without money or purpose he decides to travel east and maybe see his parents. He still entertains a dream that the woman will join him, but the viewer knows that won’t happen. Thus begins another road trip movie.
I found this started slow, depressing, dreary. The cinematography is pretty straight forward, the colors a little subdued. Once Linas gets going on his road trip the tale picks up. The true gems are the people he finds along the way. The small cast, Paul Lazar, Jim Fletcher and Davie-Blue, are also co-writers, along with Sean Porter.
Linas avoids getting beaten, barely, by a yokel who’s woman he was hitting on. Then he meets some guy who just kind of coerces Linas to let him sleep in the van. At first you think he might be a drug addict or nuts and maybe he is a bit. He meets a mechanic who first yanks his chain, then opens up to him. Through these encounters and a few others, Linas begins to find himself. The people come across as real, and have more depth than you think they would at first.
These encounters are the true heart of the movie and make it worth watching. So while the pace is as meandering as the road trip itself, and there is flatness to the beginning, the film builds on its humanity. This is no startling revelation, nor sudden change of fortune. It’s a tale of what life is often like; it continues on, like a gentle curve in the road, sometimes revealing vistas, sometimes potholes, and slowly you see Linas climbing out of stasis and finding a path. I’ll give this 6.5 gallons of gas out of 10.